Life Of A Struggling Peruvian Family

The young male I chose for this interview is from Lima Peru. He is a student and an athlete here at SIUe. He came to SIUe to play sports, more specifically football or as we call it here in the United States, soccer. He is enjoying it quite a lot. This student came to the United States in 2013 and feels that each country has something different to offer.

Peru is located in western South America and it shares borders with Chile, Bolivia, Brazil, Colombia and Ecuador and the South Pacific Ocean. Peru is about 1.28 million square kilometers. There are three major regions in Peru: a narrow coastal belt, the wide Andean mountains and the Amazon Basin. The coast is mostly a desert, but contains Peru's major cities. The Andes has two main ranges - Cordillera Occidental and Oriental. Oriental includes Peru's highest mountain called Huascaran, it a peaks out at 22,200ft. On the east side is the Amazon Basin, a region of tropical lowland, the water there is carried out by the Maranon and Ucayali rivers.

This story revolves around an undocumented family with the hopes that they will be able to live the "American Dream." The second oldest child, Francisco, otherwise known as Panchito who is also our narrator, is the main character of the novel. Panchito exposes a flurry of emotions with his roller-coaster ride of ups and downs, expectations and disappointments. He and his family expressed hope from the start of the story, dreaming of how life would be considerably better once they reached California, somewhere they thought to be a place where they could escape impoverishment. Panchito is shown as a very hopeful character; in fact, there are many times where he hopes for something to the point where he convinces himself it will happen, resulting in the numerous occasions of disappointment and discouragement. Yet, even with the frequent occurrence of disheartenment, Francisco pulls himself back up and perseveres. The author depicts Panchito as a determined character who always manages to push through rough times despite the circumstances around him telling him that he can't.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

"My Grandparents, My Parents and Me." My Grandparents My Parents, Mis Abuelos Mis Padres, Frida Kahlo, C0160. N.p., n.d. Web. 29 May

Enlightenment can have various meanings but in the book Letters from a Peruvian Woman by Francoise De Gaffigny the definition of Enlightenment would be the attainment of spiritual knowledge or insight, which gives an individual a new perspective of another world/culture. In the book the main character Zilia is abducted from her Peruvian Empire where she has grown custom to their culture and lifestyle and taken to eighteenth century Europe. On her journey to Europe Zilia has many pleasant and frightful experiences as she records her adventure in a series of letters to her love Aza who remains in Peru. Unlike a frightened capture, Zilia is willing to learn the European ways and constantly compares the

Cristina Garcia’s Dreaming in Cuban tells the story about three generations of a Cuban family and their different views provoked by the Cuban revolution. Though part of the same family, an outsider might classify them as adversaries judging by relationships between one another, the exiled family members, and the differentiations between political views. Although all of these central themes reoccur over and over throughout the narrative, family relationships lie at the heart of the tale. The relationships between these Cuban family members are for the most part ruptured by any or a combination of the above themes.

Fernandez’ “Poem for My Grifa-Rican Sistah Or Broken Ends Broken Promises” tackles the main problem of seeking individuality. Due to the entertainment industry and media, the general population continues to struggle with the action of conformity. Such as the ideal “American” image and status of a woman, as well as man. In Fernandez’ poem, she displays the act of trying to fit in by stating “Clips and ribbons / to hold back and tie / oppressing baby naps / never to be free.” However, although individuals in democratic societies are free to make choices and express their opinions, the price of such freedom is sometimes the subjugation of individual choice to the general will as illustrated in Rousseau’s social contract, “Man is born free; and

However, the character’s dreams of moving to America in order to gain their independence and freedom gave me a moment of pause. This family was leaving behind a lifestyle of comfort and privilege. They were educated, financially secure, and had house servants. This surprised me as I have always conceptualized immigrants to be financially destitute coming from a life of severe

Collectively, these literary images go to describe a young ethnic man, probably of Latin descent, who lives with his mother in a poverty stricken area. The careful recitation of instruction given to the younger man seems to demonstrate an intricate knowledge the narrators has accrued from both predecessors and experience. Singularly, this part of the story is very powerful in that it shows a young man having to hide who he is and where he comes from in an effort to seem appealing to women, and speaks volumes about the deception that both genders go through all in name of the chase.

Continuing in the theme of conformity; if the boys are united by their heteronomy, Cuellar’s castration, in contrast, is the source of his ostracism. His unfortunate accident is a wound that ‘time opens instead of closes’, and as the story progresses, Vargas Llosa juxtaposes the boys socially inclusive youthful pastimes of football and studying mentioned earlier in the novel with his comparatively solitary penchant for the ocean and surfing “a puro pecho o con colchón” (94) in chapter five. In this passage, his distance from the others is symbolised by the isolation of the sea; the narrator says the water “se lo tragó” (95) and later, the boys state that “se perdió” (96). Clearly, Cuellar’s failure to partake in the testosterone fuelled rituals of sexual maturity in the city has seen him shunned from the rest of the boys and resigned to hanging out with “rosquetes, cafichos y pichicateros” (96) instead – the modern, metropolitan outcasts. Evidently, Cuellar is incapacitated by this highly heteronormative lifestyle, as the inherent masculinity of the city is a fixed identity that will perpetually exclude him, or anyone else who cannot fulfil Peruvian societies idea of gender appropriate behaviour.

Tapahonso’s novel is filled with poems and short stories that encompass her Native American tribe the Navajos. As you follow along the journey she takes you, you are able to learn about the importance of a child’s first laugh, the creation of her people, and even how in “Tune Up” children have to come home in order to feel at peace with themselves, their lives, and their culture. “The port presents her memories— ‘long time ago stories,’ as she calls them—as explanations of the Dine way of life to her grandchildren (Vasquez).” This novel is written more for her family and tribe then it is for an outsider. However, as a reader you feel that you are invited into a private world that rarely gets seen.

Movimiento Manuela Ramos (MR) was founded by a group of women who were previously involved with leftist parties and expressed a particular interest in social organization among low- income segments of the Peruvian population. Despite its polarized beginnings however, the movement did not maintain its political ties and promptly abandoned all previous political affiliations upon the official founding of the organization in order to ensure an impartial assessment of women’s issues. The founders’ interest in providing aid for low- income women inevitably shaped the movement’s program trajectory, driving MR to work with grassroots organizations and in opposition to feminist groups that only provided aid to middle class women. As such, the movement’s initial work began among working- class women, including those who lived in urban, working- class settlements as well as those who resided in the squatter developments that surrounded Lima, and focused on providing health, legal, and communication services for these women.

As a developing economy, Peru is vulnerable to a host of financial forces which include tax implications, currency risk, and runaway inflation. The Peruvian central bank made two important decision in the early 2000s to control inflation and manage currency exchange risk (Dancourt, 2015). The result of the Peruvian Central Bank’s monetary policy has been remarkable. Inflation in Peru has been at its lowest point in decades and GDP has been at its highest point in decades (Dancourt, 2015).