Like Water For Chocolate Themes

The images in the movie relate very closely to the amusing feeling the book gives us, giving us a high angle on the guests and long shots, showing us collectively how everyone was crying. At that night Nacha dies, and shatters Titas world. Later on Pedro gives Tita roses, and she decides to make quail in rose. The passion dripped from her to the dish, and made Gertrudis the older sister think of sinful thoughts. The aroma arousing from her reaches to a soldier Juan, who was Gertrudis dream, the moment is described magically: “A pink clod floated toward him, wrapped itself around him…naked as she was, luminous, glowing with energy… without slowing his gallop, so as not to waste a moment, he leaned over, put his arm around her waist, and lifted her onto the horse in front of him, face to face” (pg 55-56). The movie draws a great parallel here, the picture is blurry a little as if it is a dream, and for the first time in the movie, which is very dimly lit and poorly lighted, the picture is bright, with a flowing movement of the two as they disappear. One of the most significant moments in the book is when Tita delivers Rosauras baby Roberto, the thing she loved the most. In the movie however, the whole phase of taking care of Roberto in the kitchen and feeding him is very brief, which is very confusing for later scenes. As mama Elena senses that Pedro and Tita might have an affair going on, she sends them to one of her relatives in the United States.

Tita is the youngest daughter so it is her job to take care of Mama Elena. Mama Elena knows the power that this gives her and abuses them by holding them over Titas head. Mama Elena makes Tita miserable by using the power

Mama Elena refuses and offers her eldest daughter instead, confirming another tradition- that the oldest daughter must marry first. Pedro accepts so he can be close to Tita. While preparing for the wedding, Tita focuses on the white cake and the white icing. The white wedding cake symbolizes her hopeless love and the impure marriage that is about to take place. White relates to Tita's virginity, which she can never escape. The color also represents the typical ideals of womanhood and femininity which Tita can never experience because she is bound to tradition. At Pedro and Rosaura's wedding, guests stare at Tita, aware that she has broken the family tradition by falling in love. She is harassed by their comments but she remains strong. The cake, effected by Tita's tears, poisons the guests and ruins the wedding. Rosaura's perfect white dress is ruined, exposing the impurity of the union. Only when Mama Elena dies, Tita is free to marry. She is engaged to John but decides not to marry him because she believes she is pregnant with Pedro's child. Her love for Pedro is too strong for her to marry another man. Even though she is free to marry someone she loves she doesn't; Tita chooses to once again cross the boundaries of society and has an affair with Pedro. Once again through death Tita is freed. When Rosaura dies, Pedro and Tita are free to show their love. However, their

Tita was born in a family with strict rules and traditions. It is tradition that keeps Tita and Pedro apart. Even though Tita and Pedro are madly in love with each other. However, because tradition demand that Tita the youngest daughter does not marry in order to take care for her parents. “For generations, not a single person in my family has ever questioned this tradition, and no daughter of mine is going to be the one to start”. (10). Tita mother makes this statement to shows that she has power over Tita life, she’s not going to let anybody come between her decisions and explained to her that tradition could not be broken. Later in the story, Pedro fails to gain Tita’s hand in marriage when he speaks to her mother. Instead Elena offer Rosaura the middle sister to marry Pedro in which pedro agrees. “When you’re told there’s no way you can marry the women you love and only hope of being near her is to marry her sister”. (15) This news leaves Tita broken-hearted because she imagines this could have been her, marrying her true love, having a future with him, and probably having children with him. Instead she is doomed to served her

Tita 's fear and her dislike towards her mother is also clarified in the film when Tita, as a child, hides behind Nacha 's apron as soon as Mama Elena enters the kitchen. Tita 's resistance to Mama Elena 's cruel demands are evident again when even after Mama Elena scolds her and orders her to stay away from Pedro, she is still happy knowing that Pedro still loves her:

Cruelty and violence have been often a solid influence with Mama Elena towards Tita. The psychological damage that Mama Elena cause Tita took effect after, Tita heard news of the death of her nephew Roberto. According to the chapter five (99) in the month of may. Mama Elena took a wooden spoon and smashes Tita across the face. The act of cruelty and the violent behavior of Mama Elena. In addition to Mama Elena attitude toward the death of her grandson being callous and tactless. This causes Tita to hide in the dovecote overnight. Where the psychological damage began to surface. When the Dr. Brown came to retrieve Tita from the dovecote, only to find Tita there naked with a broken nose and holding a dead pigeon. Tita then became suffer in silences for the next coupled of months. Instead of Mama Elena seeking professional help for Tita to get better, Mama Elena suggested that Tita be taken to the asylum.

When Pedro asks for Tita’s hand in marriage, Mama Elena refuses, stating that Rosaura, who is two years older than Tita, is a better option. Mama Elena states that Rosaura is, “…one hundred percent available, and ready for marriage...” (Esquivel, 13) Despite his love for Tita, Pedro marries her sister, believing that doing so will forge a closer bond between the two. When his father asks his son why would he marry Rosaura Pedro’s response is that he is going to marry, “with great love for Tita that will never die” (Esquivel, 15). Throughout the story, even after she dies, Mama Elena remains an almost foreboding obstacle between Tita and Pedro.

Additionally, the sorrow that Tita felt was also unintentionally transferred to others. . Specifically the wedding cake in which she managed to communicate her longing and sadness to Rosaura and Pedro 's wedding guests. As she prepared the Chabela Cake, her tears fell into the batter and icing. "The moment they took their first bite of the cake, everyone was flooded with a great wave of longing...Mama Elena, who hadn 't shed a single tear over her husband 's death, was sobbing silently. But the weeping was just the first symptom of a strange intoxication-an acute attack of pain and frustration-that seized the guests and scattered them across the patio and the grounds and in the bathrooms, all of them wailing over lost love" (Esquivel 39). The tears affected everyone at the wedding banquet with longing for lost loves, so much so that they become physically sick. They were literally love sick and Tita was responsible even though she had no idea what she had just done. In the same manner, even though Tita didn’t actually make the hot chocolate from story’s title "Like water for chocolate", it still symbolizes her biggest emotion. It is learned that once she hears Rosaura tell Alex about

Secondly, Mama Elena’s control over the ranch makes it so not only people’s health is damaged, but also other problems. This is shown when Mama Elena makes the decision of marrying Pedro to Rosaura instead of Tita “Mama Elena came into the kitchen and informed them she had agreed to Pedro’s marriage--to Rosaura”(14). This of course becomes a problem when Tita and Pedro’s love still exist.

Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and

Mama Elena, sensing Tita's reluctance to participate in her sister's upcoming wedding, warns her, "I won't stand for disobedience... nor am I going to allow you to ruin your sister's wedding, with you acting like the victim. You're in charge of all the preparations starting now, and don't ever let me catch you with a single tear or even a long face, do you hear?" (27). At the wedding party the following day, although Tita keeps a perfectly calm demeanor, her true feelings about her sister's marriage to Pedro are revealed in the guests' first bite of the Chabela wedding cake. "The moment [the guests] took their first bite of the cake, everyone was flooded with a great wave of longing... [T]he weeping was just the first symptom of a strange intoxication that seized the guests" (39), all but Tita, on whom the cake had no effect. The author uses the cake's effect on the guests to reveal first, Tita's grief over her loss of love through the guests uncontrollable weeping and second, her disgust over her sister and Pedro's

“The night of the wedding reception she had gotten a tremendous hiding from Mama Elena, like no beating before or since…What motivated such a monstrous punishment was Mama Elena’s conviction that Tita has deliberately ruined Rosaura's wedding by mixing an emetic into the cake.” Mama Elena beated her brutally up and she does not trust or respect

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. The physically punished Tita endured, multiple times, by the hands of Mama Elena, forced her to live the life as a servant and a house cook; as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). While under Nacha’s care, Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, and if Mama Elena saw signs of Tita disobedience, she would strike Tita in rage. The preparations for Pedro and Rosaura’s wedding was Tita’s responsibility, which Mama Elena placed Tita in charge just to lower her spirits and eliminate any hope she may have within, causing Tita to have a weak moment that triggers her to hallucinate. In the opinion of

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. Tita was physically punished multiple times by the hands of Mama Elena, and forced to live the life as a servant, and punished to cook, as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, under Nacha’s care, and if Mama Elena saw signs of Tita being disobedient, Mama Elena would strike her in rage. Mama Elena put Tita in charge of the preparations for Pedro and Rosaura’s wedding to lower her spirits and eliminate any hope she may have within, which caused Tita to have a weak moment and triggers her to hallucinate. In the opinion of a journalist, Justine Baek, which was

But of course Rosaura was hurt because of the fact that he brought Tita roses instead of her and Mama Elena did not approve and told Tita to throw them out, but Tita didn’t listen to her so she went into the kitchen to express them the best way she could which was through food, so she cooked the quail in rose petals sauce making the food have a sexual tension especially towards Gertrudis. When Pedro complimented the food Mama Elena downgraded it and Rosaura excused herself. Gertrudis was feeling very hot and lusty causing her to go to the bathroom and shower herself but that didn’t help and the heat from her body cause the bathroom to catch on fire which made her run out of the bathroom naked the opposite way of the ranch, pg. 51 in “Like Water for Chocolate says “The delicacy of her face, the perfection of her pure vaginal body contrasted with passion, the lust, the leapt from her eyes, from every pore. These things, and the sexual desire Juan had contained for so long while he was fighting in the mountains, made for a spectacular encounter.” The tension that she was feeling made her run away from the ranch with Juan on the horse and from there that’s when Gertrudis made love for the very first time. Those two examples were the two major recipes that showed how much Tita’s cooking had a big impact on the people that surrounded her and what it did to them to affect them.