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Literature Review : Music Education And Developing

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Chapter Two: Literature Review

Music Education and Developing Musicality
Many researchers have studied the subject of teaching music and methods to increase musical understanding in the elementary and secondary school settings. Many pedagogical developers have presented methods in which they feel are most effective. “Critical pedagogy is not a traditional music-teaching method, as it combines philosophy and pedagogy, theory and practice. Unlike Orff, Kodály, or Dalcroze, there are no specific teaching techniques or prescribed body of musical repertoire students must hear or perform in the classroom. There are no required materials, such as instruments or tennis balls, and no prescribed scope and sequence” (Abrahams, 2005, p. 12). Abrahams continues that pedagogy comes from a rich and varied music program, and encourages multiple and liberating experiences in the learning process.
The term musicality often brings up more questions than it answers. Merriam-Webster defines musicality as “sensitivity to, knowledge of, or talent for music; or the quality or state of being musical.” Music educators inspire to teach their students to be sensitive to music, have a knowledge of music, and develop the inward talent the student may have for music. As these concepts develop, students enter into a state of “being musical.” The foundation of being musical is music literacy. Music literacy includes reading note names from a staff, identify note values, interpreting rhythms, and

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