Luciano Farnese Essay

The building is four stories high made of brick, tile, and concrete. The east façade also has Classical features such as a frieze, dentils, cornice, raking cornice, entablature and an architrave. The front of the façade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2).

Stability and balance is also achieved through the incorporation of the vertical and horizontal planes. In the southwest facade of the building the vertical slits are balanced with the horizontal planes created by the cubes, cornice and the ornamental horizontal band that runs halfway through the walls. These vertical and horizontal planes further dictate a rhythmic continuity throughout the building. Building's scale is rather modest in comparison to its site and the surrounding landscape and the smooth texture of the facade helps its integration to the environment. (Figure 4)

Work began on the stone convento, or priest’s residence, by 1727. Replacing earlier adobe structures, the two-story, arcaded stone building eventually included two wings along the west and south edges of an inner courtyard, immediately north of the church. The convento, now known as the long barracks, also served to house the friars, offices, kitchens, dining room, and guest rooms.

elegance, and color. The structure is an octagonal exterior wall placed under a golden dome. The

Congresswoman Suzanne Bonamici was elected in 2012 to represent Oregon’s first district, which is located Northwest of the state. Bonamici is currently on two committees which are Education and Workforce and Science, Space and Technology. Her main priority as Congresswoman is to advocate for federal policies that can benefit working families a chance to succeed in the economy. Bonamici has been a big advocate in not only helping workers to become financially secure but also saving up for their retirement. Congresswoman Suzanne has been a strong supporter of raising the federal minimum wage, giving workers the opportunity to voice their opinion in their jobs, paid family leave and giving women the opportunity to have access to family

Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

a. St. Peters of Rome built in Vatican City was built in Italian renaissance style.

From the observation tower the horizontal building’s three parallel bands can be seen that extend into the lush landscape. The architects’ concept was to immerse the museum in nature by creating a set of three bracketed pavilions under one roof surrounded by gardens. The roof can be seen as

Il Grande Sogno, otherwise known as the big dream, is a complex story of love. It just happens to be during a time of political turmoil, when the student protests in the 1960s were happening. In 1968 many students led occupations occurred in the University of Rome. In similar fashion, the movement raised in several Eastern Bloc countries following World War II. The goals of the student movement were that of social reform; such as anti-capitalism, anti-imperialism, anti-racism, civil and political rights, environmentalism, feminism, and liberalization. To put this in another way, the student movement was an embrace of the New Left wing political party. On March 1, 1968, the right-wing and left-wing students stood together at Rome University.

Historical buildings play an important role in describing the social and cultural beliefs and values of a place of its establishment. People visiting the historic buildings are able to develop a proper insight into the community beliefs and practices that exist at the time of construction of a building (DuTemple, 2003). In this context, the present essay examines and evaluates the way in which the architectural building of ‘The Colosseum’ describes the societal and cultural values of Rome. In addition to this, the essay also demonstrates the technical and spatial features of the buildings and illustrates the way through the building is able to develop a language of classical architecture in Rome. The thesis statement of the present essay can be stated as ‘The extent to which the architectural building of ‘The Colosseum’ in Rome depicts the cultural and societal values and principles practiced in Ancient Roman Society’.

His many works include the “Palazzo di Parte Guelfa,” the “Rotonda degli Angeli,” and the “Ponte a Mare at Pisa.” There is however some debate to whether Brunelleschi was responsible for the original designs for the Pitti Palace. After his death he was buried in Santa Maria del Fiore. However, his tomb was not discovered until 1972 (Lombroso 5).

The interior of the bank is far more ornate than the exterior. One of the features of the banking chamber is the appealing cast iron columns and decorated trusses. The cast iron columns and scallop brackets are locally made in a Carlton foundry. Each column capitals was designed differently with wrought copper flowers, foliage or vegetatbles. The cast iron metal trusses were painted and decorated to relate harmoniously to the colomns’ colouring. The practice of combining structural elements and decorations were accomplished in the Gothic idiom.

The Palazzo della Signoria and the Doge’s Palace both were used for political purposes. The Palazzo della Signoria has a tall layout to it. It has a tower on the top of the building with statues around the front of it. “The pro-papal group commissioned a large structure to house their governing council and to serve as the symbol of the political independence of the city” (Davies et al.). The Doge’s Palace is longer more than it is tall. There is more attention to the center window of the building with its statues on that piece only. The intricate design of the exterior is much more detailed on this building. This building was used as a meeting place for the Great Council. “As well as being the home of the Doge (the elected ruler of Venice)

The entryways of the building come from four different sides and meet in the middle. The overall shape of the building creates different views and facades. The building was not created just on the looks of it; it is made up of a three dimensional, stimulating, tactile human thing.

Centered in the house is a ramp that takes you on a journey from the underbelly of the house on the ground floor to the main body on the first floor and then on to a roof garden. Throughout the house views of the surrounding nature are framed, your mind is free marvel, as the forms evoke a sense of exploration and delight. Villa Savoye is better experienced than viewed through an image, only then can you understand the greater meaning and purpose that informs its beauty. One might argue that this is not beautiful architecture and a poor example, however upon visiting this house you cannot deny that the house is beautiful in its own right, evoking a response from the occupant. Le Corbusier’s masterpiece is moving; therefore achieving what he believed architecture to be about. This experience and the emotion that is felt can only be described in words. Shapes play a big role in the architecture but clearly the meanings behind are more important.