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Lullabies For Little Criminals Analysis

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Lullabies for Little Criminals: Journal Entries At the beginning stages of reading Lullabies for Little Criminals, written by Heather O'Neill, I developed the impression that it was going to be very sad and depressing due to the difficult storyline. As I continued to delve deeper into the plot, I became very intrigued by the novel as a whole, but particularly the protagonist of the story, Baby, as her childhood is dysfunctional which intrigues and emotionally stimulates the reader. The novel commences by providing the reader with insight into the history behind Baby’s birth. Both of her parents were "fifteen when [she was] born” (O’Neill, 4) and her mother “died a year later, [leading Jules] to raise [Baby] all by himself" (O’Neill, 4). As …show more content…

However, as the plot advances and Baby ages, she begins to discern the unfortunate events and conflicts that come along with Jules’ immature tendencies. Baby becomes aware that they posses an insufficient amount of money and that “Jules ha[s] a little kid’s sense of time…[and] d[oes]n’t have any problem solving skills” (O’Neill, 6). In addition, she becomes aware that he is an intermittent presence and constant source of chaos in her life. Due to his drastic heroin addiction, he is forced to spend time in the hospital and rehab, which leaves Baby forced to constantly re-adjust to new situations, people, foster homes, and places, all while she longes for stability and a normal life. As a result, Baby feels that the world is moving too quickly and she has “to hurry to catch up with it” (O’Neill, 62). This reveals her comprehension of the fact that she is being forced into premature maturing due to her lack of supervision and displays her struggle to keep up with the quick pace her life is moving in. Furthermore, I also discerned that O’Neill’s descriptive language makes everything seem more appealing, no matter …show more content…

For example, she displays to us the “tiny black stars” (O’Neill, 6) on the ripped blue paper that’s peeling off of the walls when Baby moves, yet again, to a new appartment. In addition, her vision of rehab for Jules, in “a really mountainous area with tons of trees and country cabins” (O’Neill, 76), is so idyllic that the reader is able to comprehend why Baby might resolve to becoming a drug addict— she witnesses Jules so happily ensconced. I believe O’Neill chooses to write this way to display Baby’s positive mindset through all the difficulties she is encountering in her life. However, it becomes apparent that her optimism is starting to melt away as she begins to discern her father’s true colours. Each time she reunites with him, she becomes more conflicted about their relationship and the older she gets, the more difficult it

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