Main Events in the Career of Albert Speer Essay

Throughout the history of the United States, ingenuity and creativity have been a strong point in the development of the United States. In designing the buildings for the World’s Fair, Daniel Burnham shows his talent in architecture by creating new and innovative designs with his partner John Root. Both Burnham and Root had been already successful architects and known for their designs. Even before Chicago was confirmed as the site of the

We were asked to create a prototype of ITW David Speer to show how we would minimize traffic around the area. ITW has a maximum density of 80 pc/ln/hr; it’s at a Los F which is the worse possible congestion you could experience. It faces the most congestion on the main streets such as Laramie, Grand and Central. We are also improving the health in humans such as stress levels through this new design. We must test and evaluate our results to ensure it meets the restrictions of it being Los F to becoming Los C or above. In order to improve all this we were given a budget of 2 million dollars.

In 1930 while working as an academic at the institute Technology Berlin Speer attended a Nazi Party rally. For the most time he heard Hitler speak about

There have been many comments and different opinions from historians on Speer. One of the historians commenting on Speer is journalist and military historian, Dan Van der Vat. In his book “The Good Nazi: The Life and Lies of Albert Speer” he states that Speer was an ‘opportunist’ and ‘charmer’ who worked only for his benefit. He describes Speer as someone who deceived others and was an ‘emotional cripple’. Van der Vat’s condemning views on Speer explore how the architect’s every move and action after the war ended was to make him appear like the ‘good nazi’; his ‘collective responsibility’ at the Nuremberg Trials and his un-stereotypical Nazi demeanour that many journalists found odd. The press demands for Speer’s experience was huge and he was free to say what he wanted even if that meant leaving out the bad truths and saying all the good things to cater to the audience. The interviews served as a form of propaganda. Van der Vat did not believe any of Speer’s sugary ‘lies’ stating that Speer was not who he seemed and simply was not oblivious to the anti-Semitism. “…Speer was not an absent-minded, eyes averted, amoral non-spectator of Nazi anti-Semitism but an active participant…” – Van der Vat, pg192.

3) The ascent of National Socialism. In 1923, Hitler held a meeting of all high-ranking Nazis in a beer hall in Munich, where he revealed his plans for a coup. This failed attempt to overthrow the Weimar government would later be known as the Munich Putsch, which “gave the Nazi’s unparalleled publicity”. The use of the radio in order to spread the National socialist message played a pivotal role in the Nazi parties’ popular rise in society. Due to the ramifications that Germany faced after the First World War, the nation had unquestionably lost faith in tradition and their priorities had shifted to populist nationalism. On the eve of Hitler’s appointment, victory parades took place in dozens of German settlements. The capital saw nearly a million Berliners demonstrate their commitment to the National Socialist party who had pledged to establish “a strong-willed and strong-armed racial state” in “a very new twentieth-century Germany”. History shows that Hitler’s tremendous and irrefutably passionate presence came about at the perfect time, filling the void created by populace sentiment. Much of the

His role was as a gas-van driver, where he would drive a van and the exhaust would feed into the back area of the car, suffocating the Jews seated there. Burmeister claims that he was “…too influenced by the propaganda of the time to have refused to have carried out the orders [he] had been given” Whether or not it can account for it, this manipulation of strategic propaganda could have influenced why Germans either became a part of the Holocaust or simply chose to ignore it.

Through the analysis of events and constructions relating to the works of Speer and Hitler, it can be clearly seen that, unlike Krier’s statements to the contrary, the works constructed during the Nazi period cannot be separated from their political surroundings and must be observed and examined within their political context. By recounting events within the Nazi regime relating to the constructions and building works of the regime it becomes clear that the works are not only intrinsically linked to the political context, but are a means in order to expand and concentrate political ideology.

The dominant political figure of German history in the twentieth century, Adolf Hitler, was born in a lower middle class family in the provincial Austrian town of Braunau am Inn on 20 April 1889. In 1907 Hitler applied to enter the Vienna Academy of Art but his application was rejected. After the death of his mother Klara, Hitler decided to move to Vienna. He drifted from job to job, often selling sketches or painting scenes of Old Vienna and it was a period that he himself later called the most miserable period of his life. Many of Hitler’s views of the world were shaped by his experiences on the streets of Vienna and it is probable that his violent anti-Semitism dates from this time.

1. The first exhibit that I experienced was a film on Hitlers' rise to power. It showed how he played on the fears of the people by using propaganda to promote himself to becoming Chancellor of Germany. Ever though he lost the election, Hindenburg on January 30, 1933 appointed Hitler Chancellor.

Adolph Hitler wanted the 1936 Berlin Olympics to be a large scale national spectacle. So that the rest of the world could see the glory of Nazi Germany, he hired film producer Leni

His advanced ability to deliver a persuasive speech and his use of propaganda made Hitler a favorable leader in the public eye. He created rally grounds to boost the Nazi morale. His trademark, the infamous swastika was a well-known symbol placed everywhere in Germany to remind the public who was in charge. Having to hail to Hitler every time a person passed the Feldherrnhalle wall and were found in Hitler’s presence was a show of propaganda that was the same as brainwashing. In old videos of speeches you see citizens or soldiers with their hand up, this was the salute to Hitler. The Nazis constructed stone buildings and death camps and walls that made Germany look much more intimidating. Hitler was able to put a new sense of German

Adolf Hitler gained chancellorship in January 1933, transforming the political ideology of the Weimar Republic to a one-party, totalitarian dictatorship – Nazi Germany. Richard Wagner; born on May 22, 1813, died February 13, 1883 – six years before Adolf Hitler’s birth – was a German composer known for his operas and “music dramas.” Adolf Hitler was first introduced to Richard Wagner’s works at the age of twelve, observing one of Wagner’s operas; Lohengrin. Hitler wrote how “At the age of twelve, I saw … the first opera of my life, Lohengrin. In one instant I was addicted.” After being denied enrollment in the Academy of Fine Arts, Hitler joined the Austrian military service in 1914 – serving in the army when World War I broke out. After Germany’s defeat, Hitler began political work in 1919, joining the German Worker’s Party. In 1920, he was in charge of the propaganda, devoting himself to advancing his position in the party. Renamed as the National-sozialistische Deutsche Arbeiterpartei – Nazis, resentment at the loss of World War I and economic losses caused discontent within the party.

In 1936, the summer Olympics were hosted in Berlin. Hitler was the chancellor of Germany at

Hitler was the authority, who ultimately decide what art was and what it was not. He felt himself entitled for the job, which left me very surprised to learn that after all he was an artist too. It is almost difficult to judge the art work equitably when you know Hitler painted them. The art itself is much as I thought it would be from the few examples I’ve seen, he doesn’t have much to say about his subjects. His architectural paintings demonstrate a part of respect to form and line, the buildings show a firm grasp of detail and perspective, and are competent.

Fascism is a form of radical authoritarian nationalism in early 20th-century Europe. Nazism is the ideology and practice associated with the 20th-century German Nazi Party and Nazi state. The architecture of both political movement has placed essentially in their ideology. This essay will demonstrate fascist architecture’s characteristics first, followed by characters of nazi’s architecture; lastly illustrate the similarity of the place of architecture in the two political movement.