Masculinity In Jane Eyre

Mr Rochester continues to manipulate the conversation to his advantage, he wants to know all about Jane and in a small conversation he learns she is an orphan with no other family, she was shunned by her Aunt Reed and since has lived a life of an nun. He also requests that she proves her accomplishments, when she states that she can a little piano he orders her to play, although he does recognize that he is ordering her about, but states that he cannot treat her differently from the other “inmates” of Thornhill. He continued to question her abilities when he views her sketches, presuming that she is not capable of such work on her own. He keeps her in conversation for some time but very quickly turns it round on her when he recognizes that Jane has allowed Adele to stay up later than usual, “what are you about, Miss Eyre, to let Adele sit up so long? Take her to bed.”

In its simplest form, Charlotte Bronte’s Jane Eyre tells the story of a young woman, Jane Eyre, who grows up poor, makes the decision to be independent, does so, and, eventually, marries rich. The novel follows her from her childhood to her reunion with the love of her life and she, throughout it, deals with classism and sexism and exhibits her own form of feminism. By the end, it becomes clear that, with this semi-autobiographical novel, Charlotte Bronte was providing a criticism on society’s discrimination toward those of a lower class, a subtle argument against the male-dominated society’s treatment of women, and an even subtler call to action for women to find their own agency outside of the men in their lives. On another end, however,

When Jane enters Thornfield she thinks she is going to work for a woman named Mrs. Fairfax, but she does not. She works for a mysterious man name Mr. Rochester. This man is going to be an import aspect of Jane’s life. Jane works as a governess to a young girl named Adele. Jane encounters Mr. Rochester when she goes for a walk and runs into Rochester, whose horse is injured. After the encounter Jane and Rochester start to gain interest into each other. Mr. Rochester is a man with a large amount of money and Jane is a woman with very little money, the fact that she works for Mr. Rochester defies their unprofessional relationship. “Like governesses, these marriages between older men and younger women were viewed with great ambivalence during the Victorian period”(Godfrey). Both characters develop strong feelings for one another and become close to getting married but a discovery of a secret puts the marriage to a halt. After

It instead shows Jane’s inner struggle to do what is “right” versus what she desires. The separation between the voice of herself and her thoughts exhibits her helplessness to change her path from what her mind has already decided. This displays the heavy influence society has on Jane, which is further proven by the personification of Jane’s two strongest rivaling emotions. The heavy influence of a patriarchal dominated society is evident in her “Conscience” being a strong male figure, whereas her “Passion” is a weaker, feminine figure. Similarly, the strongest reasoning for Jane to leave Thornfield is driven by the patriarchal demand for a female to remain “pure” until holy marriage, rather than Jane’s own desire to leave, further solidifying the idea that the voice given to her mind is not just her own internal thoughts, but also the demands and expectations of

Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is

In Charlotte Bronte’s’ “Jane Eyre”, Rochester uses disguise and duplicity to achieve his desire of marrying Jane. By doing so; he defies state law and divine will. Consequently, Rochester suffers physically, emotionally, and financially.

Before she can become Rochester 's wife, Jane must prove her acceptability based on class. Does she have an upper-class sensibility, despite her inferior position at Thornfield? For example, when Bessie sees Jane at Lowood, she is impressed because Jane has become "quite a lady"; in fact, her accomplishments surpass that of her cousins, yet they are still considered her social superiors based solely on wealth. The conversation emphasizes the ambiguities of Jane 's family 's class status and of the class system in general: Should a lady be judged based on academic accomplishments, money, or family name? The novel critiques the behavior of most of the upper-class characters Jane meets: Blanche Ingram is haughty and superficial, John Reed is debauched, and Eliza Reed is inhumanely cold. Rochester is a primary example of upper-class debauchery, with his series of mistresses and his attempt to make Jane a member of the harem. In her final view of Thornfield, after Bertha has burned it down, Jane

Charlotte Brontë’s coming of age novel, Jane Eyre, deals with the struggles of womanhood and finding strength in the toughest of times. Jane Eyre is a young woman who, throughout the novel, becomes stronger and more independent. In Essaka Joshua’s critical essay, “‘Almost my hope of heaven’: idolatry and messianic symbolism in Charlotte Bronte's Jane Eyre,’” he analyzes the idolization of character’s as gods; however, in Judith Leggatt and Christopher Parkes essay, “From the red room to Rochester's haircut: mind control in Jane Eyre,” they analyze the idea of mind control in Jane Eyre.

Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.

Jane would not like to be poor as poverty is looked down upon and equivalent to being an immoral and degraded human being. For Jane to be a respectable woman in society she must remain with the Reeds. John acknowledges Jane’s dependency: “You have no business to take our books; you are a dependent, momma says; you have no money; your father left you none; you ought to beg and not to live here with gentleman's children like us, and eat the same meals we do, and wear clothes at out mamma’s expense (14).” Jane is continuously reminded of her inferior position at Gateshead and powerless dependency to people that do not even love her. At this early age Jane has already been integrated into Victorian society as negative notions about the poor have been internalized. Born the daughter of a poor clergyman, Jane is believed to be of lesser value than the Reeds; however, she has passionate tendencies and is unable to control her emotions when necessary.When being abused by John and accusing him of being “like a murderer” (14) she is described as being a “picture of passion (15).” Jane must learn to temper her “fire” because untamed emotions have consequences. Her consequence comes when she is imprisoned in the red room, a visual representation of the intense emotions that have manifested in

While Jane’s time at Gateshead demonstrated her immense sadness, Jane’s time at Thornfield reveals her sadness through depression, as it begins to evolve into anger and an internal struggle. Her correlation with madness and anger begins to appear when she goes into the attic. She states “I climbed the three staircases, raised the trapdoor of the attic, and having reached the leads looked out afar over sequestered field and hill, and along the dim skyline- that then I longed” (Bronte 114). Jane is trapped inside herself. She longs to escape from her emotions and internal struggles, yet cannot. The attic, the abode of Mr. Rochester’s insane wife, houses Jane’s emotions. She climbs up to the attic and views the world beyond it. She

The final chapter’s of Bronte’s Jane Eyre have been a subject of discussion since it’s first publication. Many say the the ending does not fit and other argue that it does. There is a lot of evidence pointing to the latter. The conclusion reveals the fate of Mr. Rochester and Jane, Adele, and of St. John. All of the endings, a mixture of both happy and tragic, to fit with the entire story and can explained because of the Victorian era. This essay will argue that the conclusion of this novel, more specifically that Jane does go back to Mr. Rochester, is extremely fitting to both the plot and the essence of the novel.

As a governess, Jane is shown the life of the luxurious. Mr. Rochester's mansion is overwhelming, and his parties are extravagant. Mr. Rochester speaks to her frequently, because he needs someone to listen to him. When Edward reveals to Jane his former cheating wife, she feels a connection to him on personal level. Jane has never felt this since her relationship with Helen Burns at Lowood. Jane becomes

Through the Victorian Age, male dominance deprived women from a certain freedom. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. John Reed controls Jane, Mr. Brocklehurst humiliates Jane, and Mr. Rochester sees women, in general, as objects. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

Moreover, Jane is dominant, assertive and lives according to her values. Though Jane is nothing more than an impoverished governess, she can retort to her haughty employer Rochester: "Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? - You think wrong!" And there are no deceit between Jane and Mr. Rochester; rather they converse as almost equals even though they are of different classes and Mr. Rochester is over twenty years Jane's superior in age. In many ways, Mr. Rochester speaks to Jane rudely and sharply; he is commanding in nature and often very diminutive toward her although never in a nasty manner. She criticizes him though, that he is no superior for age or experience but rather because she is a paided governess in his charge. When asked if she feels he is handsome, she blurts without even thinking