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Master Visconti 's Ntoni By Giovanni Verga

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Master Visconti’s Ntoni After World War II Italy was in shambles, and the rural nation struggled to close the developmental gap between itself and other European nations. It was during this time, in 1948, that Luchino Visconti filmed La Terra Trema, or The Earth Trembles, on the island of Sicily. It was a critically acclaimed adaptation of I Malavoglia, or The House by the Medlar Tree, written by Giovanni Verga in 1881. Life on the island as depicted by Verga had barely changed in the approximate 70 years between the two works, and Visconti filmed in a true neorealist style, recruiting nonprofessional Sicilians to act out their own lives in their own native tongue. While Visconti’s political messages change the meaning of the story, he succeeds in capturing the never-ending struggle of the oppressed working class, and the futility of disjointed revolt. In many respects, Visconti did not stay true to many aspects of Verga’s novel. His film leaves out most of the supporting characters in the book, depicting the people of Trezza as considerably less sympathetic to the main characters, a stark contrast to the energetic community painted by Verga. Visconti wanted to portray the Valastros as a family against the world, betrayed and abandoned as soon as they challenged the social norms. Visconti also featured Ntoni, as opposed to his grandfather Master Ntoni, as the main protagonist in the film. Master Ntoni’s belief in fate and his strong conviction in the self-possession of

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