Matthew Henry's Portrayal Of Women In Their Eyes Were Watching God

When Joe “Jody” Starks appears out of nowhere, Janie feels like her dreams have finally come true. But after a while, the marriage turns out to be little more than the stint with Killicks. Starks, like Killicks, treats her as property and not as someone he actually loves. One example is how Jody makes Janie put her hair up in a wrap while working in the store, rather than leave it down. Another is when he publicly criticizes her appearance, saying she is starting to show her age, when he is clearly at least ten years older: “’ You ain’t no young courtin’ gal. You’se uh old woman, nearly fourty’” (Hurston 79). Joe feels the need to tear down Janie, in order to make himself feel more important, which was an important part of being a man during this time.

Throughout the film Their Eyes Were Watching God there were many different themes in including the young African American woman’s quest for self-discovery beyond the values and expectations set on her by the society that allows neither women nor African Americans to exist without limitations. Any observer of the film can focus on the degradation and strict gender roles that all of the female characters, including the main character Janie were placed in. Women were not only considered weak as a whole but also are completely defined by their relationship to men in their lives. This reason in itself is why marriage plays a large role considering women can only gain a through marriage to powerful or ambitious men.

Towards the end of ‘On the Equality of the Sexes’, Murray specifically invokes the story of Adam and Eve, a story used for centuries to depict women as the sinners, to turn the argument against itself and argue that Adam, or the men, are the real sinners in the Bible, as Adam knowingly breaks the rules while Eve was innocently deceived by the serpent. “Adam could not plead the same deception,” says Murray, “nor ought we to admire his superiour strength, or wonder at his sagacity”, implying that people overestimate the skills of men while dismissing the intellect of women as commonplace. The bigger takeaway from Murray’s invocation of Adam and Eve is that it shows the audience that she is trying to make her argument more relatable by putting gender equality in the framework of the Bible, a piece of work that was not only a religious text, but a way of life for most people in Murray’s time. By analyzing the Bible through a feminist lens and swapping the roles of Adam and Eve, Murray saved women’s reputation as the repenting sinners, but in mentioning the Bible to justify her point, Murray ultimately retreats back to the practice of relying on others’ words to make her ideas worthy of public consumption.

Everyone has a goal, a mission, a dream. Many dreams of people are far away and in many cases are perceived to be mysterious and merely out of reach. In the story Their Eyes were Watching God, this notion is expressed by the symbol of a horizon. The horizon is a faraway horizontal line between the earth and the sky; between human life and the beyond. This mid point between the possible and impossible is where dreams, wishes, and desires lay. The horizon symbolizes dreams that are seemingly out of reach. In the beginning of the story, this is the state of the dreams of Janie, her horizon. Through chapters 1-9, readers understand through the two failed marriages of Janie, that she dreams to love and be free. Janie wants to love another person

Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.

"Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men. Now, women forget all those things they don't want to remember and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly." These dream quotes came from the one and only "Their eyes were watching God," book by Zora Neale Hurston. Mrs. Zora Neale Hurston was an expert in writing in dialect. This unique literary form creates differences between other novels or storybooks. In this book, various events (to be specific, a death) seem to illuminate the meaning of life as a whole.

herself. Janie, all her life, had been pushed around and told what to do and how to live her life. She searched and searched high and low to find a peace that makes her whole and makes her feel like a complete person. To make her feel like she is in fact an individual and that she’s not like everyone else around her. During the time of ‘Their Eyes’, the correct way to treat women was to show them who was in charge and who was inferior. Men were looked to as the superior being, the one who women were supposed to look up to and serve. Especially in the fact that Janie was an African American women during these oppressed

What I find amazing is that women did not even question their place. They just accepted things for the way they were and didn't question why things were like that. It was like they didn't even contemplate the idea that they could have a say in anything at all. Ma is a prime example of this. She has stood in the shadows and discreetly controlled the goings on for her whole life. An example of this is when Casy is being invited to join them on their move. "And then he stood, embarrassed by his own speech. Ma looked to Tom to speak, because he was a man, but Tom did not speak. She let him have the chance that was his right, and then she said 'Why, we'd be proud to have you.' " (Pg. 127) The degradation of women in this quote is clearly evident, and ridiculous. Tom is Ma's son, and yet she has to look to him to wait for him to speak before she is allowed to voice her opinion because of her gender. Neither age nor the fact that she gave birth to him can give her the right to speak her mind. On the flip side, Ma let him have his "right." She let him; as in allowed it to

On December 6, 1894 the short story “The Story of An Hour” was published in the weekly newspaper Vogue. The story features the protagonist, Louise Mallard who discovers her husband is dead. The story was instantly regarded as highly controversial because it went against the standards of the 1890’s and features a female protagonist that feels liberated by the news of her husband's death. Although the idea that women were able to survive without men was a foreign concept at the time, the story resonated with many women. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie the female protagonist also experiences liberation through the death of her husband and faces the stereotype of women needing men in order to survive. This stereotype along with many other gender roles/stereotypes are present in Their Eyes Were Watching God and requires Janie and the many other characters to either adhere or break free of the gender roles/stereotypes they come across. Some of these gender roles/sterotypes is that women need to be married in order to be seen as decent and woman should remain quiet and not be outspoken or attract attention. Jaine breaks free of the respective gender roles by her unwillingness to conform to man in her relationships and succeeding in breaking many of the conventional gender roles. Other characters like Jody, Logan, and Janie’s grandmother adhere to the gender roles/ stereotypes and enforce them.

She criticizes the way the blacks walk, talk, and live; and she states, "Who wants to be mixed up wid uh rusty black man, and uh black woman goin' down de street in all dem loud colors, and whoopin' and hollerin' and laughin' over nothin'?" (Hurston 135). Hypocritical of her own culture, she works in her successful eating establishment while she pronounces that "[c]olored folks don't know nothin' about no business," a truth which she believes further connects her life to the white community (Hurston 136). Mrs. Turner grasps at minute differences in shading as differences in intelligence because she is substantially more cruel to "those more negroid than herself in direct ratio to their negroness" and because she expects "[a]nyone who look[s] more white folkish than herself [to be] better than she [is]" (Hurston 138). Her prejudice against her own people is alarming; she sees her insults of a lower culture as rungs in the ladder of social prestige, bringing her ever closer to Caucasian characteristics. As she associates her lighter skin with the complexions of white people, Mrs. Turner argues, "Ah got white folks' features in mah face," a visage lacking the "flat nose and liver lips" she stereotypically associates with black facial features (Hurston 136). She constantly judges and condemns while she worships a paradise of "straight-haired, thin-lipped, high-nose boned white seraphs" (Hurston 139). Examining the dark-skinned humans around

“Their Eyes Were Watching God” by Zora Neale Hurston, written in 1937, is about a African american girl named Janie Crawford who grew up in a white household. Through her transition to womanhood she wanted to experience true love, which set her on a quest to do so. Her grandmother arranged a marriage for her, which Janie wasn't so happy about. The story follows her growing as a person and her many experiences with her marriages. Each impacting her emotionally and making her the woman she becomes at the end of the book. Towards the ending of her book, after being harmed emotionally, and sometimes physically by her past husbands she meets a man named Tea Cake, much younger than her. She fell in love with him and

Zora Neale Hurston’s “Their Eyes Were Watching God” confronts many social issues of its time. Though not evidently political, the identification of gender race and social class is paramount in the novel. Women’s rights and roles in the house and society as well as femininity are elemental. Hurston’s work is a response to social questions. Whether the assessment be of her own or of fictitious origins.

Brutal beatings that resulted in bruises, broken bones, and even death. Rape that haunted women until their last breath. Being caged and unable to go “tuh de horizon and back”. These are all things that Zora Neale Hurston tried to combat when composing Their Eyes Were Watching God. Through her novel, she tries to show the American people that women can choose the roles that they long for. In all, women have the right to pursue their desires.

“Our Father in heaven, hallowed be your name. - Matthew 6:9. The idea of “God the father” is one that is rooted deep in our society predominantly the ways in which it rejoices men. The almighty all and powerful God is outlined as a male figure in the bible, constructed using almost entirely masculine language. This simple fact has provoked men to assume the position of authority, to oversee over his family. This simple fact leads to an imbalance of power between men and women subconsciously oppressing women within our society. In Mary Daly’s “After the Death of God the Father,” Mary explains how the Judeo-Christian culture has served to bring structure to a sexually imbalanced man driven culture." This male-controlled society has its establishments in the most discernible parts of Christianity.” Mary’s work is a continuation of what is known as “The women's liberation movement” furthering the conversation of societies hold on a woman and bringing change. In this critical evaluation of Mary Daly's work, I will discuss the thesis and argument of the reading, along with an analysis of its assumptions and implications.

This paper is discusses on the novel Zora Neale Hurston in the light of Patriarchy. The protagonist of the novel, Janie is taken for analysis. This paper also involves in delineating characteristics traits of the male characters in the novels. Further, the paper studies the treatment that is meted out to the protagonist at the hands of men in the selected novel. The paper studies the novel in terms of the violence, subjugation and oppression that the male characters pose to the protagonist in the novel. The paper discusses on the various levels of suppression that Janie undergoes at the hands of the people who are highly patriarchal in mind set. Further, this paper details on how the protagonist stands as a model to shun suppression at the