Maya Lin: Planning to Design the Vietnam Veterans Memorial in Washington DC

From Trajan’s Column, completed in 113 AD, to the statue of Christopher Columbus in Easton, Pennsylvania, monuments and memorials have been a significant element of celebration and honor throughout history (Source B). Though monuments are typically meant as a symbol of honor, recent controversy over statues dedicated to Confederate leaders and generals has sparked the debate over how to choose subjects to memorialize, and the actual development of these memorials. When considering what or who to honor, one must also consider the subjects impact on history, ensuring that it is positive. In creating memorials and monuments, groups and agencies should examine the historical significance of the events or persons they wish to memorialize, and the

There are many monuments in the world and they are all built to honor someone or something that was done by that person. For example, after the Maine Lobsterman was built, the fake bronze statue returned to Maine and spent several decades being moved from city hall to museum to museum. No one seemed to want the man and his lobster. The issue at hand is if the monuments being built are memorializing the person or moment created accurately. Monuments capture legacy and preserve the individual's actions throughout history. Specifically, monuments should consider purpose, location, and size in their creation.

There are also monuments that are more salient and mention the concentration camps that the individuals survived (Appendix B, Figure 2). The community purposefully includes monument inscriptions to show an individual’s connection to the Holocaust. This action creates tribute to those who were victims of the Holocaust. This practice also creates a collaborative means for the community to mourn over these survivors.

Memorializing is often the way to remember a very important, intelligent, or rich person who lives above the rest of us. When we memorialize it sets a way to remember someone long after they have passed from life. More often than not those we put in statues and remember are those who change the world for the better or discover something new like Christopher Columbus, and his statue in Riverside Park (Deegan, Jim, source B). Lincoln's memorial isn’t where or had any importance to Lincoln, but it succeeds his most infamous speech he ever had “The Gettysburg Address” (Savage, source A). H. Elroy Johnson a famous lobster trapper, had a statue made but never finished during his lifetime, not until after his death, was the real statue made to memorialize him (Roadside America, source f).

According to the website, https://en.wikipedia.org/wiki/Judenplatz_Holocaust_Memorial ,the Judenplatz Holocaust Memorial (German: Mahnmal für die 65.000 ermordeten österreichischen Juden und Jüdinnen der Shoah) also known as the Nameless Librarystands in Judenplatz in the first district of Vienna. The memorial began with an initiative of Simon Wiesenthal. Wiesenthal became a spokesman for the public offense taken over the Mahnmal gegen Krieg und Faschismus in Albertinaplatz, created by Alfred Hrdlick in 1988, which portrayed Jewish victims in an undignified way. As a result of this controversy, Wiesenthal began the commission for a memorial dedicated especially to the Jewish victims of Nazi fascism in Austria. It was built by the city of Vienna under the Mayor Michael haupl after Rachel Whiteread's design was chosen unanimously by an international jury under the leadership of the architect. The members of the jury were Michael Haupl, Ursula Pasterk, Hannes Swoboda,Amnon Brazel, Phyllis Lambert, Sylvie Liska, Harald Szeemann, George Weidenfeld, Simon Wiesenthal, and Robert Storr. Individuals and teams of artists and architects from Austria, Israel, Great Britain and the United States were invited

In this book, the author describes the long process it takes to create a national museum that will commemorate the Holocaust. He covers issues such as, the location of it, the design and construction aspects of the museum building. He informs readers about how they’ve tried to represent the Holocaust through the museum with sensitivity. I will use specific facts from this book to show that this museum was built with the help of many and required a lot of thought into it. I will show that this museum does in fact show sensitivity to an individual.

Source A (Savage) states that memorials are important to some people of our nation. For example, in Source A (Savage), the author states that "In this way the monumental core in Washington functions somewhat like a pilgrimage site, where communities of believers actually come together in the act of occupying a holy site, seeing a relic, reenacting a sacred event" (Kirk Savage). Some people go to the memorials in Washington D.C. to get a sense of how important that person was.

Depending on the placement of the monument the importance of the events contues genrations on. For an example, inorder for placing something of sagnificant value, the holocaust, would be placed somehwere of sagnifcant value, like a nations capital, but just anywhere in the nations capital. Eventhough DC is the nations capital "placeing the holocaust museum in a mall in DC is disrespectful and offensive" to the people who died and the servivers(source E). Just because its the national capital doesnt mean a mall in the nations capital is appropreate, besides lives were lost, not material things being bought. The failure for the creator(s) to think of that stripped the meaning and the pain behind the holocuast away. The placement of that museum made fun of, or even mocked the holocuast as if it is important to be remebered by America but not important to petray horrifying details of it. If the placement of the museum was to be in central DC near the White House, it creates a more important rule in Americas everyday life, because its near where the prisident lives, its near where people go to live the American dream. It would reinforce the meaning of the tragidy, the menaing of being saought out just becuase of you religion, the meaning of being gased alive, the meaning of being torn away from your family, the meaning of starving in the cold winters, and lastly

Monuments are a way you can immortalize a person. There are many ways to create monuments such as writing a book, Speeches, even sculpting. Many factors play into creating a monument of a person. When honoring a person you have to look at the location, size, and material and the significance of the monument.

many people create meaningless buildings and sculptures just to please the eye which is why they need to people need to identify reasons a memorial would benefit them.

I believe that memorials are are amazing and needed for the main reasons of to learn about history and when history was made, for example, all of the war memorials as well as memorials dedicated to certain war heroes. Memorials are important to our history because memorials such as the Korean war memorial, the Vietnam war memorial, moving into more self dedicated memorials such as the Robert E. Lee who was a general, and the Chris Kyle memorial in Odessa, Texas. They are all important to our history because they represent the lives that were lost by protecting our country. They give the families of the men and women who were friends, wives, husbands, mothers, fathers, brothers, sisters or however else you knew them a place to go to remember them and pay our respects to them. The memorial that I am focusing on today is the Chris Kyle memorial. Kyle is also known as ‘The deadliest sniper in U.S. history’ he was a Navy SEAL who was honorably discharged after serving 4 tours over seas

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

Memorialization of any sort can be a tedious process, but those regarding Holocaust remembrance were particularly challenging given the surrounding social and political controversies that ensued. This is primarily seen through the issue of representation, which consistently played a key role in the creation of both the Holocaust museum in Washington D.C., and the Dachau concentration camp memorial. While the Dachau memorial’s conception stages, the designers were contemplating which victim groups to include. For instance, the mayor of Dachau stated, “Please do not make the mistake of thinking that only heroes died in Dachau. Many inmates were…there because they illegally opposed the regime of the day….You have to remember there were many criminals and homosexuals in Dachau. Do we want a memorial to such people?” (Harold Maruse, “Dachau,” 151). With this quote, the mayor implies that the memorial will only be dedicated to those he deems worthy of representation. Likewise, the White House officials orchestrating the American Holocaust Museum also debated a similar notion regarding the inclusion of ethic victim groups other than the Jews. However, Wiesel and other Holocaust survivors believed that commemorating non-Jews was an “…obscene incursion into the boundaries of Holocaust memory by those whose country-men had persecuted survivors” (Edward T. Linenthal, Preserving Memory, 53). For this reason, and in order to avoid the generation of false memories, these groups

Monuments are used to memorialize and honor moments, individuals and events of the past. Some monuments do this better than other monuments. In creating a monument there are three essential factors a group or agency should consider to make the monument as effective as possible: location, design features, purpose and backstory. Why these factors? Location and design factors play a massive role in the reception the monument will receive, based on its environment, size and looks a monument will be perceived differently. The purpose and backstory are the two single most important factors to consider in creating a monument. The monuments history, its reason, is the reason just? Is the purpose proper? Does it accurately memorialize the subject? All these questions come with the purpose and backstory of a monument.