Medea Reflection

Throughout the entirety of the play, Medea, there are multiple victims of other people’s actions as well as their own. This raises the question: out of all the people who suffer in this classic play, ultimately, who is the tragic figure? Although many people have to suffer slow, painful deaths in the play, the answer is narrowed down to the two main survivors: Medea and Jason. While Jason is the victim of his children getting murdered by Medea, the tragic figure still remains Medea due to how she is the one who suffers the most throughout the play because of Jason and societal expectations.

Superficially, Medea is a critique of relations between men and women, the struggle between Jason and Medea; then the struggle between Creon and Medea. However at the deeper level, Medea is a critique of the quality and state of the contemporary culture of Euripides (Arrowsmith 361). The unique symbolism is that

Internal conflicts within Medea shed light on her true character and her difficulties to make decisions. Throughout the play, there are many cases of Medea contemplating her

Her act of revenge is supported by the Chorus who feel that “to punish Jason will be just.” Significantly, this notion of support encourages Medea to believe she is correct in punishing Jason and continues to believe her operation of revenge is justice. Each murder that emerges within Medea conveys the true nature of her behaviour. The theme of violence is continually repeated thus it depicts how consumed she is by revenge.

Medea questions the firmly held belief in Greek society that women are weak and passive. Wanting revenge on Jason for his betrayal of her, Medea must take control of the situation, a stereotypical masculine quality. Though she cannot become a man or take power like a man, she perceives her

The play Medea uses the setting to help the audience better understand the meaning of the text. What is said depends greatly on who is around and where the character(s) are. For example, when Medea is by herself or with the chorus, she is speaking freely of her evil plans, however, when she was in the presences of Creon or Jason, she lied to their faces. The audience knows what her true thoughts and feelings are due to the setting. They are not tricked into thinking she has changed her mind but instead, they know when she is lying based on who she is around. After Medea devised a plan, she sent for Jason and pleades to him, “Jason, I ask you to forgive me for the things I said before. You’re used to putting up with my temper, since so many acts of love have passed between us…” (Medea, 870). This quote is a perfect example of how the setting changes the meaning of the words. This helps portray the overall them of identity. Medea is now full of rage and anger due to her husband leaving her for another woman. She has lost her sense of identity which was found in her husband. She is a refugee in Corinth and has no friends or family. She feels completely alone with nowhere else to turn but to anger and rage.

In the second half of the film, Cléo transform herself into subject; she finally takes on the role of looker. Her switch to subject happened on the streets after leaving her place distraught from a song her songwriters made her sing. This lead to her pulling off her wig, wearing a simple black dress, and wandering the city alone finding a new way to engage with the world. This tone down version of herself allows others to actually see her and not the ideal beauty she exhumes and is mostly known for. The moment in the cafe is when she truly begins to see others. She walks in with sunglasses hoping to hide and not be recognized and this time she catches snippets of conversations. There are people talking about the algerian war and others talking about their personal lives, politics, art and so on.The world and others continue about their day and does not seem to notice Cléo. There was a moment in which she put one her most well known song on to play and no one was listening. One customer even discussed how the loud music stopped her from paying attention to the conversation she was having. This lack of attention shifted a redefinition in Cléo and how she sees the world. Her own concerns and problems are diminished, so that she now pays attention to things other than herself and her beauty. At one point she even states, “I always think everyone’s looking at me, but I only look at myself. It wears me out” (Agnès Varda, Cléo from 5 to 7). No longer looking at herself brings a

Commonly considered one of Euripides greatest pieces, Medea is an insightful depiction of how a woman’s love for her husband, churns into a gruesome revenge scheme against him. This tragedy illustrates a tale of a woman who challenges Greek societal norms. In the era that the story takes place; women are often seen in submissive roles. However, the play’s main character, Medea, challenges their customs through her actions against the Kingdom of Corinth and Jason.

Through his journey to Pylos and Sparta, Telemachus, who was born into a very privileged and high ranking family, learns how to use his inherited social status and connections for his own interests, which will help him mature into manhood. Telemachus was never old enough to remember what it was like when his father was around. Since Odysseus left, he has lived with his mom and nurse. However, for three years, he has been overwhelmed by suitors, who have taken over his house. Odysseus was never able to show Telemachus how to stand up for himself. Telemachus has been less than passive when going about doing things to get what he wants. When Athena comes and tells him that his father is going to come home, he realizes he has been ignoring what he knows is wrong, such as the suitors throwing parties every night, and that he needs to stop them. He doesn’t have any idea of how he is going to find his father when Athena comes, but he along his way finds that he has many resources and connections at hand that will allow him to find out what happened to his dad. Athena, disguised as Mentor, an old friend of Odysseus, encourages Telemachus to talk to Nestor. "Telemachus, no more shyness, this is not the time!/ We sailed the seas for this, for news of your father —// So go right up to Nestor...// Press him yourself to tell the whole truth:/ he'll never lie — the man is far too wise"(3.16-22) Here, Athena is encouraging Telemachus to be assertive, to get what the needs to know to find his father. Telemachus responds, "How can I greet him, Mentor, even approach the king?/ I'm hardly adept at subtle conversation./ Someone my age might feel shy, what's more,/ interrogating an older man."/ (3.23-27) He is intimidated. The irony is that he himself is of the higher class, and if Odysseus had been home, he would be accustomed to these interactions. This is Odysseus learning that he has high social status and can enjoy the privileges he was born with, such as being able to talk to the king. While there, Telemachus learns of the fate of the family of Agamemnon. Agamemnon came home to find his wife in love with Aegisthus, and together they kill him. Orestes, one of Agamemnon’s sons, avenges his father’s murder and kills

Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on

Is the killing of anyone ever justified? Is the life of one individual more important than another? In Euripides, Medea, Medea kills the princess of Corinth, the king of Corinth, Creon, as well as her own children. Are her actions the actions of an insane, distraught person or those of wise, foreign, barbaric woman trying to protect her children? Through the story of Medea, Medea justifies the killing of others while several other characters portray the injustice of her killings. Can a person show a justifiable reason to the killing of others or is the killing of others justified under certain circumstances?

In ‘Medea’, Euripides shows Medea in a new light, as a scorned woman that the audience sympathises with to a certain extent, but also views as a monster due to her act of killing her own children. The protagonist of a tragedy, known as the Tragic Hero is supposed to have certain characteristics which cause the audience to sympathise with them and get emotionally involved with the plot. The two main characters, Medea and Jason, each have certain qualities of the Tragic Hero, but neither has them all. This makes them more like the common man that is neither completely good nor evil, but is caught in the middle and forced to make difficult decisions.

Lars Von Trier's adaptation of Medea combines many elements from the original plot line, but also differs significantly. Von Trier uses not only visual images to compel his audience, but also incorporates a vast amount of sounds and noises to create dramatic effect. The film follows a lonely Medea without her chorus of companions that an original audience of the play would be used to. Rather than seeming foreign, Medea seems well adapted to her new home and is often seen utilizing the lands bodies of water accordingly. Although it is not outwardly declared, Medea's main mission is to seek revenge and abolish Jason's new life. Jason is pictured as handsome and strong, following stereotypical gender norms. His new bride also is in

When Medea first met Jason she made the huge decision to kill her brother so Jason could get what he wanted. After she had killed her brother her family disowned/kicked her out of there. When Medea had first met Jason she fell madly in love with him due to Aphrodite

This part in the plot is extremely interesting and key to understanding the burden that is Medea’s barbaric background considering that the two princesses are directly compared to each other. This means that solely by the fact that Medea is of barbarian descent, she is not good enough for Jason. This illustrates the huge burden Medea has to carry with her at all times in the form of the Barbarian