Memory in Toni Morrison's Beloved Memories are works of fiction, selective representations of experiences actual or imagined. They provide a framework for creating meaning in one's own life as well as in the lives of others. In Toni Morrison's novel Beloved, memory is a dangerous and debilitating faculty of human consciousness. Sethe endures the tyranny of the self imposed prison of memory. She expresses an insatiable obsession with her memories, with the past. Sethe is compelled to explore and explain an overwhelming sense of yearning, longing, thirst for something beyond herself, her daughter, her Beloved. Though Beloved becomes a physical manifestation of these memories, her will is essentially defined by and tied to the …show more content…
Memories, however, persist. They remain, lurking in places like 124 and Sweet Home to remind Sethe that the punishment she suffers is self inflicted and self perpetuating. First as a poltergeist and later as a mysterious young woman, the memory of Beloved remains unrequited. Beloved's appetite is insatiable. She "never got enough of anything... the more she took, the more Sethe began to talk, explain.." (240-1). No effort, no amount, no explanation is adequate. Sethe gives her face to Beloved and still she demands more. Beloved eventually becomes bloated with Sethe's loving excesses, but her thirst remains unquenched. Paul D. understands the dangers inherent in this kind of love when he warns Sethe, "Your love is too thick" (164). Beloved has no distinct identity separate from Sethe. Without Sethe, Beloved is ultimately left "crouching in a dark, dark place, forgetting to smile" (252). Likewise, Sethe's own identity is nearly lost or completely surrendered in her fusion with Beloved. Though short of ultimate union or reunion with Beloved in death, Sethe is unable and unwilling to challenge Beloved's place in her mind and in her home. Only help from others can save her. Denver makes the first humble appeals for help on behalf of her mother. In doing so, she begins to understand and appreciate the vital necessity of a concept of self, influenced by but not completely dependent upon memory. Though Denver does not directly impart this
In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,
is a firm believer that too much love is bad for a person. In order to keep his brutal past behind him, he believes that one should only love a little. After Sweet Home, Paul D. attempts to kill his new owner and is forced into a chain-gang in which he is performs oral sex on white men. He realizes that even a rooster has more importance than him to white men. He has trouble committing to a woman who offers him shelter and eventually finds himself at 124, where he discovers Sethe’s overwhelming love and madness and Beloved’s presence. He keeps his memories and feelings in a rusted tobacco tin. When Beloved has sex with him, possibly in a vision or dream, the past comes rushing back to him. “He didn’t hear the whisper that the flakes of rust made either as they fell away from the seams of his tobacco tin. So when the lid gave he didn’t know it. What he knew was that when he reached the inside part he was saying, ‘Red heart. Red heart,’ over and over again” and then wakes himself up with his screaming (138). Beloved is both Sethe’s daughter and a symbol for the past generations of slaves. She opens Paul D. to love again, a cruelty in an already cruel world. Keeping love at bay has helped Paul D. and others like Ella feel safe from their pasts. At the end of the novel, when Beloved is gone, Paul D. goes back to 124 to help Sethe. Morrison shows the human capacity to love after so much has been taken or removed from the human
We are spoiled to be able to live in the United States in the 21st century where slavery has died, and everyone can be free. For a long time in early America, life for all was not this easy. Sure, our lives now might not necessarily be “easy,” but considering the tragedies and pain in Toni Morrison’s Beloved, we do not even know the definition of a “hard” life. Morrison’s style of writing uses many different ways to compel the reader to feel and believe the tragedies that Sethe and her children went through, but one that is used in a way above all others is the use of repetition. Morrison uses repetition to convey a sense of insanity and the overlying theme of a past that never passes.
Sethe says she believes she won't even have to explain her motives for killing her (a love so great she can't let her be taken into a life of slavery). "I don't have to remember nothing," Sethe tells herself on page 183. "I don't even have to explain. She understands it all." Sethe believes the one true way she will find restitution and understanding with Beloved, is by knowing the mark she has left on her daughter. "I only need to know one thing. How bad is the scar?" Sethe feels that by knowing the scar, by touching the "memory of a smile under her chin," she can feel her daughter's pain and connect with her.
Even after she acknowledges Beloved's identity, Sethe shows herself to be still enslaved by the past, because she quickly succumbs to Beloved's demands and allows herself to be consumed by Beloved. Only when Sethe learns to confront the past head-on, to assert herself in its presence, can she extricate herself from its oppressive power and begin
Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.
Beloved is consumed by her cruel acts, and simply drains more and more of Sethe’s health. In the beginning of the novel, Beloved appears to be a pretty, young, and lost girl that wanders into Sethe’s house. However, as time passes, she began to display signs that she is Sethe’s past daughter, the daughter that was killed. As Beloved is induced more and more into the family, she begins to feel
As Sethe's demise and Beloved's mischief become overwhelming, Denver assumes the responsibility to assure the survival of her family. Due to Beloved's presence, Sethe loses her job and soon all of her savings is spent. There is no food, however, Beloved's demands do not cease. Sethe begins to wither away from frustration and a wounded conscience and Denver becomes "listless and sleepy with hunger" (242). Denver realizes that, "she would have to leave the yard; stop off the edge of the world, leave the two behind and go ask somebody for help" (243). Denver must face her terror of a mundane society to keep her sister and mother from starvation.
It is shown that after the act of taking the life of Beloved and attempting the life taking of Denver, Howard, and Buglar, that Sethe truly does love her children. The way Sethe tried to go about saving her children seems unethical and horrible, but there did not seem to be all too many options for Sethe to save her children from the slave life. Howard and Buglar left Sethe and Denver to get away from Sethe, they had even warned Denver about what she had attempted to do to them. Although Howard and Buglar ran from Sethe and there was the attempted murder in the barn, Sethe still thinks of them because they are her children. Denver was tossed as an infant that day in the barn, and she clearly survives. Even after all the events and situations created from the presence of Beloved there is still a strong bond of love between Sethe and Denver. Sethe loves Denver very much, she is her one surviving child that is still with her.
Denver has to recognize her dependence on others and start to rely on herself so that she can become her own person and reach her full potential. Before Beloved, Denver had only left the house a few times and needed someone’s help to do something. As Beloved and Sethe grow closer, Denver has the chance she needs to realize the dangers of reliance on Sethe and Beloved. In order to survive, Denver is forced to fend for herself and become independent for the first time.
So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront
Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from
Beloved is a novel by Toni Morrison based on slavery after the Civil War in the year 1873, and the hardships that come with being a slave. This story involves a runaway captive named Sethe, who commits a heinous crime to protect her child from the horrors of slavery. Through her traumas, Sethe runs from the past and tries to live a normal life. The theme of Toni Morrison’s story Beloved is how people cannot escape the past. Every character relates their hard comings to the past through setting, character development, and conflict.
Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.
Sethe, Paul D., and Denver, are all in some state of conflict in the current circumstances of their lives at the beginning of the novel. Although Beloved's arrival to 124 initially brings more upset to the lives, it eventually leads to resolution for the family. Beloved embodies many of the secrets of the three's pasts. She symbolizes the history of the family not only with her physical appearance, but also with the relationships she forms with the three.