The children would slowly fix the parts of what they have acquired to form the big picture at the end of the day through repetition in various topics and settings and verbal discussions. For example, teacher can model to students on how to make visualizations of images as they listen to the story and students will follow suit after some practices. For example to access students’ efferent listening skills, I can create an anticipation guide (Head & Readence, 1986, citied in Tompkins, 2005) on the big book “Life of a Butterfly”. Prior to that, teacher can activate the students’ knowledge about the story or any misconceptions they have about butterfly and write a few statements based on concepts on the whiteboard in the form of a chart. Next,
The setting in the two novels plays important roles in both of the plots. In The Butterfly Revolution, the setting shifts in the very beginning of the story. In the journal Winston Weyn receives for his birthday from his uncle, he describes his home. Winston also shares with us that from his parents he half-heartedly accepted a trip to High Pines for the summer. Winston was not like most boys, and instead of playing baseball and doing things that most boys do, he read books. This bothered his brother Howard, which just encouraged Winston to read more and more. His father and mother, both concerned, had multiple talks with Winston but none of these talks resulted in anything. “And here I am, sitting on a thin and kind of smelly narrow mattress on my bunk in a cabin at High Pines” (22). He went from the comfort of his own bed to the smelly mattress of High Pines. The central conflict of the story begins at the camp. This shift of setting allows the real story to begin. Later in the novel, the setting shifts again. Some of the boys begin to venture off into the girls camp, or Low Pines. After the revolution has begun, they take over the girl camp, also. If the girls’ camp was not involved, two out of the three deaths would have been prevented. John Mason would not have died under the
A lot of important events occur between the chapters eight to ten in the novel In The Time of the Butterflies. First, Patria and Dede finally decide to help Minerva and Mate in the revolution. In the beginning Patria did not want to help because she was afraid of the trouble that would come if she joined. In addition, she was afraid for her oldest son Nelson, who she believed was following in the steps of his uncles, who were revolutionists too. Later she sent Nelson away to school, which I think was a good idea because it protected him from harm. Patria finally decided to help her sisters after she took a trip with her church group in the mountains and saw a young boy get shot during an invasion. She helped out by hiding boxes with weapons
Before reading All Quiet on the Western Front, I had never looked into the German side of World War I. Before reading In the Time of the Butterflies I had never even heard the name Trujillo. Both of these books changed my perspective on these historical events. Being raised in America, I was taught (in regards to WWI) that the Germans were the “bad guys” and therefore I never stopped to think that their soldiers were just as young and afraid as those fighting for the Allies. I had also thought that revolutions were always organized by one group, while there are often many groups fighting for power.
This second journal is based on chapters five to seven of In The Time of the Butterflies. I think that these chapters are very important for the plot of the novel. Chapter five is from Dede's perspective. In this chapter, Dede and her sister Minerva meet a man named Lio, and he is a revolutionist like Minerva. They fall in love, but Minerva does not want to admit it. Later, Lio decides to move to a safer location because his protests are getting him in trouble with the government. He writes a letter for Minerva and gives it to Dede so that she could bring the letter to her sister. However, Dede reads the letter and finds out that Lio wants to ask Minerva to move with him, so Dede burns the letter to keep her sister safe with her family. I think
The title Heather Rose uses in The Butterfly Man is a representation of the change Lord Lucan experiences in his transition into Henry Kennedy. A butterfly undergoes a metamorphosis at a stage in its life when it originally was in the form of a caterpillar. This drastic change is very similar to that of Henry and changed everything about him, not just the appearance. John Bingham also underwent a change of heart, and his personality was altered and improved to the Henry we see in the book that lives in Tasmania with his loving wife and friends.
At the end of the play M. Butterfly, a jailed French diplomat turned spy named Gallimard says, "There is a vision of the Orient that I have" (Hwang 3.3.7). In that moment he is implying that there are still beautiful women, as he thought his "Butterfly" was. This is suggestive of the colonial appeal. Colonization is made possible by one society characterizing another in a way that makes it seem like a good idea. The characterization of these cultures, such as the Orient or Africa, is carried out through literature, works of art, and drama. Certainly, plays, poems, books, and stories are only a few of the ways used to convince the masses of a modern nation of the justification to colonize.
A gust of wind blew on my face as I exited my house. As I walked on, my heart beated swiftly. After what seemed like eternity, I arrived at my destination: the mailbox. I opened the mailbox rapidly with excitement, and the object inside caught my eye. Indeed, the mysterious object was Kendrick Lamar’s new record: To Pimp a Butterfly. I hold the record with my dear life; it was three years since he released a new album. A grin was widespread on my face.
Imagine you are walking down the street and come across a monarch butterfly collecting nectar from milkweed plants. This butterfly is one of the most famous butterfly species because of the extravagant color of their wings. With their unique lifestyle, their population is still declining, organizations, citizens and programs are helping to save them.
Now there hearts had been invaded by a black flame. This was written during the holocaust on a wall. The holocaust changed people's life. But I just want to talk about two people. One was interviewed on how she survived the war. Her name was Krystyna. And the other person made a wonderful poem called “The butterfly,” he was not very lucky . His name was Pavel he was killed on September 29, 1944. They both lived in the ghetto.They both went into the ghetto in 1942. They went to the ghetto because they were jews. They both escaped the ghetto but in different ways.
This is a fantastic book on so many levels. Eric Carle books are full of beautiful, eye catching, visually stimulating illustrations which are so fun to view and would make for a fantastic art project. This book contains a fun story children will enjoy listening to and following along as this caterpillar tries to find something to quench his appetite and laughing at all the food he manages to eat. As a teacher, you could use this book to teach the life cycle of a butterfly, sequencing, and even retelling a story. This book is a must for any house or classroom library, and should be read aloud to all preschoolers and
A conundrum about teachers’ attitudes towards students as listeners is that although most teachers assume students come to school knowing how to listen, those same teachers agree that students need to learn more about listening since it is a skill crucial for learning. Four types of listening have been distinguished according to an individual’s purpose for listening. Those types are: discriminative listening, aesthetic listening, efferent listening, and critical listening. From early years, students take part in discriminative and aesthetic listening, as these types of listening create the early groundwork for learning to read. Students engage in efferent listening when they begin to understand that they listen to learn specific information
Gender has an odd way of creeping into every aspect of our lives. How ones sits, how one speaks, and what one wears are coded by gender to the point where many people attempt to determine and indeed expect how women and men will act before they do so. It would be no surprise then that when one talks about nation-states, we do the same. We collectively assign nation-states genders, mostly along Western and Eastern lines, and we expect the nation-states to act accordingly. David Henry Hwang, author of M. Butterfly, describes the scenario through one of his characters, Song Liling, as “The West thinks of itself as masculine – big guns, big industry, big money – so the East is feminine – weak, delicate, poor…but good at art, and full of inscrutable wisdom – the feminine mystique” (Hwang 1988). Hwang lays out this relationship between the East and West as a relationship between man and woman. He further states that “The West believes the East, deep down, wants to be dominated – because a woman can’t think for herself…You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men” (Hwang 1988). This relationship would be abusive at best but the question arises, how can the West be masculine but be hailed as a bastion of gender equality at the same time? A good society would be one centered on equality and one aspect of that would be gender equality. Women comprise half of the world’s population – 3.5 billion people –
Love in M. Butterfly, by David Henry Hwang, is a fantasy. Fantasy, as defined by Teresa De Lauretis, is a “primary psychic activity, a creative activity that animates the imagination and produces imaginary scenes or scenarios in which the subject is protagonist”(4). Rene Gallimard and his wife Helga are the primary protagonists in their fantasies of love. Gallimard is a French diplomat who gives into his love for the Chinese opera singer, Song Liling. The relationships in this play exemplify a kind of love that focuses on temporary happiness, despite the reality of a character’s situation. Both Gallimard and Helga are aware of their realities and attempt to create a love life to compensate for their own lackluster lives. Helga admits to being aware of her reality but like Gallimard is content with a wretched love no matter how false it is. Gallimard and Helga in M. Butterfly create layered fantasies of their heteronormative love life as a way of escaping their dissatisfying reality but they never experience true love.
My project is about the monarch butterfly. I will be explaining how the monarch butterflies migrate and how they use the earth's magnetic field to do so.
by leading the students in reading a children’s book, then drawing and writing sentences, then