Monomythic Archetypes In Sir Gawain And The Green Knight

Sir Gawain and the Green Knight is an Arthurian poem; an enchanting story of chivalry, romance and heroism. With its intricately woven details, parallels and symbols, the reader will often easily overlook these facets in a story of this caliber. Undoubtedly, the author would not have spent time on details that do not add to the meaning of the overall telling of the story. The three hunting scenes in Sir Gawain and the Green Knight, and in parallel, the three temptations, monopolize a considerable portion of the story. In a comparison of the three hunts and their corresponding temptations, we will see how the poet parallels these circumstances to emphasize the meaning of its symbolism.

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

Sir Gawain and the Green Knight, the poem of a Sir Gawain and his quest to find the Green Knight and the green chapel in one year and a day later. This occurs after the Green Knight appears in King Arthur's court to test the honor of the legendary knights of the roundtable. The challenge he brought would be that he will withstand the blow of his axe from any of the knights as long as that knight would agree to meet him in a year and a day later to receive a blow from the axe in return. No one would accept it, not even King Arthur. Therefore Sir Gawain decides he would accept the challenge after the Green Knight provokes Arthur because he was not accepting the challenge. Sir Gawain would go on a year later on a journey to find the Green Knight and the Green Chapel with many peculiar things happening on the way. He eventually finds him and receives the same blow from the Green Knight with the axe but nothing happens to him. There are some archetypes in the story, and we will see some examples of them.

In Sir Gawain and the Green Knight, many archetypes can be found, like in most works of literature. This literary work included situational and symbolic archetypes as well as character archetypes and color archetypes. Each archetype in the poem aided in Sir Gawain’s development as a character. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Every story that has ever been written appears to have the same story line once it is broken down. They all follow an outline that was proposed by James Campbell called the monomyth. The outcomes of the stories may vary, but they all follow a certain story outline that has certain key points within the plot. Each story is also believed to have their character fall into certain categories within the monomyth story line that makes each story have the same structure (Campbell 12). Sir Gawain and the Green Knight dramatically demonstrates how the Green Knight’s monomythic roles of the evil figure who is ultimately good, mentor, and herald contribute to the development of Sir Gawain throughout the poem.

In many works of literature, many archetypes (or symbols) are used to help the reader understand the story of a hero’s quest. In the Sir Gawain and The Green Knight, the hero has to go on a fatal journey to uphold the reputation of Camelot. While enduring that journey, Gawain has to conquer many trails. Gawain’s succession of trials leaves the hero, like Coleridge’s Ancient Mariner, a “sadder but wiser man.” With all the trials that Gawins intakes, many archetypal characters contribute to the theme of the story.

The tale of “Sir Gawain and the Green Knight” focuses primarily on beliefs of honor, bravery, and chivalry. The main character, Sir Gawain, embodies these qualities. His character is meant to be a model of chivalry. He emanates honor when he offers to fight the Green Knight for King Arthur. Medieval people would admire this courageous act. In his struggles to keep his promise Gawain demonstrates chivalry and loyalty until his honor is assessed, in the end, by the Green Knight’s schemes. This tale also includes a larger-than-life character who commands respect, the Green Knight. This superhuman being defies all laws of nature when his head is chopped off, yet he still remains alive and alert. These characters and their extraordinary actions provide perspective for the values and interests of medieval people.

With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

Many would agree that although there are many stories about heroes, they all seem similar in some way. Joseph Campbell wrote many books about this theory of a "hero cycle" that every hero story follows. In Sir Gawain and the Green Knight, this pattern is clearly exemplified and it shows the numerous steps in Joseph Campbell's idea of the hero cycle.

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be