My Hypothetical Collaboration: Frank Shepard Fairey

My analysis of how successful and how did this artwork affect the society and culture as its target

draw the murals and paint them and drawing the faces . I have seen his

“Street art is omnipresent in urban streets and is a rish source of inspiration for artistic creativity. . . It possesses the aesthetic voices of the ordinary and enables resistance for the marginalized. Banksy’s street art, in particular, can guide students to think about various social and political issues and to reflect upon the immediate, if not unjust, world in which they live, to transform that world, and to

Society seems to change and advance so rapidly throughout the years but there has always seemed to be a history, present, and future when it comes to the struggles of the African Americans. The hatred of a skin tone has caused people to act in violent and horrifying ways including police brutality, riots, mass incarcerations, and many more. There are three movements the renaissance, civil rights, and the black lives matter movements that we have focused on. Our artist come from different eras but have at least one similarity which is the attention on black art.

Meaningful appropriation remains a vital precept of creativity and innovation. In the last 20 years, many artists have constructed knowledge in forms of contemporary art from both social and cultural sources. Artists have continuously remixed contents from certain cultures for new expressive purposes. It is often deemed by members of the originating cultures, that appropriation in the arts is disrespectful, as cultural elements become distorted and lost in translation. Meaningful appropriation however is often misunderstood and is mainly viewed as borrowing that is in some way inappropriate, unauthorised or undesirable. Although, artists in remix culture have not necessarily attempted to destroy cultures, but instead offer a new perspective to individuals by bringing divergent cultures together through art. Artists such as Stella McCartney, a designer famously known for her creation ‘Chinatown Plaid, 2013’ in fashion, utilises dominant creative strategies such as remixing and collaging of fabrics in order to convey her artistic vision, which highly compliments both the ‘Refugee’ work culture and female individuals as strong and resilient. In a similar sense, digital artist Michael Guppy remixes artworks using programs such as Adobe Photoshop in order to remove central elements from famous artworks, a reoccurring theme in his work in which he explores both the social and cultural side of technology and how it transforms society. Whereas, graphic designer Thomas Robson

The artist John Lythe Wilson I was suggested to look at and also an artist I believe can help me elevate my artwork and bring it to a level of appreciation throughout many perspectives. Wilson is an artist from Rock Hill, SC and did the bulk of his schooling in

Artist Drew Hamilton’s, Street Corner Project exhibits the transformation of the view of American art and aesthetics. What was once viewed as beautiful art has changed with out modern art. The artist chose to exhibit his very own Bushwick apartment over the neighborhood bodega in Brooklyn. The artist Drew Hamilton’s artistic choice to change the standard view on aesthetic artwork depicting a true view of the neighborhood through his mini model. Drew Hamilton’s creation of the mini model that mimics the scene of everyday life of Brooklyn residents. Hamilton refashions the basic norms of aesthetics by inventing a new form of imperfect perfection and reaming true to the actual view of his apartment.

I have discovered the Graffiti writer Royal Dog real name; Chris Chanyang Shim came from Korea, which I find he produces meaningful projects. While he was growing up, since 2nd grade he liked drawing. Around 4th grade he learn Hip-Hop through a copy of ‘Hip Hop’, a manga that introduced him to b-boys and graffiti. He had an admiration for the culture. He was attending an art school and focused on drawing and animation at school until one day, he just started doing graffiti. At the time, graffiti was on the cultural radar and he wanted to represent a part of Hip Hop culture. Years latter Shim decided to travel across the US to search for new free space and atmosphere to paint. At his first stop in Bronx, New York, he painted his three favorite rappers, Jay-Z, T.I., and Big Pun. People reacted to the mural with enthusiasm, and Shim was soon invited to California to display his artwork further.

This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more

Jean-Michel Basquiat emerged from the punk scene in New York as a street-smart graffiti artist. He successfully crossed over his downtown origins to the international art gallery circuit. Basquiat’s work is one of the few examples of how an early 1980’s American graffiti-based could become a fully recognized artist. Despite his work’s unstudied appearance, Basquiat very skillfully and purposefully brought together in his art a host of disparate traditions, practices and styles to create a unique kind of visual collage. His work is an example of how American artists of the 1980’s could reintroduce the human figure in their work after the wide success of minimalism and conceptualism.

The artist that I was chosen to write about name is Chris Ware. The materials used by the artist Chris Ware, has uniquely suited his artwork because they give him room and space to bring reality into his comic books. The colors that Chris uses allows him to depict what he wants his cartoon character actions and emotions to feel. Lastly, Chris’s media allows an emotional connection to his readers because he brings his characters to life.

Paul Rand was well-known to be making use of a wide variety of procedures or methods such as collage, typography, photography, and painting. He combined the elements to create visually distinctive modern image from design for magazine cover to a poster or even corporate logos. At Esquire and Apparel Arts Rand persistently worked as an art director for four years. During the early forties he created astounding covers for a magazine named Direction where he worked on Apparel Arts covers using

Paul Rand, a top influence in the field of design brought America into the modern era of design. This study will give a background to Rands life and how his upbringing impacted his future endeavors. It will then cover his primary works and discuss work that became a defining part of his career and the industry. Following that, it will discuss how Rands work in advertising and Corporate Identity set the groundwork for today design thinking. Finally, the thesis will examine modern designers that sought out Rand as a source of inspiration. This thesis will look at why Paul Rand is said to be one of the most influential graphic designers in history, and why his principles translate into good design that resonates for generations to follow.

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.