Negative Attributes of Old Society Essay

Both Fifth century B.C. playwright Euripides and Roman poet and dramatist Ovid tell the story of Jason ditching Medea for another woman; however, they do not always share a perspective on the female matron's traits, behavior, and purpose. Euripides portrays a woman who reacts to injustice by beginning a crusade to avenge all who harmed her which she is prepared to see through even if it means resorting to the most contemptible methods. Ovid, on the other hand, tells of a much less extreme figure whose humble goal is only to persuade Jason to return. Despite these differences, both Medeas create trouble by acting with emotions instead of with reason, and as a result, put

    Chaucer's view of the clergy class is not as positive as his view of the ruling class.  For example, Chaucer describes the Prioress/Nun using a great amount of satire.  He speaks of how the nun has excellent etiquette and manners.  She tries so hard to be respected and viewed as one with higher status.  Her character is best described in the quote:

Odysseus's wife, Penelope plays a crucial role in Homer's ‘The Odyssey’, with not only providing the motivation for Odysseus's return to Ithaca, but she is also the center of the plot involving the suitors and the fate of Telemakos and Ithaca itself.  Therefore the objective of this essay is to analyze the importance of Penelope’s role in ‘The Odyssey’.

While traditional readers of Homer’s, The Odyssey, view Odysseus as a hero, they often reduce Penelope to Odysseus’s helpless wife, but Penelope is more than just a damsel-in-distress. Penelope proves to be Odysseus’s heroic equal, as through her resilient, witty and strategic actions she ensures Odysseus fighting advantages over the suitors.

From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.

Superficially, Medea is a critique of relations between men and women, the struggle between Jason and Medea; then the struggle between Creon and Medea. However at the deeper level, Medea is a critique of the quality and state of the contemporary culture of Euripides (Arrowsmith 361). The unique symbolism is that

Her act of revenge is supported by the Chorus who feel that “to punish Jason will be just.” Significantly, this notion of support encourages Medea to believe she is correct in punishing Jason and continues to believe her operation of revenge is justice. Each murder that emerges within Medea conveys the true nature of her behaviour. The theme of violence is continually repeated thus it depicts how consumed she is by revenge.

In “Penelope”, she is bitter towards her husband, claiming that all the hard work that she did at home will be forgotten when Odysseus returns. In the poems, she describes Odysseus’ journey as relaxed. Odysseus’ journey is not easy nor relaxed, in fact, it was dangerous and much more difficult than it seemed to be. The last line of Parker’s “Penelope” has Penelope saying, “They will call him brave” which makes her sound resentful toward Odysseus for getting all of the recognition for doing “hard work”. Compared to The Odyssey, Penelope within the poem, “So the Old Beggar with Bow Can Shoot Straight as Death”, it seems like she does not trust him as much as she did within Homer’s Odyssey. Within the poem, Penelope assumes the commotion she hears within her home is Odysseus’ return, yet rather than being happy, she is simply just ready to face him for being unfaithful to her. In The Odyssey, Penelope does not assume that it is Odysseus, nor does she know of his infidelity. As soon as she realizes the man she sees is Odysseus, she runs into his arms, crying tears of happiness and joy. In both poems, we see Penelope as envious and vengeful. She is envious that no one will see her as brave for putting up against the suitors and doing hard, household work, and she is vengeful because her husband was unfaithful and gone for so long. Penelope is not envious, nor is she vengeful in The Odyssey. Penelope was happy that her husband has returned and knows that as he was returning home, his journey was that of a difficult one. As a result, the Penelope within both poems is not a good representation of the Penelope within Homer’s Odyssey because it emphasizes her bad qualities: harshness, vengeance, envy, and

In Medea, by Euripides, the two main characters Jason and Media are forced to leave Lolkos and have taken refuge in Corinth. Jason has the possibility of establishing a position of standing in the community by marrying King Creon’s daughter. Medea is enraged by Jason’s betrayal of her and their two children and she vows to stop the marriage and exact revenge. In the play, Medea and Jason are set up as foils. Medea is completely dependent on the dominance of passion over reason. She is depicted as conniving, brilliant and powerful. In contrast, Jason is portrayed as a a character of little feeling; he is passionless, obtuse, witless, and weak.

Euripides through the voice of the Nurse shows how Medea has been subjected to the “anguish” and “misery” that had infected heart “where love was once deepest”. The audience due to the Nurse and Chorus expressing sympathy for her, is encouraged to view Jason as a sinful traitor, coupled with the fact that he can be considered a “criminal” for breaking the said sacred “oaths” of marriage. The Nurse describes in vivid detail how Medea forfeited ¬¬¬so much in order to dedicate her life to Jason. The viewers’ devastation of the betrayal comes from the fact that Medea – the “proud impassioned soul” has “felt the sting of injustice”. This is since she has “no claims on [Jason’s] heart” and is now been sentenced to exile along with the “poor children”. Euripides further encourages the audience to

Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on

In ‘Medea’, Euripides shows Medea in a new light, as a scorned woman that the audience sympathises with to a certain extent, but also views as a monster due to her act of killing her own children. The protagonist of a tragedy, known as the Tragic Hero is supposed to have certain characteristics which cause the audience to sympathise with them and get emotionally involved with the plot. The two main characters, Medea and Jason, each have certain qualities of the Tragic Hero, but neither has them all. This makes them more like the common man that is neither completely good nor evil, but is caught in the middle and forced to make difficult decisions.

In the years of the Middle Ages, the Roman Catholic Church reigned. It not only influenced people 's lives, but in some ways led them. From what they believed, how they treated women, how they worked, and how they prayed, the Roman Catholic Church obviously had a large influence. We know this today by simply reading the reading the literature from that period, whether it is simple poems like Beowulf or Dream of the Rood, or bigger stories such as Sir Gawain and the Green Knight. These stories are riddled with Catholic teachings and mentions, whether they 're brought up in a good light, or a negative one. Oddly enough, we rarely see the latter. One of the few stories that do show Roman Catholic

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she

In addition to the interactions between Medea and the Greek Chorus, it is important to explore the scenes preceding the tirade. The nurse’s opening monologue offers great insight into Medea’s state of characterization prior to her newfound interactions. The nurse anaphorically describes Medea’s actions towards Jason. The Nurse begins, “She wouldn’t have made the daughters of Pelias kill him, she wouldn’t have had to flee to Corinth here, she wouldn’t have done all that she did for Jason, She wouldn’t have been so darned complaisant to Jason” (311). Euripides’ use of anaphora creates emphasis on everything Medea has done for Jason. The Nurse believes that upon meeting Jason, “she wouldn’t have” fallen in love with Jason. Medea’s motivation was a clear passion to woo Jason. Formerly, Medea completes Jason’s task of achieving the Golden Fleece, originally a man’s task. With her cunningness, she uses her witch supremacies to her advantage, acting on her desire for Jason. Furthermore, the Nurse foreshadows Medea’s shift in characterization from anguish to dexterity in her