Npr And Classical Radio For The 3-4 Pm Hour Of Classical Music

1335 WordsJan 27, 20176 Pages
Evan Yip Professor Diaz MUHL 124 24 January 2017 Radio Assignment On Monday afternoon, January 23rd, I tuned into NPR and classical radio for the 3-4 pm hour of classical music. The radio host was Gigi Yellen who was very knowledgeable about the pieces she had in the playlist for that afternoon. In between pieces she would usually make a comment or two about some extra-musical fact regarding the piece or composer. It was very interesting and I thoroughly enjoyed the hour of listening. There was not an expressed theme or organization to the playlist when I tuned in, so I had no preparation for the pieces that were to come. I actually enjoyed this position of surprise and anticipation because it left me with a completely open mind without…show more content…
Johann left the Josef’s group in 1825. Josef Lanner quickly became highly regarded and very popular for his waltzes. He began giving concerts in the Vienna Volsgarten in 1831 and he conducted the chamber ball in the Hofburg beginning in the year 1840. His music spread all over Europe and even to the USA where it was very popular. His popularity eventually waned in the shadow of Johann Strauss. Lanner composed the piece Die Mozartisten for the 15th anniversary of Mozart’s death as a tribute. The second piece I listened to was the Concierto Madrigal by Joaquin Rodrigo. The piece was very, very long. As a listener, it was easy to tell there were many separate works or sections within this piece. The overall feel was a Spanish theme with a lot of great guitar playing. As expressed by Oxford Music Online, Joaquin Rodrigo became blind at the age of three and remained so until his death. He lived almost exactly a century later than Josef Lanner. Joaquin was born in Sagunto on the 22nd of November in the year 1901. He studied music in France and married a Turkish pianist. Soon after his first composition entitled the Concierto de Aranjuez, he became widely recognized as a leading composer in Spain. He is accredited with an estimated 170 compositions, 11 of which are concertos. Towards the end of the 60’s, Rodrigo composed the Concierto Madrigal for two guitars. It is said that the piece was based on a Renaissance love

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