Evan Yip
Professor Diaz
MUHL 124
24 January 2017
Radio Assignment On Monday afternoon, January 23rd, I tuned into NPR and classical radio for the 3-4 pm hour of classical music. The radio host was Gigi Yellen who was very knowledgeable about the pieces she had in the playlist for that afternoon. In between pieces she would usually make a comment or two about some extra-musical fact regarding the piece or composer. It was very interesting and I thoroughly enjoyed the hour of listening. There was not an expressed theme or organization to the playlist when I tuned in, so I had no preparation for the pieces that were to come. I actually enjoyed this position of surprise and anticipation because it left me with a completely open mind without
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Johann left the Josef’s group in 1825. Josef Lanner quickly became highly regarded and very popular for his waltzes. He began giving concerts in the Vienna Volsgarten in 1831 and he conducted the chamber ball in the Hofburg beginning in the year 1840. His music spread all over Europe and even to the USA where it was very popular. His popularity eventually waned in the shadow of Johann Strauss. Lanner composed the piece Die Mozartisten for the 15th anniversary of Mozart’s death as a tribute. The second piece I listened to was the Concierto Madrigal by Joaquin Rodrigo. The piece was very, very long. As a listener, it was easy to tell there were many separate works or sections within this piece. The overall feel was a Spanish theme with a lot of great guitar playing. As expressed by Oxford Music Online, Joaquin Rodrigo became blind at the age of three and remained so until his death. He lived almost exactly a century later than Josef Lanner. Joaquin was born in Sagunto on the 22nd of November in the year 1901. He studied music in France and married a Turkish pianist. Soon after his first composition entitled the Concierto de Aranjuez, he became widely recognized as a leading composer in Spain. He is accredited with an estimated 170 compositions, 11 of which are concertos. Towards the end of the 60’s, Rodrigo composed the Concierto Madrigal for two guitars. It is said that the piece was based on a Renaissance love
The one song that stuck out to me the most was the Peer Gynt Suite No. 1: II The Death of Ase. This score was composed by Edward Grieg and was published in 1908, a year after he died (Classic FM). One element of sound that was very apparent to me during this piece was the pitch. This is the relative highness of lowness of sound (116). In this piece there are very distinct pitches. The violins give off the higher tone, where as the cellos contribute the lower tones in the pitch. The faster the instruments play the higher
Some of the great composers during this time were Franz Josef Haydn, Wolfgang Amadeus Mozart,
3. Discuss the political events and sociological factors that made the Classical Period such a time of violent upheaval. (1 point)
This article discusses the world’s need for classical music and why it will always be relevant. The author explores what makes certain things “art” and why certain other things are simply entertainment. He claims that classical music can never die because it is fundamentally different from many other types of popular music. It defines what makes art different from entertainment and answers the age old question of who gets to judge between them. In an age that dooms classical music to inevitable failure, this article offers a refreshing different perspective in a much more hopeful light.
Several months later, Mozart returned to Salzburg and was given the post of court organist as well as Konzertmeister. He produced numerous works during this
Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and
The second piece that is discussed is Toccata in F major, by Johann Sebastian Bach. It is a solo piece that was performed in a unison and dissonant harmony. Surreal coordination and impressive pedal solo was extremely impressive and gave this particular piece a broad spectrum of dynamic change and tempo. Ascending and descending theme constantly repeated throughout this performance, alternating in crescendo and decrescendo, which brought life and movement to a classical piece.
My initial response to the concert was of much surprise. First, when I walked in I didn’t expect to see such a formal event. Thank goodness I showed up in my work clothes! My initial reaction to the music however was one of great surprise. I didn’t really know what to expect from the Lee’s Summit Symphony because honestly I didn’t even know they existed. Once the symphony began to play “Don Giovanni” my mood instantly changed. The symphony was incredible, and the music was not what I had expected at all. I was surprised by how much of the music I had actually heard before and just not realized it.
In this essay I will be discussing the extent that Dmitri Shostakovich adhered to and rebelled from the conventions and traditions that were normalized in classical music and I will offer varied examples of the many times Shostakovich has obeyed and dissented within music throughout his career. The career span of Shostakovich extends from 1926 when he presented his first major work, Symphony No.1 to 1970 when he presented Quartet No. 7.
The effects of Mozart on today’s society can be seen just about everywhere. In marketing, they play music to make the consumer want to buy their product. In restaurants, they play music to help the customer feel relaxed in their establishment. People listen to music while driving cars. It seems that music permeates almost every aspect of our everyday lives. When people think of the birth of modern music, they often think of classical music. And when people think of classical music, they think of Mozart. During the 18th century, the musical genius Wolfgang Amadeus Mozart composed a total number of six hundred and fifty works. When he was younger, he toured Europe with his father, Leopold, and his sister, Nannerl, playing for Europe’s elite of the time. He put forth some major musical contributions that shape modern music today (Fiero 324,326). Classical music is the great grandfather of all modern music. Some people enjoy
For this assignment, I went to the Basically Beethoven Festival at the Dallas City Performance Hall. The recital was opened with a few pieces played by the rising stars Madera Wind Quintet. The main performance included Rachel McDonald on the viola, Joseph Kuipers on the cello, Grace Wollett on the violin, Scott Wollett on the oboe, and the great pianist Alex McDonald. They performed a compilation of famous composers’ masterpieces.
The last was the Mexican piece “Plena Con Sabor” written by Oscar Hernandez. This piece was different from others in that Beatriz Figueroa-Chavez sang solo and danced. I really liked her voice. During the composition, it was possible to observe how the sound changed because someone from the musicians fell silent and then joined again. The tempo was fast throughout the piece and did not change. The end of composition was played by all instruments and it sounded
The first composer was Liliya Ugay. Before the performance ugay talked about the number of expressions she wanted to bring out before the piece was played. From the start the main thing I noticed was the dynamic contrast.
Although I enjoyed both pieces of music I really enjoyed the works of Gustav Mahler and his piece Lied von der Erde. This piece is rich in drama. I feel that the texture used is this song is imitative polyphony. I feel that there are various parts in this song that use the similar melodies. I feel that the harmony between the two vocalists were right on with each other and the orchestra. You can hear the brass instruments in the very beginning of the songs then the strings, wind instruments along with the piano and keyboards begin to make their entrance. They come together very strong but in a peaceful way at first. Towards the middle of the song the tempo and rhythm really picks up (it seems as if all of their emotions are bursting out) then it slowly begins to drop back to slower movements. You can really hear the strings during this time. But surprisingly enough just when you think the song is going to end boom your hit again. This song keeps you on the edge of your
The classical music period extends from 1740 to 1810, which includes the music of Haydn, Mozart, and the first period of Beethoven. The classical period of music combined harmony, melody, rhythm, and orchestration more effectively than earlier periods of music. With the natural evolution of music slowly changing with the culture, the baroque era had ended. That era had left a structure, articulation and periodic phrasing of music which would shape classical music.