In Shakespeare’s plays Othello and Macbeth the audience is presented with two great heroes who both poses a certain character flaw that inevitably leads to their downfall. This is the idea behind a tragic hero; a person of great importance comes to a tragic end because of a serious flaw in his character. Both Othello and Macbeth find themselves on top of the world one moment and being crushed beneath it the next. The next logical comparison to make between two of Shakespeare’s tragic heroes is who is more tragic, who fits the design of the tragic hero more closely, Othello or Macbeth.
In order for one to judge who best fits the mold of the tragic hero, Othello or Macbeth, some criteria for being compared must be decided upon. The great
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Othello tells his trusted friend Iago, “My parts, my title, and my perfect soul/ Shall manifest me rightly” (Shakespeare 1.3.31-32). After his tragic downfall Othello once again regains a measure of his good character and realizes what a terrible crime he has committed. To set things right he sentences himself to death and carries out his final judgement upon himself. Othello is truly remorseful and realizes what a fool he was to believe “honest Iago” and the lies he told. He cries out asking how Iago, the “demi devil,” could capture his soul that way. This realization of error only helps to add more tragedy to an already tragic scene. When one looks at Macbeth, however, in regardless to his good nature and character it is hard to find many examples in the work itself from Macbeth. At the beginning of the play Macbeth is being talk about by a few different people who all regard him as noble and goodly of nature. Macbeth is also a general in his countries military, like Othello, who is respected by the people under him, as well as his peers, as a man of great worth to his country. When Macbeth is first introduced though we see him being confronted by three witches who bring visions of grandeur. One would think this a good omen, but Macbeth seems unnerved by the whole thing. Macbeth’s friend, Banquo, asks him “good sir why do you start so...” wondering why his friend is not delighted and
A Shakespearean tragic hero starts out as a noble person; a great exceptional being who stands out. A tragic hero has a tragic flaw of an exaggerated trait that leads to their downfall and eventually to death. William Shakespeare often made his main characters tragic heroes in his plays. In Shakespeare’s Macbeth, the role of the tragic hero is given to the main character: Macbeth. This is because he starts off as a loyal and well liked man in the beginning, but has a tragic flaw of ambition which ultimately leads to his downfall.
In William shakespeare’s Macbeth,Macbeth is a classic example of a tragic hero in shakesperean work.Macbeth display the major characteristics of a tragic hero throughout the play until his tragic end.The play potrays Macbeth as a lost cause by showing how he fell from being a honest and just man who fought for whats right, to a cruel,superstitious,ambicious dictator.In william shakespreares Macbeth,Macbeth is a tragic hero because he compromises his honor and negates his moral values in order to obtain power which results with lots of tragic events such as character deaths leading to his tragic end.
Most people would consider a hero as someone who has impacted the world in a positive fashion, but doing a single positive action does not abolish all of the bad deeds that a person has committed. The great philosopher, Aristotle classifies a tragic hero through the principals hamartia and hubris, meaning a character in a dramatic tragedy who expresses a tragic flaw and excessive pride, conclusively leading to their downfall. In the tragic play “Macbeth” by William Shakespeare, the main character, Macbeth is a considered a tragic hero since he represents the principal hamartia through his tragic flaw of ambition and he exhibits the principal hubris through his excessive pride.
In the play Macbeth by Shakespeare I found at the beginning the character Macbeth was a portrayed as a noble, honest and brave man. As said by the captain in the second scene, ‘For brave Macbeth – well he deserves that title’ (I.2.16). This gives the audience an indication that Macbeth was highly respected by the king’s men and the king himself. His desire for power grew throughout the play from when he had his first encounter with the witches.
Unit 1: ‘Many critics have argued that Othello is not a true Shakespearean tragic hero. Explore the idea that Shakespeare intended to make Othello fit the criteria of his tragic hero with comparison to Macbeth.’
Throughout my study of “Othello”, I have learnt of the many aspects of Othello’s character. He is noble and strong, yet he has many insecurities and is recognised for trusting others too easily. This causes him to obtain the famous title of ‘tragic hero’. According to Greek philosopher Aristotle there are certain characteristics of a tragic hero. These include a noble birth, a tragic flaw that eventually leads to his downfall, a reversal of fortune brought about by the hero’s tragic flaw, his actions results in an increase of self-awareness and the audience must feel pity or fear for the character.
Unlike a pathetic character, a tragic hero is a noble character who displays some goodness but his misjudgements lead to his downfall. His death while tragic, allows viewers to sympathize him while experiencing catharsis. In William Shakespeare’s Othello, Shakespeare described Othello as a high rank character, and has been deceived by Iago, to make him suspect his loyal wife, Desdemona, of infidelity. Othello is a sympathetic character because he is someone of high rank who possesses some goodness, his hamartia of insecurity is exploited by Iago, but he is able to face his wrongdoing with dignity.
The play “Macbeth” is a tragedy, because of Macbeth; the hero aspect in the play is brought to ruin. Although he is not an idealistic hero, he’s the main character and suffers great loss, even death; the witches had caused him to bring it upon himself, by misleading his blind ambition.
The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in
"A man doesn't become a hero until he can see the root of his own downfall” (Aristotle). Shakespeare’s play, Macbeth, is commonly known for its use of a not-so-heroic tragic hero. His personality leads many to believe he is not a tragic hero at all. Although many believe that Macbeth lacks true heroism, he is a tragic hero because his tragic flaw, reversal of fortune, and self-inflicted downfall.
Macbeth’s major flaws are his ambition and impressionability. Due to their flaws, a Tragic Hero’s actions are often atrocious and cause them to battle with their conscience after their desires have been accomplished. These battles with their conscience evoke empathy from the audience. A Shakespearean Tragic Hero will always lose their life in the end of the play as a result of re-establishment of what is good in the play. In Shakespeare’s Macbeth, the title
In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.
Throughout a variety of Shakespeare’s tragedies, the audience is presented with a protagonist who appears to be a “tragic hero” in the overall play. In other words, this character is one who has made an error in his judgement, providing that this error eventually leads to their own ruin or destruction. Within Macbeth, Macbeth the character is regarded as a tragic hero, but with the distinct and evident explanation of his evil and the succession of his acts of violence, it may not be as clear cut as to whether he is a tragic hero or not. Though Macbeth does commit an error that leads to his eventual destruction, he knows that his judgement is evil and he is aware of the nature of the deed that he wishes to commit in order to reach his ambitions. His knowledge of the nature of his thoughts and actions first appears after an incident he experiences with his imagination and in fact, imagination plays a big role in the motivating identity for his will to commit regicide. Imagination begins by acting as a self-contradicting identity by providing a form of motivation, but also contributing to some hesitation towards the murderous act. As the play progresses though, it becomes solely a motivating identity towards the evil that contributed to the deterioration of Macbeth, and it is this resulting torment that becomes evidence of what evil does onto Macbeth’s mind and heart.
Villains are crafty and skillful while using their mastery of manipulation in an attempt to gain power. Shakespeare presents the tragedies, Macbeth and Othello as plays filled with plots driven by manipulation. Shakespeare uses the power of language in the characters Iago and Lady Macbeth by using influential rhetoric to sway those around them and also lead to the deadly downfall of Othello and Macbeth. In both of their cases, Shakespeare reveals the power of power because when things do not go according to plan, their own downfall is inevitable as well. In Macbeth, Lady Macbeth’s actions show that women too can have the ambitions that men have and perhaps be just as devious and evil. It is this ambition and ease of cruelty that fuels her
William Shakespeare is the playwright in which the works of Macbeth and Othello are written . These works are both written in Shakespeare's signature style of tragedy where a character experiences a reversal of fortune at the hands of their own actions. A true tragic hero is a character who is admired while being flawed; has both good and evil characteristics; experiences a hamartia, a moral mistake or ignorant error; is given an opportunity for redemption yet continues refusing; experiences the reversal of fortune of falling in positional rank; and can be pitied by the audience. The first tragedy, Othello is a play set in sixteenth century Venice, in which a tale of jealousy and manipulation unfolds between the marriages and friendships