Othello the Outsider Essay

Shakespeare is prominent in his use of recurring themes throughout his works, particularly those of love, death, and betrayal. All these themes are present in Othello. Most dominant, however, are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play, when Roderigo is jealous of Othello because he wishes to be with Desdemona, and to the end of the play, when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair, but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned by other characters. Iago is involved in much of this, creating lies and implementing confusing situations.

Inside each of us, there is a seed of good and evil since it is a constant struggle for us to

The relationship of an outsider to society is also explored through Othello himself, as he recognises the differences between him and those around him. While describing his and Desdemona’s love, Othello tells (about himself): “Rude am I in speech/ And little blessed with the soft phrase of peace.” In these words, Othello is able convey that he is a little awkward in speech, and not a smooth talker, with the unspoken understanding that others in the room are. Othello goes on, “For since these arms of mine had seven years pith/ Till now some nine moons wasted/ …in the tented field/ … little of this great world can I speak.” Here the reader learns that Othello, unlike the assortment of senators and the Duke, has spent most of his life in battle, and therefore has not had a lot of life

There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."

Othello is a man who is in control of his emotions, and is seen as a strong, respectable man in such whereas Brabantio’s is not.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

Othello is a tragic hero because of his greatnesses and his weaknesses. He is a noble man who possesses all the qualities of a military leader, which he is. He has control over himself and shows courage as well as dignity. Just as Othello is a virtuous man there are some flaws within him, these flaws complete him ff as a tragic hero. Othello is often blinded by trust and can not see a person for who they really are. He trusts the people around him even when they mean to afflict harm upon him. Through this, it can be seen why Othello is one of the most tragic hero out of all the characters from Shakespeare’s many plays.

“Othello” is a Shakespearian tragedy set in sixteenth century Venice during the Turkish and Venetian Wars. The story follows the powerful Moor of Venice, Othello, and his tragic moral, military and marital downfall due to the corruption instigated by his jealous ancient, Iago. Throughout the play, the themes of womanhood, appearance versus reality, as well as prejudice in identity are explored. Further, contemporary responders can extract individual meaning through applying the literary criticisms.

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

Only by considering a range of perspectives can we truly appreciate the world of Shakespeare’s Othello. It is through my exploration of these perspectives and their relationship with changing morals and values that has enriched my understanding of the play. One such reading of the play challenges the marginalisation and objectification of woman in a patriarchal Venetian society, while taking into account the changing role of women in modern society. Another interpretation of Othello examines its post colonial elements through the protagonist Othello, and his insecurities of being a black man in a white society. My interpretation of the play as a portrayal of the values existing in Shakespeare’s time is filtered through these

    Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.

In the critical essay “Othello” by Drama for Students it recognizes the struggles characters face with society’s standards. It explains the importance culture plays on each character’s decision. It is believed that characters who experience conflict are a perhaps a result from not, “understanding the values and assumptions that shape the reality of [cultural values]” (“Othello”). I agree that delusion sometimes gets the best of characters. Throughout the Novel Othello provides a prime example of delusion. In addition, a factor of his downfall is a result of the insecurity he feels from society. He ends up being blinded by what society thinks and the stress gets to him. The reflection of the culture is seen throughout some things Iago says. Iago decides to anger Desdemona’s father by telling him that she, “[is] covered with a Barbary horse” (Shakespeare). We learn that this behavior is normal among most of the characters. The comparison to Othello as an “African horse” reveals the levels of respect the people of Venice show towards him. Moreover, the insecurity revealed in Othello reveals a reflection of delusion due to accepting assumptions made by society. In regard to, the themes of prejudice against another race, and the importance of social, cultural influences Othello may be considered, “Shakespeare’s most innovative tragedy regarding [these themes]” (“Othello’). For the time the play was published Othello was possibly the most innovative strategy. Othello followed the formula of Shakespeare’s other tragedies, but the overall theme of race was expressed. This made Othello

Within this play, fundamental questions about humanity, as well as situations, attitudes, and problems that continue to hold strong universal meaning to this day are explored .It shows Shakespeare’s ability to create characters who resemble real life individuals and reflect lifestyles and personalities accurately.  You could not help but be moved by the dark despair and utter wretchedness of Othello’s downfall! Shakespeare has dramatically explored many aspects of the human condition in this play, The Tragedy of