Paradise Lost by John Milton

"She pluck'd, she eat" (PL IX.781). With these four monosyllables, Milton succinctly announces the Fall of Eve in Paradise Lost. Eve's Fall, however, is far more complex than a simple act of eating, for her disobedience represents a much greater loss of chastity. Indeed, Milton implies that the Fall is a violation not only of God's sole commandment but also of Eve herself, for Milton implicitly equates Dis's ravishment of Proserpina with Satan's seduction of Eve. Milton weaves the Proserpina myth, as told by Ovid in his Metamorphoses, throughout Paradise Lost as a trope for rape and Eve's loss of virginity, and this culminates in a metaphorical construction of the Fall as

The lines 809 – 840 of Amelia Lanyer’s poem “Salve Deus Rex Judaeorum” is an argument for why women should have an equal place in society to men’s. The poem is actually a piece of proto-feminist writing using religious examples as a way of getting across the message of equality between the sexes. Lanyer uses examples from the Bible to explain how Eve is not at fault for women having a lesser place in society and why males should have a religious motivation for women being equal with men.

Towards the end of ‘On the Equality of the Sexes’, Murray specifically invokes the story of Adam and Eve, a story used for centuries to depict women as the sinners, to turn the argument against itself and argue that Adam, or the men, are the real sinners in the Bible, as Adam knowingly breaks the rules while Eve was innocently deceived by the serpent. “Adam could not plead the same deception,” says Murray, “nor ought we to admire his superiour strength, or wonder at his sagacity”, implying that people overestimate the skills of men while dismissing the intellect of women as commonplace. The bigger takeaway from Murray’s invocation of Adam and Eve is that it shows the audience that she is trying to make her argument more relatable by putting gender equality in the framework of the Bible, a piece of work that was not only a religious text, but a way of life for most people in Murray’s time. By analyzing the Bible through a feminist lens and swapping the roles of Adam and Eve, Murray saved women’s reputation as the repenting sinners, but in mentioning the Bible to justify her point, Murray ultimately retreats back to the practice of relying on others’ words to make her ideas worthy of public consumption.

    The seventeenth century poet, John Milton, takes the attitude common to the time period while portraying Eve in Paradise Lost.  This epic, telling of Adam and Eve's fall from Paradise and the story of creation, constantly describes Eve as a weak individual, while Adam is often compared with God.  The idea of women's inferiority has been fixed through time, making Milton's characterization of Eve not surprising, but rather expected and accepted.  However, Milton shows a suggestion of women's inner strength while describing the control Eve has over Adam.  Nevertheless, except for this instance, Eve is depicted as subordinate to Adam.  This is evident through Adam and Raphael's treatment

One of the points that is consistently brought up in Toni Morrison’s Paradise is that of the all black town “Ruby”. Paradise uses the setting of Oklahoma to discuss how many black towns are shaped by past history and religion. While the town in this novel is fictional, there have been real all black towns in the United States, and it seems that these towns influenced many aspects of the town Ruby, which is why it is so easy to imagine that the story could actually be real. Many authors have written in general about the novel, and specifically about the town within it.

In Early Modern England, the idea of men being superior to women was thought to be a God-given law. Sexism, though not yet coined as an English word at the time, was very prevalent in this time period and bled into the writing it produced. John Milton’s Paradise Lost is no exception to this, as it explores human sexuality and gender roles. It has been argued that when Adam and Eve are described as “Two of far nobler shape erect and tall,/ Godlike erect” (4.288-289) there is no distinction between the two, and that they are being portrayed, even by Satan, as equal. This is the reader’s first introduction to Eve who, based on these two lines from Paradise Lost, is Adam’s equivalent in power and in majesty. However, this passage cannot be isolated and taken as the theme of the entire epic work: Milton goes right on to convey “Milton’s idea that true freedom involves obedience to natural superiors” (Milton, p. 2009, footnote 9) by saying that there is “true authority in men” (4.295). Throughout Paradise Lost, Milton shows stark contrast between Adam and Eve, overall implying that Eve is a less perfect character. In his epic poem, Milton makes Eve out to be the misogynistic image of a simple, subordinate woman by showing her as being distanced from God, trained to be obedient to men, and conveying the negative outcomes that transpire when Eve is persuaded into making her own decision.

Since the dawn of the Patriarchy there has been a very apparent attack on women and what it means to be a woman (Daly 44-45). This popular theory of misogyny in the Western world first surfaced in 1973 when radical feminist Mary Daly published “Beyond God and the Father: Toward a Philosophy of Women’s Liberation (Daly 44-45).” Within the pages of Daly’s book lies controversial attacks of biblical text, more specifically the story of Adam of Eve alongside a call for action for women and men to undo the brainwashing that years of conditioning has caused them (Daly 44-45).

A. “The allusion to pagan fable that most haunts views of Milton's Eve is her Narcissus-like behavior when, fresh from her Creator's hand, she pauses at the verge of the mirror lake attracted by her own reflection and has to be called twice: first by God, who leads her to Adam, and then, as she starts back toward the softer beauty of the face in the lake, by Adam himself.” (McColley 63).

Being a young woman of this generation, I have come to realize the validity of a common bumper sticker quote: Well-behaved women seldom make history. Despite the fact that there is no verified initial speaker to this statement, the older I have gotten, the wider my eyes have become and the more of the world around me, I have seen in its full, vivid colors rather than the simple, crisp black-and-white of childhood. In my elementary days, being anything other than well behaved was downright frightening. The ever-bearing fear of disapproval weighed heavy upon my little shoulders, because frankly, speaking against adults was unforgivable and meant no rewards in the form of sweets or shiny foil stickers with terrible plays on words. But, I digress, the trueness of the statement solidified itself the older I got when the reality became clear; women are to be an object, a fixture, a malleable ball of clay left for shaping at the hands of the man she shadows. However true this may be, this paper, my last soapbox to preach observations upon, aims to reference: The Wife’s Lament, Beowulf, Paradise Lost, The Flea, and The Poetess’s Hasty Resolution to reiterate and further emphasize the use of, shift in, and development of gender roles. My primary focus resting upon the roles of women in literature throughout the time-periods discussed within the span of the semester.

By using humor to comment on the misogynistic views of women, they make light of a truly absurd situation of women living to marrying, birthing, and wifing to conform to societal norms. Since Eve was responsible having humankind removed from the Garden of Eden, women have been portrayed as temptresses and lustful but women were also depicted as “instruments of divine salvation.” The pamphlets them self as artifacts are symbols of women’s resilience throughout history and determination to fight for

The portrayal of women in Milton’s Paradise Lost is very different from the other works. While women are often seen as being deceitful, devious, and smart, the depiction of Eve is different as she is seen as being dumber and more inferior to Adam in all areas besides beauty. This portrayal of Eve assisted in the progression of Paradise Lost as Eve ate the forbidden apple after being persuaded by Satan to eat the apple. While the incident caused Adam to also disobey God, it created a bond between Adam and Eve that was greater than before the incident when they were considered pure. The bond between Adam and Eve that is improved through the learning of new emotions, trying new things, and the

John Milton's Paradise Lost attempts to justify "God's will" by giving a better understanding of the "ways of God", according to the author. In his work, Milton addresses several issues from biblical text as he expands on the "role of woman" as it is written in the book of Genesis. "Woman's role" is recognized and presented as one that is subordinate to man. Several associations are recognized between Milton's work and books of the Bible which reveal much about the way both of these books intend to define the role of a woman.

In the play Comus, Milton utilizes a female protagonist to exemplify the poignancy of tested purify for the female sex. In the political tract To the Doctrine of Discipline and Divorce, Milton asserts that womanhood derives from obedience to the superior sex. To uphold the values of femininity in Milton’s standards, women must account themselves to a perfectionist state of chastity and docilely venerate their

John Milton wrote the poem “Paradise Lost” which is composed in ten books with thousands of verses. The representation of the character Eve by Milton is discussed in the research analysis with the help of a selected part from the poem. The word choice and grammar has been discussed and how he used the preposition and grammar in order to present the character of Eve. In the following analysis paper, personal and critical reviews have been given in order to present the character of Eve in a confusing way. The selected verses are as follows:

Paradise Lost was written by John Milton in an effort to explain why, and how, the Fall of Man occurred; but he does this not by reiterating the biblical Genesis story, but by providing readers with an imaginative and poetic re-creation of the story. He is able to retell the story, “Fall of Man,” while also expressing his own perspective and personal truths through the characters. Milton also seems to meet most, if not all, of the epic poem conventions, with this epic, consisting of over ten thousand lines. While reading this epic, it is clear that it was not only the Genesis story that persuaded Milton 's writing, but there were many other sociohistorical contexts, perspectives and criteria that helped form Paradise Lost.