Paul Jackson Pollock Research Paper

Jackson Pollock was not known for painting images, that's because he didn't use a brush He believed the brush would interfere with the dripping of the paint. Instead Jackson used a stick to pour paint onto the canvas. He would change the color, type of paint, and the thickness of the paint as the work progressed. Therefore, the painting would reflect the movements of his arm and body as he applied the paint. The activity of the painting would become part of the painting itself. That style of painting is called action painting. Jackson Pollock was the first "all-over" action painted just like Cernuschi stated on page 67 in his book Meaning and Significance, "He painted no image, just action." It looked like Pollock almost imitated a dance. Pollock dripped paint all over the canvas, but always had total control of where the splash of paint would be. That is how he got his nickname "Jack the

On the other hand, Vincent van Gogh did not do any cubism work during his time as an artist, however, had more of an interest in drawing. Pablo Picasso had an interest in drawing too, but unlike his work, Vincent van Gogh’s drawings are appreciated without the need for bright colours, drawings such as his depiction of figures, light and landscape. Van Gogh drew using a lot of different media, such as chalks, red pen and charcoal, although he often mixed mediums as well when it came to drawing. He drew on not just paper, but a variety of paper types, and materials. However, Van Gogh’s methods of ‘drawing’ are very different to Pablo Picasso’s.

At the start of his career he was influenced by the Arts and Crafts movement and then painted in a manner that could be compared to those of John Sloan, Edward Hopper, Edouard Vuillard or Utrillo.

Jackson Pollock was a legendary, novel, abstract expressionist who has created numerous paintings through his drip-style, action painting technique (Goodnough, 2012). Theosophical influence arose from Phillip Guston and Thomas Hart Benton, while in the early stages of the artist’s life. Muralists, such as Jose Clemente Orozco and Diego Rivera were also admired and studied by Pollock. He was captivated by the unorthodox techniques of David Alfaro Siqueiros which contributed to the abstract style of Jackson Pollock (Solomon, 1987).

Both artists giving the most of what was inside of them, being frenziness, religion and their own abstract views on life and how we should see it. Van Gough and Pollock were compared to other painters, and these two in particular have low-level discriminative features in their paintings. Each artist uses their brain in a different way, it’s based on what their brain sees not what the eyes see. Both paintings have a low-level in image features, but higher- level in discriminative

Van Gogh was really good at what he did I really liked the Starry Night over Rhone painting it looked really realistic. I liked the way he always painted the sky or painted things in nature. He used the same colors that he used in the Starry Night to paint the art piece Starry Night Over

Around 1890, an artist by the name of Vincent Van Gogh who present day is one of the most renowned artists created magnificent, yet mysterious drawings which he started with just a pencil. From his pencil drawings with lines and dashes to the beautiful variations with using paint, Vincent was a genius, but was never congratulated on his work until later. Even as he was pronounced crazy, he could still create beautiful works of art which shows how even a flower can bloom in a dark forest. As his life was slowly being painted on canvas from the years of solitude and psychiatric problems he finally killed himself which a couple years later brought up his artwork through his own suicide.

Jackson Pollock was an abstract expressionist. Abstract expressionism is inherently difficult to define; however, most recognize the art movement to “be clustered around two basic inclinations: an emphasis on dynamic, energetic gesture, in contrast to a reflective, cerebral focus on more open fields of color” (Paul, 2004). Jackson Pollock’s drip paintings lie at the heart of the abstract expressionist movement and epitomize Pollock’s focus on what he called “the energy, the motion, and other inner forces” of the world (Karmel, 1999). The frontier myth plays the largest and most influential role in Jackson Pollock’s success.

Throughout the time mankind has embarked on the journey of self-discovery by using art to activate the subconscious and mirror our souls. Many artists in their lifelong quest for self-realization, have effectively harnessed their rich creative processes to reflect and reveal not only parts of themselves, but also the world around them. American artist Jackson Pollock embarked on his own journey of self-discovery. Through the exploration of his unconscious mind he allowed his strong emotions to flow freely from deep within himself onto his paintings. Pollock expressed his inner energy in his iconic drip paintings, which were created by embracing new, radical techniques of dripping and pouring paint directly onto huge canvases laid down on the

Pollock began doing all of his works in a completely abstract manner in the mid 1940s. But, after 1947 is when Pollock's most recognizable abstract works would be produced. This is when he began placing large canvases on the floor and creating his famous abstract works. On these large canvases, he started to use his "drip" technique, which was first shown to him by Siqueiro. These drip paintings were first shown in 1948. They are said to reflect both ecstasy and anxiety. After they were introduced to the world, a critic actually characterized Pollock as "Jack the Dripper". These works captivated and scared his future wife, Lee Krasner, a painter herself.

It was after he moved to Long Island that he discovered what he was to be truly famous for, his “drip paintings.” According to the Smithsonian Museum of Art, Pollock began working on the ground, on a not stretched canvas, throwing and dripping raw materials such as sand, tar, and paint on the canvas (2). This was of painting without subject matter is known as “action painting” (2). Indicated by one source, he needed to view his painting from all angles and step around it (National Gallery of Art 2). This is part of the technique and action painter uses to “get into his or her painting.” He had developed the ability to become completely part of his painting (2). In the film Pollock, when Krasner discovers Pollock’s new way of painting she says, “You’ve done it Pollock. You’ve cracked it open.” This is exactly what Jackson did, he “cracked open” the art world, exposing new skin and breaking all the traditions. Rugoff indicates that Pollock, with strong influence, had changed painting from a traditional compositional technique to something else, making his paintings look more as sculptures (442). Along with the finished product, the method Pollock used to paint was “out-of-the-ordinary.” Pollock painted physically, in almost a performance art technique (National Gallery of Art 2). His movements could not be repeated, however, the artwork always came out how the artist wanted it to (2). Pollock says himself

Aggressive and harsh, raw in colour, the texture thick and heavy as if it had been relentlessly worked and re-worked over again and again. Pictures don't have the delicacy of Pollock's. Shapes are vaguely suggestive , pressed together, brush strokes are dense

1 Jackson polllock was a big part of art at the time but i don't understand how splattering paint onto a canvas is art a child can shatter paint, even a animal like a elephant can paint for details and thoughtful pieces.

Taking following extreme cases of abstraction, when speaking of Pollock’s work such as his ”Autumn Rhythm” (1950), we realize how the visual formed is fully based on science and gravity that permits the dripping and pouring of the paint on the horizontal canvas. But, by walking around/on the canvas we can argue Greenberg’s analysis and suppose that the painter possibly connects with it, he gets drowned in the act and merges inside the painting while mechanically pouring paint on the canvas. This means that even though the painter tries to focus on the flatness of the painting rather than the content and is physically detached from the canvas, this focus cannot erase an emotional

As his career continued to grow he started being referred to as, “ The greatest English Master of colour theory in painting.” Abstract Expressionist painter Jackson Pollock is also recognized for his use of color and how it related to the canvas. In the Azalea Garden painting you can see a direct influence that Heron had from Pollock pieces. Pollock’s paintings such as Full Fathom Five and White Cathedral lends to the