Peer pressure’s grasp reaches everybody daily. Too often people tend follow the crowd’s decision instead of maintaining their own morals. The guilt felt after conceding to a crowd’s way of thinking can crush a person. In a small Burmese town, a police officer feels pressure in a defining showdown with an elephant. George Orwell reveals the consequences of caving into peer pressure through imagery found in “Shooting an Elephant.”
The protagonist repeats over and over he does not want to shoot this elephant. The officer shows his tender emotions towards elephants and depicts early on the “grandmotherly air” they possess. Orwell conveys many times his unwillingness to shoot the elephant, and at one point he says the gun he grabs to shoot it “was much too small to kill an elephant.” Subconsciously, he did not want this elephant to die, so he grabs this small rifle just to stop the fear in the crowd. After it suffers for a while, Orwell's sheds a light on his inner conflict with shooting the animal. His incapability of comprehending his actions devastate him and he, “could not stand it any longer and went away.”
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He describes the day of the shooting as , “the only time in my life that I have been important enough for this to happen to me”. The pressure felt by the British police officer from the inexorable crowd “growing every minute” leads to his fatal shooting of the helpless elephant. He allays the idea of massacring this animal. As Orwell loads up the elephant rifle and aims it at the beast, the crowd “grew very still, and a deep, low happy sigh… breathed from innumerable throats.” The pull of the rifle’s trigger satisfies the crowd, and keeps him from the ignonimous judgement from the crowd. His spontaneous call to action on this day in Burma causes him to act in accordance to the crowd’s morals, rather than his
George Orwell describes to us in “Shooting an elephant” the struggle that his character faces when to win the mobs approval and respect when he shoots down an innocent animal and sacrifices what he believes to be right. Orwell is a police officer in Moulmein, during the period of the British occupation of Burma. An escaped elephant gives him the opportunity to prove himself in front of his people and to be able to become a “somebody” on the social
The story, written in first person, gives insight of the narrator’s thought process. It is well conveyed that Orwell is very unhappy with his current position and is working for something he doesn’t believe in, which allows his audience to feel sympathetic to his current situation. His dilemma is clearly presented- whether he should shoot the elephant or not- which provides a universal theme of a personal battle, to choose what one believes is right, or whether to conform with society. Ultimately, this provides an emotional connection between Orwell and the reader, as they can relate to the feeling, which gives them a better understanding of the story’s main point. The shooting of the elephant itself also provokes an emotional response from the audience, as Orwell employs the element of death in a powerful and symbolic way. It is well persuaded throughout the story that he believed the elephant did not deserve to die, and the death itself is portrayed as devastating to him..” (Orwell, 5). The remorseful tone in this ending sentence exposes to the audience that just because something appears to be socially acceptable does not mean in any way that it is right for us to do, in which this case, the guilt exposed to the reader illustrates the negative consequences of social
“Shooting an Elephant” is a short anecdote written by George Orwell. The story depicts a young man, Orwell, who has to decide whether to bend the rules for his superiors or to follow his own path. George Orwell works as the sub-divisional police officer of Moulmein, a town in the British colony of Burma. He, along with the rest of the English military are disrespected by the Burmese due to the English invading their territory and taking over. Over time, Orwell, the narrator, has already begun to question the presence of the British in the Far East. He states, theoretically and secretly, he was “all for the Burmese and all against their oppressors, the British.” Orwell describes himself as “young and ill-educated,” bitterly hating his job. Orwell uses powerful imagery and diction to convey a depressing and sadistic tone to the story. At the end of the story, he faces a dilemma: to kill the elephant or not.
He repeats over and again that he did not want to shoot the elephant. He confesses, “It seemed to me that it would be murder to shoot him. I had never shot an elephant and never wanted to.” Orwell gives emotional reasons for being against the idea of shooting the animal and not rational. He generalizes all elephants to have a “preoccupied grandmotherly air” and compares the elephant to a cow. The writer uses the simile, “They were watching me as they would watch a conjurer about to perform a trick.” to explain the pressure he had from the crowd watching him. Orwell remarks that regardless of his decision to shoot the elephant, he cannot change the thinking of the public about him. Orwell was moved by the hefty crowd that followed him. He was left with no choice other than to shoot the elephant because that was what the crowd expected of him and this scene signifies the failure of imperialism which is the writer’s overall theme. The sentence, “I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East.” helps explain to the reader the real failure of imperialism. Orwell insists that although the white man in the East has power which is symbolized by the rifle, he is still not allowed to make use of it in accordance with his will. He is classifying imperialism as a hollow and futile way of governance. The Englishmen
In “Shooting an Elephant”, the act of shooting the animal symbolizes cowardness because Orwell did it because he wouldn’t be laughed at, he
George Orwell who wrote a narrative essay Shooting an Elephant” has a tense tone of literature towards his life. He is using a stressed tone due to peer pressure, and lack of confidence toward himself as he is an imperialist who came to protect uphold the laws. He's difficult attitude sets the scene for the story in his eyes. Throughout the story the concept of his decisions and action will be projected through the uses of diction; the write words to express his feelings.
Most people believe that others have authority and control over their own actions. However, contrary to belief, authority controls people's actions. Peer pressure can have an effect on the decisions people make. In this short story, the policeman (the protagonist) is hated by the majority of people in the city of Moulmein. He is hated because he is secretly on the Burmese people’s side instead of the British. Along with conflict of the British and Burmese people, an elephant escapes and causes chaos throughout the city. It is killing people and destroying buildings. The policeman decides to step in and help, but he is faced with the peer pressure of the crowd to kill an elephant that he has no intention in killing. The protagonist is faced with lying to other people and regret for his actions. In, “Shooting an Elephant” George Orwell explains how the policeman struggles between the decisions of shooting an elephant to please the authoritarian crowd that can treat him better and accept him.
The reader sees a glimpse of Orwell's moral conscious when he displays his feelings of unrest at his unethical decision. He writes, "It seemed dreadful to see the great beast lying there, powerless to move and yet powerless to die"(526). The elephant suffers a prolonged, agonizing death because Orwell did not have a hunter's knowledge of how to kill the elephant; thus his shot penetrated the elephant in the wrong spot. As a result, the guilt grows and he "could not stand it any longer"(527) and left the site. Orwell realizes that he committed an atrocity. However he tries to defend his action. It seems that Orwell is trying to make himself feel better by justifying his wrongdoing. He
Having made his decision, he grabbed his rifle, aimed, and fired straight toward the elephant. He shot the elephant a second time, and a third time. He approached the elephant only to hear it in agony, crying, about to die. Orwell couldn’t bear listening to the suffering and the outcry of the elephant’s pain, so he fired the rest of the bullets into the elephant to end its misery, and fled.
Orwell employs symbolism as a major literary technique, aiding our understanding of his stance against colonialism and our understanding of the setting. From the start, it is clear that he represents the modern, the western industrial English, at complete odds with the rural and primitive Burmese. It is believed that the focal symbolic point would be the narrators stand against the elephant. In the paragraph in which the narrator fires at the elephant, it is seen as docile, not bothering anyone anymore and having only made a sporadic wrong. The narrator then fires at the quite calm elephant once, but it does not fall and so, while it is still weak, he fires two more shots, bringing the magnificent creature down. Burma (The country in which the story is situated) has a long history of wars with the British Empire before finally giving in to Colonialism; three wars to be exact. It can be seen in the history books that Burma only wronged the British in a minor way and in fact was not directly bothering the British Raj and much like the narrator, it
Orwell abandons his morals and kills the elephant to garner the approval of the Burmans. He feels compelled to shoot the animal because the Burmans "did not like me, but with the magical rifle in
To sum up the reasoning behind George Orwell shooting the elephant, one must conclude, that there had been put great pressure on his shoulders. He had two ways to go, both with major problems. Some might say he chose the right thing, while others will be opposed, but one thing is right. He did it for the better of
As Orwell glanced at the growing crowd, he instantly perceived the common desires of the people “They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all” (3).These people wanted revenge for the death of the innocent man, the meat its carcass would provide, and the amusement of witnessing the shootings “The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly” (3). Because of these collective expectations, Orwell had to appear determined, authoritative, and decisive through shooting the elephant or else his reputation and the rest of the British colonizers’ reputation would be
Throughout the process of shooting the elephant, Orwell’s attitude drastically changes as he pulls the trigger and the massive beast plunges to the ground. Orwell says “When I pulled the trigger I did not hear the bang or feel the kick-one never does when a shot goes home” (Orwell 11). This mindset tells the reader, as Orwell went to pull the trigger his mind went blank because he knew he was going to be successful at killing the elephant even though that was the last thing he wanted to do. Then the devilish roar of the elephant with glee of the crowd brought him back to real time and shows, how the cruelty brought happiness to the crowd. After the bullets hit the elephant, the tortured breathing continued to slowly annoy Orwell, as he reminded himself of why he did it.
Have you ever been pressured into doing something you didn’t want to, but felt like you had no other option? The narrator in Orwell's, “Shooting an Elephant” had a very similar experience. He was pressed by the Burmese into committing a senseless killing that he did not deem necessary. This transformation of the main characters mentality and morals gives the audience a terrific example of characterization, which would not be possible without the effective use of point of view in Orwell's story.