Personal Narrative Essay On Brown's Jazz Concert

I hurried to get dressed with a black shirt with the sleeves rolled up past my cast. I also wore a red tie and black skinny jeans. I could only sing so we had to use the track guitar. Last thing I had to do was my vocal warmups. I finished and went to the side of the stage. My mind was swirled with thoughts as the video ran and our cue was said to go on stage. My microphone was on me and I was as ready as I was ever going to be. We all ran on stage and started to play. We started with undisclosed desires. Since I didn’t have my guitar to play it gave me a chance to rest and just

The 40th annual Manly Jazz Festival took place over the long weekend as music lovers of all ages travelled towards the beaches to soak up the sun, sand and the celebration of sound. The festival, held on Manly’s beachfront was a combination of Australia’s beach culture with a love of music. The day drew an eclectic audience, as people from all walks of life came together to enjoy the performances. A diverse array from musicians to the elderly to the very young all crowded in the Corso to listen in to the internationally acclaimed Manly Jazz. As the afternoon sun gave glimpses of summer, many festival goers sought out a spot on the sand or in the water to take in the tunes and cool off.

This past Thursday, I attended the fourth event in the Presidential concert series. The guest musicians were the wonderful quintet, Saint Louis Brass. They articulately play each note to create a melodious combination with their two trumpets, french horn, trombone, and tuba. During their set, they played a variety of antiqued classics, modern edgy pieces, and smooth jazz.

The University of Alabama Faculty Jazz Band along with guest player, Bill Peterson the jazz pianist, made up a chamber ensemble and performed beautiful and upbeat jazz music. The faculty members include Tom Wolfe, the guitarist, Chris Kozak, the bass player, and Mark Lanter, the drummer. The entire concert was played in a major key and had nothing but positive energy. The pieces and players were extremely creative and they managed to tell a story and create beautiful imageries through the changing sounds, rhythms, melodies, keys and texture.

We will look into the life of James Brown. He is known for his music. In his life, he had to face many obstacles, but through determination, he changed his life cycle. We will touch on the influences in his life, developmental stage and theories that best fit his personality.

     We will look into the life of James Brown. He is known for his music. In his life, he had to face many obstacles, but through determination, he changed his life cycle. We will touch on the influences in his life, developmental stage and theories that best fit his personality.

On May 13, 2016, the Vocal Jazz Ensembles at Sacramento State University had their one of the last concerts before the semester ended, which was directed by our professor Gaw Vang Williams. This concert was performed by four groups and different solo, which was completely different experience from the first two concerts that I attended at Sac State. In this Vocal Jazz concert, there was packed and a lot of audiences who were friends, family and students come to support and enjoy before this semester ended. Overall, this was a good show and I found that Vocal Jazz was much more fun and enjoyable than the first two. In this concert, I enjoyed every pieces of performance and there were three pieces that caught my attention, which were “Hold On”,

I chose to attend a jazz concert at UNCW on September 28th, 2016. The musicians playing were: Jerald Shynett on trombone, Andy Whittington on piano, Natalie Boeyink on bass, Justin Hoke on guitar and Michael D’Angelo on drums. There were two special guests playing with this ensemble: Lynn Grissett on trumpet and Ryan Mulder on saxophone (joined them on stage for only a few select pieces).

The blazing hot spotlights flick on. The theatre is silent, allowing me to hear the pounding of my heart. Heat radiating off of the light panels warms my face. I grin from ear to ear and whisper to myself, “I will remember this.” It was the friday night show of the orchesis concert, Mrs. Good had sat us down to tell us a story about a past student. Her student, Margaret, loved performing and lived for the rush of adrenaline when she stepped foot on stage. During her senior show, she whispered to herself, “I will remember this.” Fast forward three years, Margaret was walking through the quad of her college campus, the sun peered out behind the clouds and the angle the the sun hit her face brought back a rush of emotions and memories. We were all told this because she wanted us to never forget the feeling we got when we performed. “If you are rushing through the dance moves or caught up in the moment, pause and breathe, remember why you are on the stage in the first

It’s not every day that you’ll have a concert that starts off with a fire alarm and ends in a fire alarm as well. With the Brock U Encore! Concert “The Canadian Jazz Scene” presented by John Sherwood, on February 10th, 2017 that is exactly how it went. You could say that it was letting you know that the night was going to be an interesting one ahead. Alongside John Sherwood, his co-musicians were Kevin Turcotte (trumpeter), Patrick Collins (bassist), Terry Clarke (drummer), and Mike Murley (saxophonist).

On November 17th, 2016, I attended a jazz concert and had quite a time. The experience was captivating, and gave me a warm feeling inside. There were three different bands that play in the hour slot, and all of them sounded magnificent, but “The Santé Fe Jazz Combo” and “Santa Fe Big Band” stood out the most. The only thing these two bands have in common is that some of the musicians play in both bands. Otherwise, these jazz fanatics are polar opposites.

I pressed down hard on each key, knowing that if I did not my fingers would slip. I had decided not to do vibrato, knowing that I sounded better without it. I played the very best I could, I looked up and my friends were smiling from the other side of the room. Mr. Heggins was impressed, he said I had improved faster than any player that year. My fellow saxophonist were wide eyed and surprised that I gotten better. After all this I was certain I would get that honor band sheet. I had worked so hard and now it would be worth it. I waited for Mr. Heggins to hand me the sheet, but he didn't. When this happened I knew what it meant. He turned to me and said “don't let this discourage you, but why don’t you try again next

The instruments in the first gathering included bass, drums, conga, trumpet, alto saxophone, shaker and vibraslap. They performed two quick tempo melodies for drums and percussion, and every instrumentalist was given the chance to hold a performance. All through the execution of the first gathering, the bass player was absence of innovativeness and specialized abilities that should have been be cleaned; his spontaneous creation was a progression of specific scales that were dull and basic. Then again, he was extremely rhythmical and had decent state of mind toward the group of onlookers, coordinating great with drums and knew how to connect with the gathering of people. Particularly, the alto saxophone player was not the same as different instrumentalists, since his tones were more vividly communicated than some other payers. His act of spontaneity was confounded and inventive too. His pitch and rhythms were exact. Notwithstanding that, he executed as harmony with trumpet player in a brief moment performing melody, where he demonstrated a decent feeling of flow. In general, despite the fact that every part of the orchestra possessed the differential musical skill, but they coordinated with each other quite

As the music began, I started to move; the pounding of my feet blending in with the melodious sounds of the flute, the ghungaroo(bells) around my ankles, the mridangham (drums), and the blood rushing into my own heart. With the music and my first movements, the fear of being on stage washes away and I am focused on my movements and my expressions—using them to tell a story about my culture, my heritage, and me.

On Thursday April 25, 2013 , I attended a jazz vocal concert at the Music Concert Hall. The first vocal ensemble opened up the performance with a slow rhythmic song called Blue Skies. It began with vocals and I noticed a light auxiliary percussion and drum rhythm. Also, the bass guitarist used walking bass and the piano and electric guitar joined in as well. The first song also consisted of two soloist Regina and Chantel who took the front stage to show off their chops. After the solo performances they fell back into the vocal sections and finished off the song as a complete band. The second performance had a piano opening which led to vocals joining in at the same time as the rhythm section. This performance