Political Overtones in Emile Zola's 'Germinal'

“The factory owner steals the largest part of the work day from each worker. That’s how he gets rich at our expense.” The workers are forced to work more than thirteen-hour days with little pay. Most of the workers knew how the system worked but if they did complain they would be fired immediately and someone else would do the job. The job market for the majority of an uneducated workforce is a cycle with little pay the workers hardly make little for their family much less to improve there lives. There was hardly any other option for men but to work in factories unless they were upper class women, however could marry into the rich or the much less desired option of being a prostitute. According to the book by Galvao there is a double standard to women who are prostitutes they are called “whores” for having sex for money, but women who have multiple affairs in the upper class are never acknowledged. The proletariat is looked down upon for having to work these tough jobs for little pay while the rich live freely without interruption. The feelings of jealousy toward the bourgeoisie create contempt and animosity between these two groups. “The mansions spend on abundant tables. Factory women work for five years to earn the price of a bourgeoisie dress. They must work their whole lives to buy a cradle.” These budding social classes and ideologies created a clear division between these groups.

Marxist literary criticism as defined by Peter Barry approaches a literary text through terms introduced in Karl Marx’ and Friedrich Engels’ Communist economic theory. Their jointly written text titled The Communist Manifesto called for a society with “state ownership on industry… rather than private ownership”. The social theory later became known as Marxism. As stated in Barry’s text, “The aim of Marxism is to bring about a classless society, based on the common ownership of the means of production, distribution, and exchange” (156). One of the theory’s main aspects looks to the “exploitation of one social class by another. The result leaves one class alienated.” Central to Marxism is a belief in its ability to change the material world, which it theorizes. According to Marxist theorists, only through conflicts between the bourgeoisie and the proletariat, can the status quo positively change (157).

Germinal is a novel set in northern France, in the 1860’s. It is written by the French writer Emile Zola, who offers what he thinks is the best solution to the problems in the industrial revolution through Germinal. The plot of the book is centered on a strike that occurs in the mining community of Montsou. The strike takes place because of the constant deteriorating conditions of the miners. Etienne, a newcomer to Montsou, is leading the work stoppage, protesting for the better working conditions. Different workers in Montsou have different opinions on how better conditions for the miners should be achieved. Based on what unfolds throughout the novel, it appears that Zola views Etienne’s solution as the best way to end the problems

     Marx describes the problem in great detail in the first chapter. He feels there is a problem between the bourgeoisie and the proletarians. The bourgeoisie were the oppressed class before the French Revolution and he argues that they are now the oppressors. The proletarians are the new working class, which works in the large factory and industries. He says that through mass industry they have sacrificed everything from the old way of religion, employment, to a man’s self worth and replaced it with monetary value. He is mad that the people of ole that use to be upper class such as skills man, trades people, & shopkeepers, are now slipping into the proletarians or working class. He

The purpose of this paper is to introduce, discuss, and analyze the book "The Return of Martin Guerre" by Natalie Zamon Davis. Specifically, it will discuss the life of the peasant during the Middle Ages. This book is a fascinating account of a true case that happened during the 16th century in France. The book is also an excellent example of how the peasants lived in the Middle Ages, from what they ate, to how they traveled and what their family lives were like.

Disney’s Pixar film, A Bug’s Life, is much more than meets the eye. The film is not only an animated comedy; it holds deep sociological theory within its plot. Many of the major themes and concepts of the movie can be viewed through the lens of the famous theorist Karl Marx. Marx’s theory is famous for focusing on how society functions. In particular he concerns himself with how capitalism, the working class, and the revolutions create problems in our society. My paper will analyze how Marxian theory and concepts fit into major climactic scenes of the film.

In this essay I plan to analyze the claim by Karl Marx that the bourgeoisie class produces its own "gravediggers". I will first present a definition of the bourgeoisie and the proletariat classes along with what Marx means by his claim. After discussing Marx's claim and his support I will assert that his claim is false and was based on a false assumption. I will argue that Marx does not allow the possibility of an adaptation on behalf of the bourgeoisie. Furthermore, that Marx contradicts his claim with his own ideologies from his critique of capitalism. Finally, Marx adopts historical determinism to support his view which has proven to be flawed. The claim that the bourgeoisie produces its own gravediggers is based on circumstantial

In the modern Paris, society is divided into different classes of people, different jobs, and different features of modern life. The Belly of Paris, written by, Émile Zola is about a man named Florent who was wrongly put in prison from Louis-Napoleon’s coup-d’etat. He escapes from prison and returns from the countryside to find an unrecognizable Paris. The Belly of Paris describes the class differences in the 1870s - there is the bourgeoisie, which is defined as the middle class, typically with reference to its perceived materialistic values or conventional attitudes; the capitalist class who own most of society's wealth and means of production contrasted with the lower working class. By portraying and describing characters as the food

In this paper, I will analyze the Marxist connections between Angela’s Ashes and a quote by Fyodor Dostoevsky. The memoir written by Frank McCourt, focuses on social class and economic issues endured by his family in America and Ireland. While analyzing McCourt’s memoir, I will pay attention to Marxist concepts including: alienation, religion, and revolution.

Emile Zola's novel Germinal depicts an unflattering view of the working class in late nineteenth century France. Zola presents a view into the terrible conditions of the working class and shows the hardships of a coal miner named Etienne. The worker is depicted as a slave to his employer who is treated unjust on many occurrences. Food was a pleasure to have and scarce, thanks to the problem of low wages. There were rampant dangers and problems around such as fines, strikes, and illness. The motto at the time of the workers was "To each according to his worth, and each man's worth determined by his works." (169). This period saw the work a man does determining his worth, and his work was done in horrifying conditions.

Derived from opinions and views of the Father of Communism and adapted to fit literature both modern and classic, the Marxist lens is a particular way to view literature in relation to a powerful bourgeoisie that abuses a less powerful or economically prevalent proletariat. Upon viewing a text through this lens, common themes such as said abusement and commonly struggles for power become commonplace. Through these lens, one can view Shakespeare’s Hamlet and find social classes set in the book and desires for power within and between them. While viewing Hamlet through the Marxist lens, one could identify the tragedy as a struggle for power and a lesson on retaliation and violence overall.

In The Ruling Class and the Ruling Ideas by Mark and Engels discuss that the ideas of a particular historical time are designed to serve the ruling class. This reading proves the presence of ideology within society to explain how it serves the ruling class. “The class which has the means of material production at its disposal, consequently also controls the means of mental production…” (Marx and Engels, 1970, p. 39). Within The Beauty and the Beast, the prince used the working class in order to improve his way of life. This signifies that within this period of time, there was a limited amount of independence that separated the ruling and working class because of the control of the means of material production that the ruling class had over the working class.

Among four types of alienation that Marx provides; alienation from the product, alienation from labour process, alienation from one another, and alienation from species-being, the first one explains that what the workers made does not actually belong to them but capitalists (Marx, 1932, p. 325, 326). Furthermore, the process of activities of workers are also estranged from them because workers externalize their ability to work, labour power, to the object, but that labour power is controlled by capitalist and exists outside of workers (Marx, 1932, p. 324). As we saw in the movie, those are workers that who spend 10 hours a day at the workplace and devote themselves producing productions; however, those productions end up belonging to capitalists. For example, trains cars, clothes, and those other commodities are made by hands but it is head that who actually uses them. Consequently, in the capitalist society,

Competition between these workers allow wages to fluctuate often, and working conditions worsen. To better these situations, the Proletariat form trade unions to keep up rate wages. He believes society can no longer live under the bourgeoisie and this existence is no longer compatible with society.

In his novel, Les Miserables, Victor Hugo identifies the principle social evils of French society through the actions and qualities of his characters. By depicting each of his characters’ struggles through destitute and oppressed measures, Hugo is able to identify the social errors of 19th century France. The fact that characters such as Valjean, Javert, Fantine, and Cosette, attempt to rise above poverty and redeem themselves indicate that such inequalities did, and still do, exist to this day. Through the use of feminist ideals and the criminal injustice system, Hugo attacks the principle social evils that each of his characters face in Les Miserables.