Pompeii Restoration Essay

According to Lars Brownworth an author and former United States history and political science teacher at the Stony Brook School in Stony Brook on Long Island, New York, the walls are extremely protective and safe, furthermore they are intensely tall. “The Theodosian wall was originally a single wall, as Constantine's had been, but additions were made to provide extra layers of defense. In between the two walls was rubble and hard rocks. The walls measured more than 16 feet thick and about 40 feet high, with 96 watchtowers, set at intervals of 180.4 feet” (“Lars Brownworth”).

Archeologists all over the world work towards not only discovering the tracks left behind by societies millions of years ago, but also make an effort to save those footprints for future generations. However, conservation and preservation of archaeological sites can prove to be as arduous as discovering them, or may be more. As a historical site is discovered, it becomes the responsibility of the government and everybody who has to play a role, to secure that site and to not let it deteriorate. Doing so is now also made part of law in many countries and it comes as no surprise when preservation of historical sites is the prime goal of numerous international organizations. Pompeii is one of the most popular historical sites that have been a point of concern for not only Italy’s government but also UN itself. In this paper we try develop an insight of barriers that restrict the development of restoration. Pompeii is an ancient Roman town near the modern Naples, which was first discovered in the 18th century, after it had been destroyed by a volcanic eruption, courtesy of the close standing Mount Vesuvius during the first century. This area and the closer one of Herculaneum was covered in about 20 feet of ash when it was discovered but much of the objects had been able to survive, specifically the ones below the city, as there had been no exposure to air or moisture. This destination is of great importance for the present world as it provides a quality insight into the ‘Pax

Over the past centuries, since its discovery in 1749, many archaeologists have contributed to our understanding of Pompeii and Herculaneum. Archaeologists were initially focused on excavating, most of which were improperly done causing extensive damage. It wasn’t until the 19th century, when archaeologist Giuseppe Fiorelli introduced new excavation methods; those succeeded him include August Mau, Vittorio Spinazzola and Amendo Maiuri. Now attention has shifted towards conservations and restorations which are reflected in the works of Fausto Zevi and Pier Guzzo.

these walls, it decreased the amount of harm such as invasions from the city. In Document B, it

The Pompeii exhibition at LACMA was an astounding visualization of history. The exhibition provided all sorts of objects; from sculptures, glass figures, painted art, and more. These art pieces specify the kind of life that was taking place in the Bay of Naples during the second century. As we know the cities around the Bay of Naples, which include Pompeii and Herculaneum, became tourist attractions when the cities were excavated after they were buried from the volcanic eruption of Mount Vesuvius. However, the comprehension of how the art pieces made their way into the museum is just a little fact of the history behind them. With this exhibition we are able to feel like we are back in time and living in the exhilarating time of

Thanks to the various sources and the multiple mediums through which they are presented we have learnt much about this aspect of Roman entertainment. Frescoes, mosaics, writings, graffiti, buildings, artefacts (gladiator's helmet, weapons, etc), inscriptions, reliefs and even bodies all reveal details of the many different facets and experiences of this ancient entertainment. We now know who went, what and who the entertainment was, and even the stories of the ancient Pompeians and reconstruct a variety of experiences. This source is a archaeological treasure as unlike others it did not deteriorate from non-use or knocked down, it was frozen on a typical roman day and has thus remained. It is also significant as we can compare this evidence to similar items of evidence from all over Rome and deepen our understanding of the life of the ancient Romans.

Pompeii was a City in Italy which overall has a great significance in Roman culture. Pompeii was not famous for its rise or its rule but its destruction. Pompeii was a picture perfect world full of culture and rich history, It was destroyed in AD 79 by a Volcanic eruption from Mount Vesuvius. It was a symbol of Roman culture and has a great influence on the future even though it existed so long ago.

Giuseppe Fiorelli excavated Pompeii in 1860-1875. Fiorelli’s aim was to introduce a more systematic approach to excavations as a whole due to the destruction of the site in previous excavations. He also aimed to control the results of the publication so that it could be open to the public, open the site to more visitors, incorporate the site into a teaching program at the Naples, and to house objects that were not wanted in

At first glance of the masonry of the wall, the composite structure shows that some parts are not attributes to the reconstruction during the sixteenth century but can be attributed to another series of repairs made by Mamluke, Ayyubid or other earlier Islamic rulers. Meanwhile, lower sections such as the base sections, give evidence of construction committed by Roman or Byzantine builders. Reading through Hamilton’s excavation report, a person can correspond each different style and set of masonry to reconstruct the sequence of the wall’s construction. According to Hamilton’s report, there were two distinct styles of surface treatment that predominated over all others, and there was a third important class of masonry represented by three individual stones. The earliest detected type of masonry was Style A which is represented by three individual stones. Style A was found below courses 11 and 12 of the curtain. As Hamilton’s team excavated the area, they found remnants of an area they had limited information about.

In the video Kathrine Huntley shows multiple examples of graffiti in Pompeii and focuses mainly on children’s graffiti, talking about how the children of Pompeii contributed to the graffiti on the walls of the ancient city, and how important graffiti was in Pompeii. She addresses the fact that children’s drawings are always the same, focusing mainly on the face and radiating outwards. She also talks about how the placement of the graffiti shows how children in Pompeii lived, and their very active lifestyle.

When the city was rediscovered, it changed the way the world knew the Roman Empire. We learned many things from the paintings on the walls alone. We got a better idea of things like what was considered beautiful or what was eaten. Another secret uncovered was how the ancient world looked and worked. Many people might say, " We know what happened in the ancient world, there were carts and people died at like 40." But the reason we learned so much from Pompeii specifically was because the scrolls in the city were so well preserved that they could be read and translated. We even discover a scroll that an eye witness of the eruption in 79 AD wrote, and it described the event in tremendous detail. Finally, one last thing we learned from Pompeii was, and this is arguably the most important, don't live next to active volcanoes. Seriously, don't do that. Unfortunately, people won't heed my warning and still live next to as many volcanoes as they want, but just a warning.... History tends to repeat

Hundreds of pictures on the internet show buildings in rubble, they also talk about all of them collapsing into rubble too and people dying.)

A concrete wall is like an empty canvas. You have the opportunity to transform it into a beautiful work of art.

As the saying goes “Rome wasn’t built in a day,” however long it took to build the capital, the days, months, years, centuries of work can be viewed as a long lasting landmark which paved the way for new and challenging architecture to come (How Roman architecture influenced modern architecture [sa]). According to Tony Rook (2013: [sp] ch.2) the typical Roman temple shows the Etruscan tradition combined with the Greek one. Although some of their premature concepts were acquired from the ancient Greeks and Egyptians, Roman architects transformed the body of architecture for all time to come, offering buildings and structures that has never been before, along the side of public buildings and infrastructure that could be used by

Le Corbusier, inspired by modern painting, the floating floor and transparency in his design is an echo of what was modern painting. In 1915, he drew six reinforced concrete pillars that held three horizontal slabs, which were connected by a staircase (fig.1). Ferroconcrete in his hand was like a sculpture’s clay used to express his ideas. Le Corbusier transmuted the concrete skeleton developed by engineer to a means of architectural expression that no one before him had tried.