Post Colonial American Culture

In the early 1800's America began to create their own unique culture. For the longest time, America had been getting their ideas and being influenced by other countries. I believe that they wanted to create a new type of culture that was truly American. They did this by creating new art forms such as literature, music, painting, and architecture. For example, Americans began using characters and setting that fell into the "American" category. Most characters, were "portrayed as strong, brave, resourceful, and honorable" (chapter 6-3, page 323). Another thing Americans did different, is what they built things. "American architects of the early 1800s developed their own forms of building" (chapter 6-3, page 325). Based on ideas from Greece and

In 1939 World War II broke out in Europe. Britain proclaimed India’s involvement in the war without consulting the Indian people. This led to increased protest and volatility. In 1942 India established a national army and proposed the Quit India Movement. This movement promised to lend Indian military support to Britain in return for complete independence. If they refused this treaty the Indian people promised civil disobedience. In 1947 India was granted its independence and became self governing (Luscombe, 2012). On January 26, 1950 the Republic of India was proclaimed and it drafted a constitution. The first democratic elections were held in 1952. However the Hindus and Muslims were not united and colonial India was divided into Muslim Pakistan and Hindu India (History, 2010).

Becoming America The American culture, a unique culture. What defines “American.” Americans are defined by events in the 1800’s.

Calloway employs lucid prose and captivating examples to remind us that neither Indians nor Colonists were a monolithic group... The result is a more nuanced appreciation for the complexity of cultural relationships in Colonial America... He surveys this complex story with imagination and insight and provides an essential starting point for all those interested in the interaction of Europeans and Indians in early American life." -- David R. Shi, Christian Science Monitor Although many Americans consider the establishment of the colonies as the birth of this country, in fact Early America already existed long before the arrival of the Europeans. From coast to coast, Native Americans had created enduring cultures, and the subsequent European

Both Native American culture and Colonial American culture, expressed strong beliefs in a divine creator, or creators.

In this essay I hope to look at the issues of conflict in South Asia focusing on India and in particular the continuing Hindu-Muslim tensions, and look at possible reasons for the continuing conflict which appears to have escalated since the withdrawal of British Rule from India. Multiple events had shaped the Indian subcontinent with

Even though the novel depicts a societal conflict between colonizers who attempt to impose change and tribesmen who reject that change, Achebe avoids stereotyping the colonizers as “bad” and the tribesmen as “good.” The protagonist, Okonkwo, is portrayed with little sympathy. An angry, callous man, he is shown to act outwardly only in violence. Growing up, his father was a weak, effeminate man, and Okonkwo aspired to be everything his father was not: “He was ruled by one passion—to hate everything his father had loved, one of these was gentleness” (13). Even though his motives are established, Achebe does not attempt to justify the selfish and detrimental actions of Okonkwo. On the contrary, Okonkwo’s uncle Uchendu is rendered as a selfless, compassionate, and wise old man. When Okonkwo is banished from his tribe, Uchendu receives his nephew with open arms and helps him re-establish his life. “As soon as Uchendu saw him with his sad and weary company, he guessed what had happened, and asked no questions” (129). By showing both undesirable and appealing characters, Achebe offers a reputable and non-biased portrayal of his native people to unfamiliar American audiences.

The novel Things Fall Apart by Chinua Achebe discusses the rise of an Igbo chieftain who came from great poverty to power and the eventual loss of Igbo traditions, rites, and the influence of his clan through his eyes due to western imperialism and colonialism. The intended audience for this novel is very broad, but if we tried to define it would primarily be people who have not experienced the Igbo culture and westerners or people who speak English. In this essay I will be focusing on the last six chapters: chapters 20 to 25. These chapters highlight the loss of power and customs of the Igbo people who have succumb to colonial rule. I fell Achebe is rhetorically effective and

Louis Malle represents India in his documentary as a parallel world, but what aspects of it make it look so different, and so special? Why is it so distant from the Western World? Phantom India shows that beneath the obvious differences between Malle’s culture and India’s, the same values and principles are at work in both. The film demonstrates, through the analysis of many everyday life situations, that even the most rural areas of India are affected by capitalism and globalization.

The constant struggle between progress and tradition has plagued every society over the course of human civilization. This struggle is represented in the Kamala Markandaya’s novel Nectar in a Sieve, through the tannery. The tannery represents modernization through multiple different elements, such as industrialization and social change. The tannery industry brought a new way of life to villager Rukmani and her family. Family values are a huge part of the traditional culture of the village, but when the tannery enters the picture this all changes. As the reader sees in Rukmani’s family, the appeal of wage work it too much for many young sons to resist. As stated above, this causes many of these young men to leave their family’s tenant farm

In the novel, Nectar in a Sieve, the author, Kamala Markandaya creates various themes. One theme from the book is that tensions can be caused by modernization and industrial progress. This theme is highly prevalent throughout the story and broadens the reader’s outlook on modernization. Markandaya writes of a primitive village that is going through a severe change. Her ability to form a plethora of characters with different opinions, yet to share one main culture, helps highlight the tensions in the village.

The Partition of India in August, 1947 was a significant event in history that accounted for the separation of one of the world’s oldest civilization into two, independent nations – Pakistan and India. Like many other wars in history, The Partition of India was instigated by religious, political and social conflict. This resulted in violence, discrimination and the largest human displacement in contemporary history. While the Partition was well-studied, much of our understanding was focused on the political side of history, not the human side of it. This was why oral history played an important role in manifesting the complexity of a historical event. Our focus here is Maya Rani’s testimony from Butalia’s book, The Other Side of Silence:

R.K. Narayan is one such modern writer whose novels are set in the colonial and post-colonial periods of India. In his works, he created the imaginary town of Malgudi, which was in the state of Tamil Nadu in South India, where realistic characters in a typically Indian setting lived amid unpredictable events. The book ‘Waiting for the Mahatma’ written by Narayan begins in latter part of the colonial era, in the 1940’s, when the Quit India movement is taking place. Though a greater part of this book is set in Malgudi and its surrounding villages, some scenes take place in other parts of the country like Delhi.

Before the Partition of India, in 1947, India was considered a country with a reasonably peaceful history. However, during and after the Partition, sexual violence, both towards men and women, escalated, resulting in the rape and abduction of over 80,000 women. Cracking India, by Bapsi Sidhwa, tells a story that highlights these violent acts by both Muslims and Hindus, through the eyes of a disabled young Parsi girl named Lenny, who witnesses first hand the violence of Partition when she mistakenly participates in the abduction of her ayah, Shanta. Throughout Cracking India, Lenny observes as the religions involved in Partition become increasingly violent towards both men and women, within their own religions and against others.

Manto uses his main character Bishan Singh’s, a formerly wealthy landowner in Toba Tek Singh, a place in Pakistan, with a fragile sense of what the partition involved, to highlight the partitions negative impact on an individual’s sense of loyalty to where they feel they should and have always belonged. Manto and Sathyu use their stories to show the complex relationships of individuals to their homeland and the large implications religious politics have on their social, familial and ancestral relationships in South Asia.