Powerlessness In Frances Burney's A Mastectomy

Since the beginning of time, women have been treated as second class citizens. Therefore, women were forced to face many problems. Because of this women were repressed. At that time, the Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

Throughout the history of American Literature there has been a common theme of male oppression. Especially towards the end of the 19th century, before the first wave of feminism, women were faced with an unshakeable social prison. Husband, home and children were the only life they knew, many encouraged not to work. That being said, many female writers at the time, including Emily Dickinson and Charlotte Perkins Gilman, were determined to examine the mind behind the American woman, through the lens of mental illness and personal experience.

In our current society it is established that faith is equated with a type of blind acceptance of all that the church or institution stands for. Having faith is still viewed as a wholesome characteristic, though it is more and more becoming correlated with negative connotation that is commonly attached to a thoughtless, dogmatic approach – an absolute obedience of all tenets regardless of conscious thoughts and appeals. In a similar regard, patriotism has become an exemplar of modern faith because it calls for unchallenged compliance with both the laws of the government and their unjustified actions, especially during times of war. Primarily this absolute-authority mindset was

Historically, women have been treated as second class citizens. The Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

The Puritans were a religious group who left the Church of England because they wanted to have more freedom with their religion. They thought the Church of England was “too Catholic”. They believed the Bible and its rules were the number one thing to go by and that all humans were evil and had to overcome their sin. Women had to cover their whole bodies in clothing. They couldn’t show their ankles or wrists. They also had to wear their hair up and out of their face at all times, except if they were in a room alone with only their husband. They always were on one side of the church away from the men or in the back on the church. These women in the society that will be talked about have broken laws and have been misjudged.

As a woman, the narrator must be protected and controlled and kept away from harm. This seemed to be the natural mindset in the 19th century, that women need to have guidance in what they do, what decisions they make, and what they say. John calls her a “little goose”(95) and his “little girl”(236), referring her to a child, someone who needs special attention and control. His need for control over her is proven when she admits that her husband is “careful and loving and hardly lets me stir without special direction”(49). John has mentally restrained the speaker’s mind, she is forced to hide her anxieties, fears and be submissive, to preserve the happiness of their marriage. When the narrator attempts to speak up, she is bogged down and made guilty of her actions. Her husband makes her feel guilty for asking, he says, “‘I beg of you, for my sake and for our child’s sake, as well as your own, that you will never for one instant let that idea enter your mind!’”(225-226). By making her feel guilty for her illness, John has trapped her mentally from speaking up about it, convincing her that she must be more careful about her actions. Men often impose the hardships placed upon women during this era. They are often the people reassuring them of their “womanly” duties, and guiding them

In Nathaniel Hawthorne 's “The Birthmark”, we find the tragic story of a woman named Georgiana who sacrificed her life for the sake of appeasing her husband, Aylmer. What did Georgiana do that it was more favorable for her to die than to continuing to displease her husband? Georgiana, who was otherwise hailed as incomparably beautiful, had a birthmark on her face. Aylmer desired this to remove this birthmark, which he considered the one thing keeping her from being “perfect”, from her face. In an attempt to remedy his wife’s “imperfection”, Aylmer makes an elixir for her to drink. While this elixir successfully removes the birthmark, the same elixir also causes Georgiana to die soon after. This story brings to light several examples of how society belittles women and puts their desires below the desires of men.

In the early 19th century, women were oppressed, and marriage was a social status, not a choice. Mrs. Mallard was a wife during 19th Century and her home was where she would spend most of her days. She also suffers from a heart condition. She learns of the tragic news on the first floor of her two story home. Her sister Josephine was the one to tell her “ in broken sentences, veiled hints that revealed in half concealing.”(287) The news was revealed as delicate as possible, due to Mrs. Mallard's heart condition. Mrs. Mallard heard the news, she wept, a sense of grief comes upon her. Once she removed herself from her sister Josephine's arms, she went off to her room. It reads, “ When the storm of grief had spent itself she went away to her room alone. No one to follow her”(287). During this time, women were looked down upon if they were not married. Most women were given away by their

As the world has grown throughout the centuries, females have generally been under the domination of males. This remained culturally entrenched until the late nineteenth century, when women began to appear in public more often and also began to join alongside men in the work force. In the network of employees and employers in the emerging institution of the Parisian department store, men and women depended on each other for survival in the workplace. Such interdependence is a microcosm of the bourgeois French society during that time, which Emile Zola wrote of in The Ladies’ Paradise, the eleventh book of the Rougon-Macquart series detailing middle-class life. According to Professor Brian

In Hawthorne’s story, the idea of control is used in many different ways. The largest symbol of this theme is the birth mark itself on Georgiana’s cheek. This birth mark resembles a hand and represents Aylmer’s control over Georgiana. Aylmer’s wife, Georgiana, is controlled by her husband. Aylmer makes her hate the birth mark that she once loved through his own hatred of it. Georgiana, discovering her husband’s disgust of her birth mark, tells Aylmer, “To tell you the truth, it has so often been called a charm, that I was simple enough to imagine it might be so.” (340; par. 4) In this scene, Aylmer makes his wife feel foolish for accepting and even loving her own birthmark. She responds to him in the form of an apology, an apology for even having the birth mark that disgusts her husband so much. She blushes and seems embarrassed of her natural face. The hand symbolizes Aylmer’s control over Georgiana, how she feels about herself, and how he pushes the idea of the removal of the birthmark that she liked from the beginning.

In the Victorian society in which Kate Chopin’s The Awakening takes place, there are many strict behavioral and other conventions that must be adhered to, particularly for women. In this paradigm, Edna Pontellier, who serves as both her own protagonist and antagonist in the novella, is caught between her desires for independence and freedom and the constraining notions of Victorian society.

In Kate Chopin’s “The Story of an Hour”, Louise Mallard is caught in a cold marriage and a constrictive house. The same goes for Sarah Penn in Mary Wilkins Freeman “The Revolt of “Mother.’” Despite the fact that both stories share the topics of imprisonment and control, physically and inwardly, the ladies in the stories have diverse responses to their circumstances. Sarah battles the confinements without holding back, taking her opportunity, while Mrs. Mallard adopts a motionless strategy and is just liberated through the death of Mr. Mallard.

Maybe people think so—thousands have cosmetic surgery performed every year as a way of trying to make themselves more beautiful. Religion has taken a step back in society today, so the significance of perfection by God has also been moved to the back burner. But, underlying all the surgeries performed today, is the question: Is it right to change what was given to you by God? Perhaps, but it is not without consequence. Many cosmetic surgeries require painful recovery time or follow-ups, and even some may be dangerous to one’s health. Hawthorne’s gender bias reflects his times, naturally, but they are slightly exaggerated in this story. Georgiana is a rational woman, but Aylmer won’t listen to her. She is a woman and, therefore, is not supposed to have anything to contribute. She agrees to all the attempts to remove her birthmark because she is submissive and can’t bring herself to tell her husband “no.” A “good” wife wouldn’t question her husband’s motives, so she allows him to perform tests and administer concoctions. Even at the moment of her death, as her birthmark is removed, she shows some happiness at pleasing her husband. Georgiana’s worst fear is an unhappy marriage, and she would much rather die than have Aylmer look at her with disgust. Gender bias today is not as strong as it once was but it still exists. For some women, there is still that desire to be submissive and please men. Many women have overcome this, but there remains a gender bias in the workplace,

Throughout much of history, women’s roles of being dutiful and respectful, quiet ladies guided them into a state of oppression and vulnerability. It was not until the Enlightenment that women began to exceed in different areas, finally beginning to be taken seriously as well as getting recognition for movements that they have been a part of. Up until then, the major role of women was to produce sons that would rise up and take financial care of a household, or daughters that would lead quiet and bashful lives once again repeating what the mother had once learned when she young. However, the fundamental roles of women during the French Revolution varied. There were many women who did not share common experiences and depending on their social class, these women’s involvements in different areas of the Revolution varied significantly.

Women in the late 1800’s and early 1900’s had specific roles determined by the males who were dominant in their society. Women began to write stories which told their gender roles in that era. The authors of these stories lived in this time period and their stories reflect a lot of the traditional roles that were expected of them. The author’s purposes, were to tell about how marriage imprisoned women in this period of time. Kate Chopin and Charlotte Perkins Gilman’s stories provide examples of the gender roles. Their reasoning of writing these stories was to call on women of this era to learn how to empower themselves in this society.