Pygmalion, written by George Bernard Shaw, is well known for its portrayal of the rich and the poor. At the time of its publication, it was common belief that the poor were morally inferior to the rich. Pygmalion argues the opposite. Bernard Shaw used both static and dynamic characters to demonstrate the equality between the social classes regarding morals and intelligence. In the case of Eliza Doolittle, the differences are seen as she transitions from poverty to the middle class. In Pygmalion, she is shown to be a dynamic character, undergoing many changes of personal strength, articulation, and freedom. Throughout Pygmalion, as Eliza Doolittle increases both her confidence and her self-control, her development of personal inner strength is demonstrated. When Eliza is first introduced at the beginning of the play, she is spirited, but lacks confidence and willpower. By the end of the play, she has become bold, self-assured, and is in control of her actions and behavior. In Act I, she is crafty enough to lie about having change, but when it is shown that a bystander is “taking down every blessed word [she is] saying,” she becomes hysterical, declaring that she is a “respectable girl” (1). In Act ???, when Eliza is practicing her new behavioral and oral skills at Mrs. Higgins’ home, she is confident enough to keep up her disguise. She is even known to have enough self-control to cease her chattering and politely bid farewell when Higgins’ suggests that it is time to
ELIZA: You’re right I didn’t but you treated me as if I didn’t. You can change the appearance of Eliza but you can’t change Eliza Doolittle.
Eliza changed herself for the better. In act 5, she told the two men to start calling her “Miss Doolittle” and that was the beginning of learning her self worth. She was done being treated like a “live doll” and began to see herself like a Duchess, like Higgins
To begin with, the author of this autobiography would explain every person’s eyes in great depth, which made it easier to explore how the Holocaust changed numerous people. It is known that sometimes eyes express the feelings that humans may feel incapable of expressing for themselves, which is something Elie Wiesel clearly understood. Right at the beginning of the novel we are introduced to the character Moché the Beadle, who was an extremely joyful person. His eyes were described as being “dreamy” expressing the curiosity and happiness that filled this man’s heart. This continued until one day in which he began telling stories about dreaded thing happening to the people of the Jewish religion. No one believed him, not even Elie, and he was
Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life
The book their eyes were watching was written by Zora Hurston, and she tells the life story of a girl named Janie. It starts off with a metaphor explaining that women are the type to chase their dreams and even when it seems they can never accomplish it they never lose sight of it. Men on the other type to have dreams but instead of chasing like how Zora says women do they want their dream to come to them. The book is a frame narrative being and told by Zora but switches from Janie 's point of view to get a better look at her story. The reason for this book is to show the importance of dream and finding love. In the first chapter, we see Janie sitting under a pear tree and she starts to realize what she really wants to accomplish. She
One’s class would be one the greatest stereotypical perceptions pertaining to language and groups. In Shaw’s Pygmalion, the storyline starts with a horrible storm. This storm forces classes of all types to crowd together out to seek shelter. Ideally, the higher class would not be caught associating with the lower class. However, a mother sees Eliza talking with her son, Freddy, and immediately goes to investigate. As a mother of that time, it is believed that Freddy should not associate himself with someone like Eliza. Eliza Doolitttle is roughly eighteen years of age, speaks what is called ‘gutter language’, and she sells flowers illegally. Appearance and actions “…reveal speakers’ memberships in particular speech communities, social classes, ethnic and national groups” (Edwards, 21). Due to her obvious state of being lower class, a stereotype is immediately placed on her.
This sudden change in character shows that an upgrade in social class not only changes the way that people look at you but that it can also have many benefits as well. Going against the thesis, there is one character, Colonial Pickering. Colonial Pickering is a friend and a safe haven to Miss Doolittle. She trusts him, and with good reason, from the beginning to the end of the play, he treats her the same, like a lady. ?Colonial Pickering is a compete contrast to the character of Henry Higgins in terms of manners and behaviour. Colonial Pickering is Shaw?s evidence that wealth and poverty can mix.? (Galens and Scampinato, 245). Most characters in Pygmalion expect the rich and poor to stay separate except for the open hearted and minded, Colonial Pickering.
Higgins tries to take all of the credit for Eliza’s transformation into a lady. In his mind, Eliza did nothing and without him, she would not have been able to accomplish this task. Mr. Higgins continues to express his dominance by telling Eliza what to do even though she does not work for him. Eliza does not like the way that Mr. Higgins treats her and leaves his house, angrily. After searching for Eliza, Mr. Higgins finally finds her and tells her that he paid for her services and she needs to finish her job. In this way, he treats her as if she is
from the start to at the end, and the changes of Eliza, the main theme
However, readers of the play may argue that Eliza and Higgins stop working together and conflict later on so that supports the theory of class struggle by Marxism. But when the two characters conflict with each other it’s not because of class struggle or anything related to hierarchy, it’s because of Eliza not accepting Higgins as a teacher as Higgins starts mistreating her so rather Eliza gives the credit for her transformation to Colonel Pickering and have constant arguments with Higgins now that she have learned the dialect of a higher class. “Mrs Higgins. I’m afraid you’ve spoiled that girl, Henry.” Eliza can also be seen as spoiled because of all those higher class ways and lifestyle she just adapted to. This type of conflict can be related to a house dispute and doesn’t show a behavior of lower class revolting against higher class to gain rights. “Liza. That’s not true. He treats a flower girl as if she was a duchess. Higgins. And I treat a duchess as if she was a flower girl.” “Higgins. The question is not whether I treat you rudely, but whether you ever heard me treat anyone else better.” As for Higgins’s personality, he always treats people with rudeness so
The different classes in both plays had their advantages and disadvantages; however, some classes had more benefits than others. In Pygmalion, the upper-class was the most privileged money-wise. Henry Higgins was an upper-class educated man who had quite a reputation and enough money to take on the challenge of transforming Eliza, a lower-class woman, into an upper-class citizen. As a member of the upper-class, Higgins had access to “chocolates, and taxis, and gold, and diamonds” that members of the lower-class didn’t necessarily have (Shaw 19). These objects are associated with
The period between the wars was a very difficult time in Germany. The currency was enormously depreciated and there were extreme poverty, depression, and political instability. When the Nazis took power in 1933, horror was their method of achieving their goals. Fear and violence became very common among a society that was still in shock after the First World War. In the book The Reader, by Bernhard Schlink, one of the main themes is a conflict with the inner-self. This is seen throughout the book when Michael is young and indecisive between spending time with Hanna or his new friends, when Hanna is on trial and does not know whether to confess her illiteracy or accept being declared guilty, and finally when an older Michael is trying to decide on whether he should save Hanna or respect her dignity.
In the Victorian England period, how a person is viewed by society determines everything. What kind of jobs are available, who it is ok to marry, and even who is acceptable to interact with. How a person is viewed can change their life for better or for worse, and sadly women during this period must work twice as hard as their male counterparts to get the crucial social respect needed to succeed in their societies. How a person appears and how they dress plays a big part on how someone is viewed, but flower-girl-turned-duchess Eliza Doolittle must learn the hard way that just because a person fits the outside criteria of a lady does not exactly mean she would be treated as so, by society and most of all her mentor Henry Higgins. Throughout the play, Pygmalion, By George Bernard Shaw, the author makes the theme of prejudice against women very apparent by the way they are treated in society and the unreasonable expectations they are held up to, making it very difficult for women like Eliza Doolittle to move up in society and be seen as equal in the eyes of those above them.
Eliza, in the climax scene vulnerably asks Higgins, why he made her a sophisticated Duchess if her never cared for her, and why did not he thought of the trouble it would make for her, on which Higgins shocking reply says:
Class distinctions are made abundantly clear in Shaw’s “Pygmalion.” Eliza is representative of Shaw’s view of the English working class of the day: Crude, crass, and seemingly unintelligent yet worthy of pity. Equal criticism is leveled at the upper classes, who pass judgement upon the poor precipitated by their appearance and mannerisms. Higgins and Pickering’s attitude towards Eliza is one of derision, stemming from their difference in social status. For instance, Higgins’ open mockery of Eliza’s speech: “You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days.” (Shaw.