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Essay on Reader Response Criticism to God's Determinations

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Reader Response Criticism to God's Determinations

For the reader demanding either rational sense or aesthetic pleasure from poetry, reading the preface to Edward Taylor's "God's Determinations" is humbling in ways unintended by the 17th century Puritan minister and poet. "Rationality" per se seems rejected at the start, where we are asked first to comprehend "Infinity," and then to envision it (everything) "beholding" "all things"(also everything). "Things" get no clearer as we progress, as we find whatever "infinity" "beholds" in not everything but "nothing," and that "nothing" itself to become the building material for "all." Identifying the paradox, perhaps, as that which begins the Biblical account of the Creation, …show more content…

Granted, logical incoherence might not trouble the reader demanding beauty from a poem, but even the poem's most vivid images--rocks, rivers, curtains, a bright "gem" of some unmentioned size and color--don't offer nearly the "delectable view" found in a poem of Taylor's contemporary Anne Bradstreet.

Although Taylor certainly meant to "humble" his reader in the preface to his long poem, he certainly did not have a modern rationalist or aesthete audience in mind when he wrote it. His intended readers were rather his parishioners, 17th-century Puritan men and women for whom poetry was more a rhetorical than an aesthetic exercise, and for whom God's ways were understood to be inscrutable--what we might call "irrational"--to the sons of Adam. Part of a people who left for the New World in order to enjoy a more perfect relation with their God, now in a third generation Taylor's audience was beginning to forget what was for an orthodox Puritan their "proper" place among "all things." "God's Determinations" was Taylor's way to remind his readers of that place.

Taylor begins his poem by limning the first verses of Genesis, but from line 3 to line 19, nearly half the poem, he asks questions--questions which amplify God's physical might and unimaginable power while they invite readers to remind themselves of a time (before their recent lapse in faith) when they had evinced a more proper respect for that power. In this sense, the very "senselessness" of Taylor's

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