Red Star Review Essay

The Repertory Dance Company Fall Dance Concert was held at the Mannoni Performing Arts Center. The dancers involved in this dance concert are part of the University of Southern Mississippi Dance Department meaning they are either pursuing a degree in dance or teach dance at a university level. Both students and faculty had the opportunity to present work during adjudication to be chosen to be presented at this concert. I particularly enjoyed this concert because, while all of the dances presented were a part of the broad genre of modern dance, each dance had such a unique aesthetic so the concert still provided a great amount of variety to keep the audience captivated. The two pieces I have chosen to review represent this variety very

Mrs. Farrell’s book is quite technical when it comes to the lengthy descriptions of the dances she rehearses and performs; from a dancer’s view these varied conclusions of the types of movements she was dancing is quite astonishing. In fact, it adds a whole new level to the imagination that can come alive in a person’s thoughts when they read an expressive book. Although the technical explanations will excited, astound, and reveal how much passion and deep meaning ballet had in Suzanne Farrell’s life, but a reader, who may not be involved in the arts will be unfamiliar with the ballet and musical terms in

Furthermore, “Gemini”, the second piece from Innovative works, choreographed by Sarah Harkins and music by Frédéric Chopin, was a male duet based on improving and sharing weight. Within the duet, the two males initiated an interaction with the audience in another language saying, “Konnichiwa”, which automatically provides the idea of the company being diverse. However, during the interaction to keep the audience engaged, one of the dancer’s remained in the stage space.

The choreography in this film is very well known and it still precedes itself today through its dance numbers, tiresome tap dancing and a range of vocals. There are many different conventions and dance segments to see during this fantastic film. One of the more romantic dance sequence, ‘You Were Meant For Me’, shows the shyness in

You do not need to be a member --or be fond-- of the nineteenth century Russian landed aristocracy to grasp any of this. Nor do you have to be an expert in Russian socio-economic history, a Westerner, a One Percenter in the United States of 2016 .... And you don't really need to know all that much about choreography and music either. Deep down this is why people of all kinds flock to see this ballet. Its themes and messages are universal and have the potential to resonate within every one of us. It will continue to be so for as long as we retain our humanity. This is an example of an artwork that transcends the time that produced it.

Overall, the production’s performances flowed ambitiously; there was never a moment of complete stillness. None of the pieces performed were exactly, traditional modern. The movement in each dance was very technical, but in a very unique way. Staging varied throughout the production. At times the lighting was dark, and gloomy, it created the fearful, isolated awareness. At other times the lighting glowed dimly, creating the feel of freedom and happiness. The production presented itself effectively, each dance connected to humanity in some relatable way.

The first part of the concert was diverse and colorful as the beginning two pieces were featured by both violin and cello. These two

We went to see this last evening (opening night for this program) and were blown away. Never having seen anything on the program before, I didn't know what to expect, but each piece was magnificent. Stanton Welch's "Tu Tu" seems to me to be a kind of personal love song to ballet. The opening and overall structure reminded me of Ashton's "Sinfonietta" with a very energetic first movement followed by a stunningly beautiful slow movement and then a fast and again more lighthearted finale. It was the second movement that amazed me the most. A solo ballerina slowly emerges from darkness and seems to reflect on her career as a ballerina with tenderness and sadness. The mood of this piece was masterfully created. It was beautifully and

The concert band had been working towards perfecting our variety music, for this performance. Patriotic, Christian, Western, Broadway, these are just a few the defining terms, used for the pieces we, the concert band, performed. The variety of music kept the audience in suspense as to what we would play next; it kept them guessing, and eagerly awaiting the next piece. The performance, the applause, and the smiles on the faces of our patrons; this is what made the months of practice worth it.

Being a ballet, Cinderella also contains multiple spectacular dances throughout the play. The first act contains two marvelous dances with very skilled maneuvers. These two dances include, “A Room in Cinderella’s House”, and “The Magic Begins”. The second act contains one more wonderful dance entitled “The Ball at the Prince’s Castle”. The last act contains two happy dances including “The Day After the Ball” and “The Wedding.” Overall, the dancers in Cinderella did a breathtaking job producing dance routines told the familiar story of Cinderella by touching the hearts of each audience member as they were reminded of the importance of true love. Unfortunately, the time and effort required by the choreographers to create such inspiring dance pieces often go unthought of by most of the audience members. The pursuing paragraphs will reflect on the performed dances “A Room in Cinderella’s House” and “The Wedding” regarding the skills of the individual dancers along with the overall effectiveness of the dance designs by choreographers relating to the

Principal among them being that it begun with The Four Seasons, a traditional ballet with a colorful splendor which makes its 37-minute duration--depicting a year, partly through shades of white, green, yellow and red--seem brief. How fascinating that music from Verdi's operas was culled for this work! Central roles for three women are among the highlights of Robbins' choreography. To what extent Lauren Lovette, Emilie Gerrity and Unity Phelan will be able to match in these roles the excellence of the six ballerinas in the first two casts of The Four Seasons is the main point of interest in this coming weekend's NYCB performances.

The beginning of the piece displayed a consoling blue backdrop as a highly arrhythmic, syncopated, and convoluted music composed by Paul Hindemith began to emanate. A bright yellow stage lighting, done by Mark Stanley, accentuated and illuminated the two principle female ballerinas, Rebecca Krohn and Abi Stafford. At first glance, the two dancers appeared to wear what looked like conventional ballet costumes, designed by Ben Benson, but not much after, one could notice the unembellished, simple, flary dresses that displayed each and every muscle of their body. Their

My general reaction to the composition is that without seen the ballet you can pretty much have an idea of what is this piece about. It doesn’t provoked you a feeling of tranquility as you would expect from the music of that time period, rather it makes you feel anxious and uncomfortable throughout the all piece, and especially the combination of high pitch and bass instruments.

At the point when San Francisco ballet performers are taking care of their business, their audience likely does not think about how they got their bodies into those positions. The viewers do not consider how troublesome it must be to stay on one's toes for so long. They become involved with the magic as the artists appear to resist gravity and the restrictions of human anatomy, just for their craft. The artful dance - the theater, the story, the energy, the move - is what makes a difference.

The flash of red and gold skirts contrasted with dark and ratty fabric is just one of the many comparisons used in the ballet Face to Face. This ballet demonstrates a stark contrast between a dancer filled with the hope and joy that Christ brings, and a dancer consumed by selfishness, alcohol, and loose living. I had the opportunity to view this ballet during a summer ballet intensive, and it challenged me to repent from my sin, and turn towards God.