To begin my metaphorical self-portrait, I chose to place myself in a movie theatre to illustrate my love for films. Between the old film projector, classic red seats, and glowing string lights hanging from the ceiling, I wanted to create a space that is both warm and inviting, as well as personalized to me. I have loved to go to the theatre ever since I was little, and whether it is making, watching, or talking about films, I have always found myself interested. Even more, I included a Canon Rebel camera on the table beside the old projector, as now I am beginning to make my own visions come to life—one of which is being projected on the wall. To create this space, I used a variety of tools, such as the clone stamp tool, paintbrush, and quick select tool, to cover unwanted items and complete others (for example, completing the floor and walls, and removing the people). I also used a perspective tool to distort the celling lights, as well as add a glow, to give them a photorealistic look. As for the projector image and light, I used the hue/saturation tool to make the light match the projector image’s yellow color and the blur tool to diffuse the light.
The two reserved seats in the foreground, as well as the iPhone and small Peggy’s Cove postcard with initials S + BA beside the old projector, are meant to represent the strongest bonds in my life—Emily, Ella, Reece, and my family. Meeting on the first day of Junior Kindergarten, surviving the switching of schools, and the moving of homes, Emily and I have been best friends for fourteen years. With her, I’ve found a person who loves me unconditionally, who serves as my unbroken source of confidence, who shares my interest and celebrates our differences, and who makes me a better person. She’s a peacemaker, and I’d like to think I am too—if the odd lack of drama says anything (it’s getting a tad scary after fourteen years). Secondly, meeting online through our support for a boy band, surviving a long distance friendship from Ontario to Pennsylvania, and finally meeting in person last summer, Ella has become one of my good friends. We shared our preteen years together, hopelessly fanatical and entirely cringe-y, and I’ll cherish every moment of it. She listens to
One does not necessarily have to cluck in disapproval to admit that entertainment is all the things its detractors say it is: fun, effortless, sensational, mindless, formulaic, predictable, and subversive. In fact, one might argue that those are the very reasons so many people love it. At the same time, it is not hard to see why cultural aristocrats in the nineteenth century and intellectuals in the twentieth hated entertainment and why they predicted, as one typical nineteenth century critic railed, that its eventual effect would be to over turn all morality, to poison the springs of domestic happiness, to dissolve the ties of our social order, and to involved our country in ruin." said Neal Gabler, the author of Life in the Movie: How Entertainment Conquered Reality. I agree with this quote, that entertainment is mind numbing and lessen the values of our society. Back in the nineteenth century, entertainment was something that actually stimulated their minds,
“Men and women can't be friends, because sex always gets in the way”, is the main theme of the movie “When Harry met Sally”. The script is a good example of the interpersonal communication ten stage model by Mark Knapp. This developmental model entails the stages of a relationship from it’s infancy to an ending. In the movie we can clearly identify all ten stages of this model.
The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.
Stockbroker on the verge of turning thirty is on a quest. Set in 1960 New Orleans during Mardi Gras Binx, an upper class southern gentleman sets out to find out about himself. Answer questions that have tugged at his soul. Questions about despair, everydayness, religion and romance. Binx is stuck in a quagmire. He must break out from this cloak of ennui and find the essence of being. But how? How can people, a person with a soul and a world at their fingertips be so inept at finding what makes them alive. Can it be found in religion or on the arm of a southern beauty? Maybe it can be found in the surrealism of a movie, or the excitement of making money. What if an answer is found?
For this assignment, I decided to reflect on the film ‘Shottas’. The film begins in the streets of Kingston, Jamaica home of Biggs and Wayne, the two main characters. They lived within a very dangerous and violent town, which drove them into their own violent lifestyle. As young men, how the movie starts off, they rob the local drug dealers of a gun for a premeditated robbery. The money allowed for them to purchase visas to come to Miami, Florida. While in the United States, as adults, the two continue their criminal activities leading them to be deported back to their home in Jamaica. Mad Max and Wayne, who was deported years before Biggs made his return, had already formed a striving extortion business. Wayne made it mandatory for all businesses in the Kingston area to pay money to operate there, or they will be killed. The Jamaica Police did not like Wayne or his ‘Shoota’ crew, after the gruesome public murder the police then killed Wayne’s brother. Later, the Congressmen offered to renew Wayne, Biggs, and Mad Max’s visa to get them out of the country. Happily back in Miami, the three men aim to becoming the top drug dealers of the city, by extorting the new top drug dealer, Teddy. As they raise to power in Miami, they commit several forms of extortion, murder, and assaults. The film ends in extreme violence leading to the murders of Wayne and Mad Max, in a shootout with Teddy’s crew. Biggs then murders Teddy and his girlfriend, while getting away with all his money and escapes.
Polaroid photographs can be thought of as tangible moments in time. They give off vibes of nostalgia and whimsy. These feelings lead me to incorporate Polaroid’s in my personal media artifact. And since I am in the Media Production program at Ryerson University, I found it appropriate to apply what I learned digitally in Photoshop to represent myself in an assemblage of hanging Polaroid’s.
Kelley Brennan has an amazing day planned. It's Earth Day and Her sixth-grade class is going to plant a blooming dogwood tree, and she is going to give a short speech to everybody about the project she did for science class to help protect the wild bird hatchlings on top of the local hardware store. She even gets up early to attempt to paint a picture of the world on her thumb in honor of the special event. Kelley is so very excited about all these things. But what she doesn’t know is that there is something else in store for her and her mom that day, something that they did not plan on happening.
The scenes are framed like paintings, but the frame widens as the amphora bulges outwards. The background colour of the scenes reappears at the lip and foot of the
I have been asked “Where do you come from?” many times, and still I struggle to come up with a definite answer. It’s usually one of the first introductory questions someone asks and I always respond with my own set of questions. Do you mean where I was last? California. Where I have lived the longest? Germany. Where I was born? Panama. . . . Oh, is that what you meant? Calling myself a citizen of the world is not at all farfetched—rather, it’s an accurate descriptor of who I am.
Emily is faced with a problem -- that is, someone is sneaking into her room and stealing small pieces of jewelry, handkerchiefs, cigarettes, etc. Emily suspects that Mrs. Allen is the culprit and thus visits her room to confront her. While visiting Mrs. Allen, Emily initially displays a sense of respect for the elder Mrs. Allen, complementing her ability to decorate and personalize her room. Emily refrains from disrespectfully “jumping” on Mrs. Allen and does not blatantly accuse her of stealing. Rather, Emily slowly introduces her problem, explaining her dilemma, gradually implying Mrs. Allen’s involvement until she remarks “It has to stop. If it doesn’t, I’ll have to do something about it.”
• It’s cheaper to wait for the video to come out on video and watch it at home, then you can also eat popcorn at home cheaper. I took my son to see the Lion King 3D they charged me $22.00 I still watched it. My son didn’t want to sit too watch so they gave me my money back. Waste of time that’s why
The short film “identIty” is a film about students wearing masks At a school which categories theme of their stereotypes of them self. the film IdentIty, it shows the criticizes the dominant cultural norms of identity And the self And beautifully stylized, suggests we are ourselves instead of trying to conform to those norms.Although the use of masks. I found it interesting nonetheless. Everyone wears a mask even the teachers or maybe especially the teachers.
where the film is been displayed with a movie projector onto a large projection screen at the front of
The book, "Being There," is about a man named Chance, who is forced to move out of the house he lived in his whole life and his experience in the outside world. Based on the success of the book, the movie, "Being There," was made. The author of the book, Jerzy Kosinski, also wrote the screenplay for the movie. I think the major difference between the book and the movie is that in the book, we get to read what Chance is feeling and thinking, but in the movie, we only get to see his actions.
a powerful weapon, and that was the weapon of being inferior to a race that had