2.3 Cluster Concept of Játékok Zongorára
The following discuss the related literature of György Kurtág, his Játékok Zongorára, and the adapted cluster concept into other traditional teaching material.
2.3.1 Biography of György Kurtág
Játékok Zongorára is composed by György Kurtág, one of the most prominent Hungarian avant-garde composer and pianist. Kurtág was born in “Lugoj, Romania in 1926” (Kennedy, Kennedy, & Rutherford-Johnson, 2013, p. 471). He had witnessed the era of World War II (1939-1945), “lived through Hungary’s communist regime (1949-1989)” (Coelho, 2014, p. 1), and currently living in his nineties. He was a “tutor at Bartok’s music school” and Liszt Academy in Budapest, Hungary during 1958-1963, and a “coach of National
…show more content…
Játékok Zongorára is well-known with its distinctive characteristics in terms of pedagogy approach, structure of composition, and the purpose of each movement. The value of play is attached important by Kurtág in this composition series as it involves the use of body as a whole approach to play the piano (Junttu, 2008). In addition, many of the extended piano technique such as “glissandi” and different types of clusters are introduced in a daring way through his pieces in Játékok Zongorára as a “holistic” modern piano pedagogy approach (Loffredo, 2009, p. 8). For the structure of composition, it could be three types in overall: original miniature pieces, original normal pieces, reduction of past pieces from other composers. The idea of homage in writing a music composition and the idea of keeping the impact of traditional notation in the contemporary piano technique are remarkable (Johnson, 2002; Loffredo, 2009)
2.3.3 Three Types of Tone Clusters
According to Barelos (n.d.), the term of “tone clusters” can be defined as “large, dissonant chords” or “can be as small as two adjacent keys played at the same time”. The concept of the tone cluster as one of the extended piano technique was invented by Henry Cowell (Barelos, n.d.; Kase, n.d.; Kase; 2001). It is said that this idea was inspired by a pianist named Leo Ornstein (1892-2002) who was one of the first
Mats Ek’s family would play no small part in the development of his influential style of dance. His father Ander Ek was an acclaimed Swedish actor and this had a strong impact on his work in the theatre, Ander ek gave Mats Ek a chance to do drama classes and this is shown through his use of emotion, drama and abstract expressions in his choreography. His mother Brigit Cullberg, choreographer and dancer of the Cullberg ballet who funded the Cullberg ballet in the 1960’s. The artistic background that Mats Ek was brought up in has profoundly influenced his work and it is obvious that both acting and dancing complement the other in his choreography. Without his strong artistic family Mats Ek would not bee the renowned choreographer he is today.
The abundance of harmonies never loses the thread to his audience. Furthermore, the opening of the slow movement inspires the imagination and attention of its listeners. All these elements make this piece one of the most successful concertos in the musical history.
Many composers use various techniques in which they communicate the distinctly visual. John Misto’s ‘The Shoe-Horn Sonata’ and Alexander Kimel’s ‘The Action in the Ghetto of Rohatyn, March 1942’ represent significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of these texts allow the audience to ‘see’ with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a visual that
The next movement of the concert from Czechoslovakia, Three Revolutionary Marches, began dramatic with leaps and high-range climaxes. The music of this piece perfectly portrays the
In this essay we will analyze two modern musical pieces. These pieces are namely Sonata V from John Cage’s Sonatas and Interludes, and Caballito Negro by George Crumb. Composed in mid twentieth century, both pieces made a great success and they are worth examining in terms of the historical and subjective values affecting their achievements.
Sergeant First Class Patrick Skulzacek is a veteran of Operation Iraqi Freedom. After one year of deployment, he realized he was already a changed man, battling against different symptoms of PTSD, which include night terrors. So, his son Tyler Skluzacek introduced something that will help his father, as well as other veterans suffering from the condition.
Nihan Kurt is a Turkish immigrant who came in 2000 at the age of twenty-nine alone. Growing up, Nihan lived Gaziantep, a city in Turkey. When Nihan came to America, the first thing she learned to do was to drive and to be a babysitter.
Felix Ungar has just broken up with his wife. Heartbroken, he goes to kill himself but is saved by his friend Oscar Madison. With nowhere else to go, Felix is urged by Oscar to move in with him, at least for a while. The only problem is that Felix is neat, and tidy, whereas Oscar is slovenly and casual.
After Dvorak left the Organ School in 1859, he basically disappeared from the public eye for twelve years until 1871, which is when he emerged back into the public as a composer. For those twelve years he spent in seclusion, he was occupied with extensive writing in the classical form (8). To much grief and disappointment Dvorak’s first son died in September and his second daughter in October of 1877. These tragic losses were experienced within his grandiose oratorio “Stabat Mater.” For the next twenty years, Dvorak was invited to other European countries to conduct performances of his own works while enduring a struggling relationship with his publisher Hitherto Simrock (7).
The music of Stravinsky has always been “ahead of time” in the way of using new and different ways of presenting music. His early ballets such as Firebird, Petrushka, and The Rite of Spring being a great example of his modernism and will to compose music which is both innovative and shocking. For this essay I have chosen to write about The Firebird (1910) and The Rite of Spring (1913). Firebird was Stravinsky’s first Ballet and his first composition that reached many people because of its modernism and exoticism. The Rite of Spring is still renowned for its portrayal of primitivism, a concept that was accentuated by the riot that happened at its premiere.
Who is the composer (full name and dates)? List three points about his life and environment.
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.
The return to the home key can be seen as a relief from the “dissonance” produced by the passages of second themes in E major and b minor. Yet, the tonality on G major is not distinctive enough to induce a home-returning emotion in the listeners. Therefore, the composer restated the opening of the first theme in G major and continues with arpeggiando passages (Fig. H) (mm.288-295) establishing the dominant of the home key. The coda (mm.295-324) consists only
Music from all over the world presents a range of musical theories. Some of these are documented in writing whilst others are transmitted orally. Discuss and give examples with reference to both Western and non-Western music.
In Vygotsky’s theory of social and cultural influences, he emphasized his theory through three important themes: Culture, Language and Zone of Proximal Growth (ZPG). With culture, adolescents in the fourth division of education begin to integrate with people of different cultures. It gives them the advantage to listen to different beliefs, values, norms and attitudes of other people. It will have the student thinking and how he or she can understand a given theory. Second is language, the main component when it comes to communication. Similar to culture except learning through symbols, logic and sign language. For example: Janice is deaf, she may be unable to hear but can communicate with sign language and gestures. In the Zone of Proximal Growth, the student cannot do a task without the guidance of a supporter.