Reproductive Identity And By Jude The Obscure

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In the short story, “Desiree’s Baby,” Kate Chopin exposes the harsh realities of racial divide, male dominance, and slavery in Antebellum Louisiana. Although written in 1894, Chopin revisits the deep-south during a period of white privilege and slavery. Told through third-person narration, the reader is introduced to characters whose individual morals and values become the key elements leading to the ironic downfall of this antebellum romance. As Chopin takes the reader through the unfortunate circumstances and unexpected twists of Desiree’s life, a Southern Gothic tale emerges. While Armonde is Chopin’s obvious villain, one should not assume that the other characters are not antagonists themselves, as

In Nathaniel Hawthorne 's “The Birthmark”, we find the tragic story of a woman named Georgiana who sacrificed her life for the sake of appeasing her husband, Aylmer. What did Georgiana do that it was more favorable for her to die than to continuing to displease her husband? Georgiana, who was otherwise hailed as incomparably beautiful, had a birthmark on her face. Aylmer desired this to remove this birthmark, which he considered the one thing keeping her from being “perfect”, from her face. In an attempt to remedy his wife’s “imperfection”, Aylmer makes an elixir for her to drink. While this elixir successfully removes the birthmark, the same elixir also causes Georgiana to die soon after. This story brings to light several examples of how society belittles women and puts their desires below the desires of men.

The phrase “social construction” is difficult to define as it encompasses a multitude of elements, but despite that, conventionally, social construction shows ways society has conceptualised expectations and ideals which can be related to specific sociological interested areas, such as the body. Social action has been shown to have an effect on the transformation of a biological individual, although bodies appear to be simply natural - eye colour, body shape, size of feet etc - a deeper context reveals that many social situations and factors contribute to the construction of bodies. How are we to make sense of people’s bodies? Theoretical traditions which highlight socially constructed bodies have been put forward by theorists such as Elias, Foucault, Goffman and Bourdieu, however, an alternative strategy of viewing socially constructed bodies could be to link these apparently contrasting theories together. This essay will focus upon ways in which the body appears to be a social construction, paying particular detail on the length individuals endure to perform socially constructed ideals with reference to gender and class.

From the start the novel is laden with the pressures that the main characters are exposed to due to their social inequality, unlikeness in their heredity, dissimilarity in their most distinctive character traits, differences in their aspirations and inequality in their endowments, let alone the increasingly fierce opposition that the characters are facing from modern post-war bourgeois society.

As human beings, we are NOT perfect! It is part of our nature to be

When reading a story, people do not often think about how much it might relate to another story they have read in the past. In “The Birthmark” Georgiana simply wants her unique birthmark removed from her face. Similarly, in “Barbie Doll” the unnamed young lady wants her nose and legs removed. In both of these stories the reader can see that these women are chasing society’s idea of perfection. The short story “The Birthmark” written by Nathaniel Hawthorne and the poem “Barbie Doll” written by Marge Piercy have almost the exact same theme because both of these short works of fiction are about a woman that is influenced by her peers to become

In Nathaniel Hawthorne's short story "The Birthmark," there are many views on the need for science and its advances. Hawthorne's protagonist, Aylmer, illustrates his own personal assessment of science. The story is based on the idea that science can solve all of humanities ills and problems. Hawthorne believes that science is overrunning life. Aylmer is consumed by his passion of overtake Mother Nature. The story shows how Aylmer's passion leads to not only his downfall but that of his wife Georgiana as well. The belief that science can solve and do anything is one of ignorance because it totally disregards the human element of spirituality.

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

Sex and gender categories, such as “men,” “women,” “masculine” and “feminine,” have been in place for generations. They are socially constructed categories and expectations assigned to children at birth, in order to regulate and shape them into this “ideal” heterosexual being. Men are expected to embrace masculine qualities, while women are required to be feminine and submissive to the male authority. Monique Wittig’s article, “One is Not Born a Woman” observes how the class of “women” is not “natural,” but is created by the society and framed by the male ideology, as a way of producing a clear gender difference between men and women. J. M Coetzee reinforces Wittig’s beliefs by sharing similar ideas of hegemonic masculinity and male dominance

For both genders, an individual without honor or without purity is considered an outcast in a Latin American community, as exemplified later in the novel by

The theme emasculation appears several times throughout the novel Regeneration in variety of forms. Barker’s exploration of emasculation in the novel challenges traditional notions of manliness, showing war as a possible “feminine” experience. Pat Barker is bringing to attention that the atrocities suffered at war are making the soldiers unmanly as they’re facing shell shock and trauma. There are many situations in the novel where emasculation is expressed, where there is loss of power, masculinity, deprive of the male role and identity has taken place.

Although “The Birthmark” by Nathaniel Hawthorne was written in the mid-1800s, its themes and ideas are still a part of society today. The 19th century was a time of change, just as this, the millennium, is a time of great change. Hawthorne’s ideas about science, beauty, and life still play a major part in our lives, despite many improvements. Even today, people try to play “God” and change things that nature has put in place. It’s human curiosity; how much can be changed, how many things can be perfected? The themes in this short story-- religion, gender, and science--were relevant in Hawthorne’s day, and still are many years later. The theme of religion is hidden in the desire to erase

In her essay, One is Not Born a Woman, Monique Wittig explains, “‘Women’ is not each one of us, but the political and ideological formation which negates ‘women’ (the product of a relation of exploitation). ‘Women’ is there to confuse us, to hide the reality ‘women’ . . . For what makes a woman is a specific social relation to a man, a relation that we call servitude.” Monique Wittig attacks the concept of naturalizing biology and the ‘woman’ category. She believes that the form of a woman’s identity is a product of normal and intrinsic human facts. Thus, her main point is that one is not born a woman but becomes a woman based upon the social constructs of gender and