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Research Paper On Apollo The Greek God

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Ask anyone whom they believe to be a musical “god,” and they can cite many proficient musicians: Classical prodigies like Mozart and Beethoven, 20th century modernist composers such as Shostakovich, Wagner, and Arnold Schoenberg; even rock and roll legends like Jimmy Page, Frank Zappa, or Jimi Hendrix. But this term, “musical god,” could only have originated from one: Apollo, the literal Greek god of music. No matter how often mortal musicians practiced and dedicated themselves to their instrument, Apollo could easily best them. The god’s prowess was the subject of contrast in Ancient Greek culture. A familiar myth speaks of Apollo and a satyr named Marsyas, who challenged Apollo to a contest of musical prowess. Marsyas discovered a flute-like instrument [;,crafted by Athena and, after mastering it, challenged Apollo to outmatch him. Apollo, with his lyre, was …show more content…

The interpretation of this tale I would present to you dictates that the Greeks centered themselves on a life of conflict. Marsyas’ weapon of choice in the contest is what is described as a “double flute,” a reed instrument. In the time of the Ancient Greeks, wind instruments were symbolic of festivities and dancing, or music for the sake of enjoyment. The master of this sect of the art was another Olympian god, Dionysus. It is not by coincidence that Marsyas played a wind instrument against Apollo, whose preferred instrument, the lyre, was a stringed one. As described by Ellen Van Keer, a music researcher who specializes in Ancient Greece: “Dionysian music often turns out to be purely instrumental and it is invariably highly rhythmic, prompting the audience to move and dance. Apollonian music, by contrast, rather invites to listen. It often

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