Revenant Movie Analysis

Many movie writers incorporate stereotypes into their film. Stereotypes in movies can be good mechanisms to help the audience better understand the characters. For example, common stereotypes of cowboys include grittiness and determination, which helps to develop them for the viewer’s entertainment. However, stereotypes can also present characters in a negative light. In Madea’s Big Happy Family, Tyler Perry uses the motif of African American stereotypes, which includes rampant drug abuse, broken families, and inappropriate, disorderly behaviors. At its roots, his movie contains nothing more than the theme of pigeonholing African Americans.

All of this proves that Hollywood is not doing a good job in making up for the blatantly racist films of the twentieth century. Hollywood needs to do more to reverse the stereotypes of early film because such stereotypes are still seen today along with their respective repercussions.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

A racial stereotype is defined as a simplistic, rigid and unfair generalization of a racial-ethnic identity. Thus the film achieves the opposite effect.

Low angle shot, where a camera points upwards from below, generally make people or things look bigger, more courageous and important. However, same angle shots sometimes will be chosen to emphasize different effects in one film. In the movie “Night of the Living Dead,” the director George A. Romero uses low angles for different purposes.

In the film, Night of the Living Dead, the movie starts with two siblings, John and Barbara, driving to their father's grave to drop off flowers. John is reluctant to be there and is eager to leave while Barbara is trying to pray. John teases her like when they were children saying “They’re coming to get you, Barbara!” when they both see an unknown man. Barbara goes to apologize to the unknown man but it seems he is dazed and kills John. Barbara escapes and finds herself at an empty house. In the house, she meets Ben, who borders up to the windows after taking down 3 undead. After a bit of listening to a radio for the current status of the state of emergency, Harry and Tom come upstairs. We learn that two men, two women, and a child had been in the basement of the house during Barbara’s and Ben’s struggle with the undead. After much argumentation on if the basement or upstairs was safer between Harry and Ben, Harry went back downstairs to his wife and child. Tom and his wife, Judy, stayed upstairs with Ben believing they could properly border up the windows together. After much convincing from Helen, Harry’s wife, Harry and she join the others upstairs. While listening on the radio, they are given more updates of the state of emergency. The radio announcer suggests instead of staying in place, to now go to one of the designated “safe areas”. When places are announced, Tom says that one of the

The classic Disney movies Peter Pan and Pocahontas have been staples in many American children’s lives. These seemingly harmless family-friendly films have taught many important life lessons and morals, however, the movies also tend to create racial stereotypes and insinuate the ideas of white settler innocence. The song “Savages” from Pocahontas and the song “What Makes the Red Man Red” from Peter Pan in particular portray these implications. Sherene Razack’s “When Place Becomes Race” explores the correlation and affect that race and space have on each other with in-depth analysis of what makes up each. Chimamanda Ngozi Adichie’s ““The Danger of a Single Story” explains how stereotypes are not only created by a story -which is not necessarily false- but also

I think this movie is the best movie to demonstrate stereotype. In this movie, everyone is stereotyped and everyone stereotypes others.

The “Lost Battalion” film was a great film about World War One. It showed a lot about the horrors of the war. It also brilliantly depicted the reality of the war.

[1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.

Choose three different popular culture artifacts (primary sources) that reflect the identity you’ve chosen for your essay. For instance, if I were analyzing portrayals of female college professors in movies, I’d pick for my artifacts three movies that portray female college professors (I’d choose the best three, the ones that seemed most interesting, revealing, or perplexing, out of a search of many). Apply the following “moves” to each of your artifacts. Please include a URL address or hyperlink to each of your artifacts, if possible.

To begin with this essay, I will be focusing on two pieces of media. I had recently read a book named "The Scarlet Letter" by Nathaniel Hawthorne and watched a movie called "Easy A". People say that Easy A is a good portrayal of The Scarlet Letter. Don 't get me wrong, the movie shares some of the same themes and the movie is influenced by the book, but in reality, Easy A is not a good portrayal of The Scarlet Letter.

Films have the power to both influence and reflect society. The stereotypes prevalent throughout American culture are reflected in most films. While the United States is becoming an increasingly diverse country, this diversity is not portrayed within American cinema. Minority figures often occupy

Hollywood and the media continues to promote social stereotypes as the white male is portrayed as upper-middle-class professional who is family-oriented while African Americans are depicted as thugs, funny, maids, best friends, and servants. The media sacrifices objective depiction of races to gain better ratings and earnings. Further, in most movies, blacks are depicted as foolish, lazy, submissive, violent, animal-like, and irresponsible. The 1915 film The Birth of a Nation was one of the first films to feature a strong stereotype by portraying blacks as subhuman.

Forrest Gump is a movie that was released in the summer of 1994 and is based on a novel by the same name that was written by Winston Groom almost a decade earlier in 1986. The movie was directed by Robert Zemeckis and produced by Paramount Pictures. The film features Tom Hanks as the main character Forrest Gump who is a slow-witted character but also has a heart of gold and is extremely courageous. The supporting cast consists of Gary Sinise (Lt. Dan), Robin Wright (Forrest’s mother) , Sally Field(Jenny) , Mykelti Williamson (Bubba), among others. In this critique I will be summarizing the plot and analyzing what I liked and disliked about the movie and whether it stands the test of time.