Name: Menna Alaa
Student number: 142
Subject: Women Studies
' '10 Things I Hate About You ' ' Chick Flick Analysis
A Chick Flick as broadly agreed upon is the kind of films that mostly appeal to a female audience. Even the name itself is a bit offensive. It implies that films having female characters are appealing just to women spectators, and films with men, as protagonists are more commonly considered as widespread, while those who have bunches of ladies in them are so called "Chick Flicks", and in this way, a corner shallow kind. Most of the time these films convey the point that ladies live happily ever after when they get the chance to discover intimate romance. Other Chick Flicks introduce a solid female protagonist but, as the film advances the hero needs to change herself of to adjust to her end goal to observe affection, to be recognized by her adoration intrigue, or to fit into her partner 's life. Most commonly the female protagonist is a stunningly beautiful woman, who likewise happens to be blonde rather than a brunette, youthful, white and thin. Yet she needs to have a blemish, which would make her more human and in this way, more relatable to lots of people. 10 Things I Hate About You is likely the most clear illustration. However she definitely must be physically dazzling like all the female characters in the film, with a specific end goal to keep the present magnificence ongoing.
In the movie Dirty Dancing, the main characters are seventeen-year-old Frances Houseman, also known as ‘Baby,’ and Johnny Castle, who is a supposedly twenty-five-year-old dance instructor (Sylwester, 2008) This movie takes place in the summer of 1963 at Kellerman’s, a vacation resort (Ardolino & Gottileb, 1987). Throughout the beginning of the movie, the budding romance between Baby and Johnny becomes apparent; by the end of the movie, they have confirmed a relationship, but Johnny has been fired and must vacate the resort. Due to the setting of this movie, the gender construction and messages are a little more outward than they may be in a more recent movie.
In Zadie Smith’s The Girl with Bangs, we follow an unnamed female narrator as she chronicles her whirlwind relationship with the titular Charlotte Greaves. Though we do not get a glimpse into Charlotte’s point of view, Smith makes it obvious what type of girl Charlotte is, not only in the way she treats the narrator, but how she treats everyone around her. Their torrid affair begins shortly after Charlotte’s boyfriend, Maurice, has been called away for a dream job in Thailand. He left her with a flimsy promise asked of Charlotte to ‘wait for him’. This proves an impossibility for the mercurial Charlotte and her insatiable lover, who would let Charlotte get away with murder for one more touch of her bangs. This relationship does not last for
Love Stinks would be an appropriate magazine to publish After Love by Sara Teasdale because it is a poem about the feelings of someone during the aftermath of a breakup. “There is no magic any more, / We meet as other people do” gives a great example as to how people act after a breakup; how disheartening it can be to no longer experience a certain type of magic with someone and to have feelings lost or hurt (“After” 1-2). This would gain much empathy as most people reading a magazine discussing “those who have been “burned” by love” would be recently out of a relationship themselves and better able to really take the poet’s meaning to heart. This meaning is best explained through the lines “And from the tide has found surcease, / It grows
Personality and how we behave have been of much interest to psychologists for a long time now and because of this there have been many theories and theorists that have been developed. Personality is defined as consistent behavior patterns and intrapersonal processes originating within and individual (Fritzley, 2012, p. 10). There are six main approaches to personality psychology they include: biological approach, humanistic approach, behaviorist approach, trait approach, psychoanalytic approach and cognitive approach. Each approach shines a little light onto why we behave the way we do and how our personalities are formed, the approaches contain many different theories from
The film Little Miss Sunshine, Directed by Jonathan Dayton and Valerie Farris, explores the lives of a regular American family and how they change their lives in front of us in the ‘Combie’ van on the road to the Little Miss Sunshine beauty pageant. The film examines the issues of winning and losing, and what it means to be a winner, throughout many sequences in the film as well as exploring the value of family. The directors and the cinematic team use an extreme range of camera techniques, costuming, and sound techniques to reshape our understanding of winning and losing in the world we live in today.
Technically his book, The Sublime Object of Ideology, was published in 1989, so one can only wonder about whether Zizek would have included commentary on the quasi-Cinderella romantic comedy, Pretty Woman, released in the following year. It certainly warrants a more exhaustive study, but focusing briefly on a few key points in the movie – particularly in the light of theory concepts such as ideology, fetishism, and the commodity-form – should prove equally interesting. While some critics attacked the movie's fantastical plot – charming hooker/heroine Vivian Ward, played by Julia Roberts, is “picked up” and essentially “rented” by troubled corporate mogul Edward Lewis, played by Richard Gere, with the pair eventually falling in love and living “happily ever after” – it was a complete box office success. The film has brought in 178 million dollars since its release in 1990, placing it among the top 50 grossing movies of all time (Internet Movie Database Ltd.).
Love is represented in many shapes and ideas based on social context as well as those caught within. William Shakespeare’s Taming of the Shrew as well as its adaptation 10 Things I Hate About You by Gil Junger, represent their respective ideas on love which shares its similarities and differences, both portraying love in their own forms. Both texts highlight the ideals of love in their context as well as one of the main courtships, Katharina and Petruchio, involved in love, portraying their values of love.
> Directed by Garry Marshall, Pretty Woman is a romantic comedy and a modernized Cinderella. The story involves the evolution of the relationship between the two protagonists, Vivian (Julia Roberts) and Edward Lewis (Richard Gere). In the film how a business arrangement between a business magnate and a prostitute quickly becomes a genuine loving relationship. In addition to their complex business relationship, Edward’s lawyer Phil (Jason Alexander) is one of many obstacles to the desired “fairy tale ending.” Edward and Vivian are two broken individuals. Vivian is prostitute who is dealing with the vicissitudes of life and Edward is a divorced man who recently broke up with his girlfriend. Vivian and Edward bring out the
The film that I chose to write about is a Paramount Pictures presentation titled Mean Girls, starring Lindsay Lohan and also featuring a handful of Saturday Night Live cast members, including Tina Fey the author of this picture. The reason behind choosing this film is because it has a unique style of introducing characters, transitioning between scenes, and various tools to help spice up the film. Being one of my personal favorites, Mean Girls is a comedy about a home schooled teenage girl who enters high school for the first time. She tries to figure herself out by where she can fit in and who she needs to become friends with.
“Hey Brianna, meet me at 12:00 a.m. in the cafeteria so we can discuss what happened in class today.
This genre is typically modern, perky and upbeat, but the common narrative in all of them is that it features a woman who is strong and she overcomes adversity to reach her goals. There is also a message of empowerment that also struggles with a romantic predicament and using comedy to poke fun at the male characters. Industries are still producing soppy romantic comedies for the female audience but the divide between the standard chick flick and romantic comedy is slowly disappearing. Similarly to the beginning of this essay it is evident that institutions are moving in the direction of women’s place in culture in relation to this film genre; women are usually shown as the super power since they are made to appeal to the female audience. However
The book Girl, Interrupted is about a teenage girl Susanna Kaysen. At the age of 18 she voluntarily sent herself to the McLean hospital. In the beginning of the book the Susanna was talking to a psychiatrist she has been seeing for awhile, she has had a couple of suicide attempts so she started seeing that doctor. The doctor had recommended Susanna to go to McLean to help her be anti-depressive and help cure her borderline personality. Susanna ended up being in the hospital for 2 years.
Michael Warner states in his book The Trouble with Normal that "the [American] culture has thousands of ways for people to govern the sex of others," that a certain regulation of sexuality and desire can be designed "directly, through prohibition and regulation, and indirectly, by embracing one identity or one set of tastes as though they were universally shared, or should be" (Warner 1). According to Warner, the logical process that follows such a regulation ensures a certain shame attaches to any "taste" that is not "universally shared." That this one "taste" "should be" shared implies that it is not universal. The “taste” that must be converted in order to achieve a “universal” desire is, then, naturally marked with a stigmatized
Miss Ever’s Boys is a docudrama film that was produced by the HBO cable network. The movie explores ethical and social issues involved in the infamous Tuskegee Study. The study was about untreated black men with syphilis. The U.S. Public Health Service is said to have conducted a study among 600 black Americans from the years 1932 to 1972. This study was done in Macon County. This paper will exclusively explore the critique the Miss Ever’s Boys film using ethical frameworks. The ethical framework includes beneficence, justice, and respect for persons, duty-based ethics, virtue-based ethics, and the right’s-based ethics. The paper will identify how the above listed ethical principles were
Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. “Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love” (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewer's analysis of what love and relationships should really be like. These films give the wrong impression of reality when it comes to dating, marriage, having children, and even how to manage a relationship in