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Rhetoric Of Protest Analysis

Decent Essays

Rhetoric of Protest Art: One response to struggles against classism, racism, and other key social issues comes about in the form of organized protests or acts of protest. To refer to my previous definition of public space, I will be focused on art that currently exists within the public realm of the street. For the purposes of my argument, protest art will be focused on. Although there were actual riots involving members of communities, as seen in the case of the riots against police in the eighties and again with Duggan’s wrongful death, recently there has been an insurgence of nonviolent politically charged activist movements within the UK (Piper 86: Olcese 27). Such nonviolent practices have taken the form of acts of artistic expression, …show more content…

Their form of protest is political; it addresses the injustices of the world through the means of infiltrating advertising. This can be extended to include posters, as well as billboards, print advertisement, and social media ads. Their manifesto features one of their main goals as “to fight the mental takeover of an ever-present ad industry; dream up a self of your own, live it but never buy or $ell it”, which exemplifies their ability to undermine economic protests of the gentrifiers and influence the public (“Manifesto”). Other individuals have seen the Adbusters and similar organizations as demeaning, a nuisance, and even using artistic license improperly. One such instance of this comes about in Olcese’s interpretation of art that is used by activist groups, where “people at the centre of [the artist’s] work cannot identify with social movement leaders’ claims (which effectively say “we are better and we have the solution”)” and this is seen as a point of dissonance between the artist and the opposing group the art is trying to address (Olcese 27). Unfortunately, this means that the individuals who are being called out within the protest art cannot see themselves within it subjectively, effectively missing the point of the artwork and ignoring the positive results of protest art. Instead, focus by these opposing groups is on the public problem that protest art is seen as inherently by those who are subjects of it. This can only act as furthering the anger of the groups protesting, as their artwork is not received as a legitimate political stance. As such, the two sides are at war with each other and they both have clear goals in mind; to omit the

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