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Rhetorical Analysis On Oria Avner

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Adding to this rich passage is a series of questions Avner asks himself with an immediate answer: “Would Netta have confronted him then? Are you seeing someone? Probably not. It’s been over two years now, and they’ve learned to— what exactly?— not ask questions” (58-59). Here Oria has weaved her two techniques together. Avner asks himself a question and imagines it being answered by Netta right after. Following this is Avner’s own answer: probably not. This “probably not” has some doubt in it, which gives us a little hope for a moment that he won’t always assume and will do something about his failing marriage. Except next Avner reflects on a whole, with another question and answer that leaves us without that hope. Because here he relays what he has learned— the one thing that is hurting him more and more— to not ask questions. And not asking questions is what blocks him from being present. It delays the change him and Netta both clearly need. There is another hopeful moment towards the end of the story. It is similar to the one in New York 1, Tel Aviv 0 …show more content…

She has showed us how people stand in their own way. One of the many ways she shows this is from daydreaming, something so many may fail to admit. We imagine a different life whether that means fantasizing like Pie, or imagining depressing scenes like Avner. Whichever it is, it takes us out of the reality that we don't want to face. These stories also present questions that are the hardest to ask: Is this what I want? Can I ever be that happy? And how Oria has her characters deal with these questions can be frustrating, but above all, they are human. They refuse to answer them or they think they already know the answer, failing to explore. Perhaps this is one of the writer's main objectives: to have us study her characters that are caught in the in-between so we can better see our way out or away from the

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