Richard III Biography Essay

However, an argument contradicting this idea lies in the persona of Richard, Duke of York, who was the King’s closest adult male relative and the most famous and influential of the great magnates in 1450. Also before 1453 York was heir presumptive. He was descended from Edmund of Langley, 1st Duke of York and fourth son of Edward III on his father’s side. On his mother’s side he was descended from Lionel of Clarence, Edward’s second son. York’s close blood relationship to the king could admit him to the throne. Not only did he claim the descent from King Edward III, but also claimed to the throne. The Battle of St. Albans is the straightforward proof of it. He evidently felt that he had a sense of duty and a right to play a fundamental role in government. Richard was an obvious threat to Henry’s kingship: unlike the last one he was a competent politician, a distinct warrior and a father of healthy sons. In other words, his power of personality harmonized his goal, which by 1450s, had come to embrace the crown of England.

-Anne mostly in the dark enhancing her incomprehension, camera turns away from her or shows only as body parts to frame Richard’s body

Adam of Usk, a Welsh canonist, chronicler, and witness of Bolingbroke’s march remarks that: “King Richard… sent forward the lord [Thomas] Despencer to stir up the men of Glamorgan to his help; but they obeyed him not. Stunned by this news coming in from all sides, and acting on the advice of those who I think were traitors… he fled in panic at midnight with only a few followers…”. Defenseless, Richard’s rule was effectively at an end, and with ubiquitous encouragement from Parliament and the commonwealth, Henry of Bolingbroke held Richard captive until he unwillingly agreed to abdicate his crown. Richard spent the rest of his days in Pontefract castle and died from starvation. Adam of Usk summarizes the lasting deprecating reputation of King Richard II:

* Lady Anne scene – Richard turns from the monstrous Machiavellian character we see throughout most of the play, into a romantic wooer. He uses rhetorical language such as pathos to connect with her emotions which assists him in essentially ‘capturing’ Lady Anne. The fact that Richard had just killed her husband King Edward, with her still being with his coffin just makes Richard seem even more powerful as he still manages to pull Lady Anne into marrying him. Although in this scene Lady Anne proves to hold the knowledge of language too as there is constant stichomythia between the two characters through most of the scene but the line which best shows this is when Richard says “Bid me kill myself. I will do it.” And

Connections of commonality and dissimilarity may be drawn between a multiplicity of texts through an appreciation of the values and attitudes with which they were composed. Accordingly, the values and attitudes of the individual being may be defined as an acute blend of externally induced, or contextual and internally triggered, or inherent factors. Cultural, historical, political, religious and social influences, dictated by the nature of one’s surroundings, imprint a variable pattern of values and attitudes upon the individual. Thus any deviation in any such factor may instigate an alteration of the contextual component of one’s perspective. By contrast, the

Ambition is an earnest desire for achievement. Both texts are self reflexive and emphasise Richard’s obsessive ambition, desire and longing for the throne. Each Richard strives towards capturing the throne regardless of consequences and bloodshed. Richard is depicted in both texts as an ambitious character who strives to gain power and independence through deception and self confessed villainy. ‘Since I cannot prove a lover. . . I am determined to prove a villain’ This obsession which drives Richard to commit horrific evils to gain and then protect his claim to the throne. His ambition, power and evil blinds him and inevitably is responsible for his downfall in both of the texts. A connection is formed between Looking for Richard and King Richard III in the final scenes Al Pacino’s interpretation and ‘Hollywood’ background influences an ending which can be interpreted as portraying Richmond as a coward. Elizabethan audiences

land in the north of England after both the Earl and Anne died. He was

Richard was the third son of Henry II and Eleanor of Aquitaine, and he was given the duchy of Aquitaine, his mother’s inheritance, at the age of 11 and was enthroned as duke at Poitiers in 1172. Richard possessed precocious political and military ability, he won fame for his knightly prowess, and quickly learned how to control the

Peasants’ Revolt The Peasants’ Revolt occurred in 1381. It was one of the most important historical events in all of the Medieval era. This short period was when the peasants stood up for themselves, trying to receive equality and more rights from the rest of society. The Peasant Revolt, is also known as the Wat Tyler Revolt.

While Richard left England to oversee the progress of his foreign war, Henry and the other nobles began plans to take Richard's kingdom. This was a crucial mistake on Richard's part. By not taking care of issues on the domestic front, Richard's followers and soldiers grew increasingly weary of his ability to lead and be an effective king, eventually siding with Henry. Henry proceeded to capture Bristol Castle, a stronghold of Richard's and began his plans on being ordained future king.

Through his time at war as well as some other major events that happened during his life, Richard came to be known as the “Lionheart.” One of these events would be the revolt against his father in 1173. It is believed that Eleanor of Aquitaine, Richard’s mother, manipulated her sons (Richard, Geoffrey, and Henry III) to revolt against their father. Seeking protection from Louis VII, Henry III abandoned his father and left for the French court, shortly followed by his two brothers. After a short amount of time, the brothers had attracted the support of many barons through bribing them with money and land. After a successful beginning to the revolt, Henry II marched his army of over twenty thousand soldiers to face the rebellion and recaptured Dol and subdued Brittany. Henry II attempted to make peace with his sons at this point, but as they had promised Louis VII, they declined. Henry II continued to capture more cities and returned to England with five hundred soldiers and his prisoners, including Eleanor and his sons’ wives and fiancées. After Henry II defeated Louis VII, a treaty was made and Richard was specifically excluded. This rebellion against his father resulted in less generous terms, where Richard was given control of two castles in Pitou, instead of four castles in Aquitaine, and half the income of Aquitaine, instead of half of the income of the duchy. Eleanor was also to remain a

Hastings is manipulated into believing that Richard will protect him in any situation as he says, “As thou and I, who, as thou know’st, are dear /To princely Richard and to Buckingham.” (66-68) Richard’s concealed operations are proven successful as Hastings is deceived by Catesby’s illusive words. The many occurrences of double entendre through Catesby’s replies add to the irony, but also demonstrate how Richard’s mischievous implications are hidden from Hastings, but not from the audience. Richard’s manipulative expertise can also be shown by, not only his enemies, but also his friends and followers.

He was born in Bordeaux France on January 6, 1367. He was the son of Edward the Black Prince and the grandson of King Edward III. Richard succeeded to his grandfather's throne on June 22, 1377, at the young age of ten. Due to his young age the government continued to be run by nobles of the kingdom, in the same fashion it had been in the last years of his grandfather's reign. These nobles were dominated by his Uncle John of Gaunt, Duke of Lancaster.

As Machiavellians, Richard III and Henry V become actors, acting differently in certain situations to be able so that they will benefit, but in these situations Henry V has noble aims. Richard’s goal just seems to become the King(1.1.140-148). In a true Machiavellian fashion, he deceives several people like his brothers and the common people to try and advance his goal. When he is talking with Clarence his imprisoned brother he tells him, “your imprisonment shall not be long; I will deliver you.” He is

It is only during his deposition and his imprisonment that Richard shows his greatest strength as a dramatic figure. Although occasionally he seems to demonstrate self-pity, he also reveals himself to have an acute awareness of the ironies and absurdities in the structure of power of his kingdom. He still compels the court to reconsider his initial claim that the crown is divinely appointed: “Not all the water… can wash the balm of an anointed king (3.2.55)”. Although he keeps reminding those present of his God-given mandate to rule, he seems also to take pleasure in passing on the trails of kingship to his successor. As a King, He does have a God-given position of being the king. But as a king one should know the difference between moral values and ethics values. Just because Richard is King and is appointed by God doesn’t give him any rights to be an awful ruler. He can’t always fight a problem by saying that he is