Throughout The Beach, Richard is stuck in the illusion of paradise and fearlessness. Richard is lost in a fabricated world of his own doing that is being perceived as reality. Illusion has bewildered Richard, causing him to believe that he can run away from reality forever. Richard is convinced that the illusions he is captured by take higher status than reality itself. Alex Garland puts readers into the mind of Richard to reveal how he circumvents reality with illusion.
Richard’s thoughts outside the beach are immediately hindered by an illusion of paradise from the beach, which Richard does not fully recognize until the true reality begins to emerge near the end of his stay. When Richard finds the beach, he is fascinated by how nobody in the community ever talks about their past lives before the beach. The people from the beach remain at the beach because they do not want to confront the reality that they have left behind, so there is no surprise to readers that the community does not like to talk about the outside world. Richard realizes that nobody in the community cares about what he has to say about the outside word and the problems he encountered there, because that is not their world anymore – their world is the beach, which Richard fully recognizes when he comes back from the rice run: “No one was even slightly interested [about the rice run]. A few asked, ‘How was it?’ … but as soon as I began to answer … their attention became diverted by something” (190). At
Initially Mai holds a negative perspective in “Mai closed her eyes and tried to recall her father's stories— but they rang shallow against the dense roaring slabs of water she'd just seen.” The hydrographia personifies the natural elements creating a pathetic fallacy, which reflects Mai’s initially pessimistic attitude as her hope is crushed by the harsh reality of her experiences on the boat. However, this provocative experience catalyses a transformed perception, as upon reaching the shore she thinks: “The boat would land - they would all land.” The epistrophe of “land” and high modality of “would” shows her renewed hopeful perspective, which would not have been possible without physically experiencing the harshness of being on the boat. Thus, the ability for discoveries to be far-reaching and transformative is seen through these provocative and confronting external experiences that transform individual perceptions.
“The Beach is written in the style of a free verse poem consisting of two stanzas, the first one having nineteen lines and the second having twelve. The lines vary significantly in length and feature a large amount of enjambment which stretches over fur lines in some cases. The mood and atmosphere of the poem is extremely relaxed and promotes the reader to feel nostalgic about the last time they themselves visited the beach.
“On the outskirts of town, within the verge of the peninsula, but not in close vicinity to any other habitation, there was a small thatched cottage. It had been built by an earlier settler, and abandoned because the soil about it was too sterile for cultivation, while its comparative remoteness put it out of the sphere of that social activity which already marked the habits of the emigrants. It stood on the shore, looking across a basin of the sea at the forest-covered hills toward the west.”
John Cheever’s short story, “The Swimmer,” describes the epic journey of Neddy Merrill as he attempts to swim his way back home. Throughout the story, readers continually question reality and fantasy while wondering whether Merrill is really experiencing what Cheever portrays or if he is simply stuck in the past. Merrill goes from house to house as he freestyles across each swimming pool along the way. As the story draws to the end, Cheever points out that Merrill’s world is not what it seems and he has really lost everything he loved. An analysis of “The Swimmer” by John Cheever through the liberal humanist and Marxist lenses suggests that the story
“The Swimmer,” a short fiction by John Cheever, presents a theme to the reader about the unavoidable changes of life. The story focuses on the round character by the name of Neddy Merrill who is in extreme denial about the reality of his life. He has lost his youth, wealth, and family yet only at the end of the story does he develop the most by experiencing a glimpse of realization on all that he has indeed lost. In the short story “The Swimmer,” John Cheever uses point of view, setting and symbolism to show the value of true relationships and the moments of life that are taken for granted.
. . took on, over time, the nature of one more hillock in the dramatic rise and fall of the coastal landscape.” (141) Expressed in this statement is the idea that although the Larkins experienced a tragedy that held the town‘s interest for a period, adversity is a natural part of the unpredictability and ups and downs of life. In other words; tragedy and adversity are part of the landscape of life.
After reading Our Town often readers will conclude that Wilder criticizes our lack of appreciation for life. On the contrary, Wilder completely obliterates the idea that such admiration is remotely possible, and presents the reader with an ultimatum surrounding life’s appreciation in which neither option is ideal.
In the short story “ The Swimmer,” John Cheever expresses the idea that Neddy Merrill can lose everything if he denies reality. Cheever achieves this by employing various symbols during Merrill's cross county journey. The main symbols are the weather and seasons. Cheever uses the changing of seasons to distort the character’s sense of time and show the progression of Merrill’s life. In the beginning of the story the setting is described as a midsummer day and by the end of the story, Merrill is able to see the constellations of late autumn, meaning winter is near. The illusion of time allows the reader to understand the extent of Merrill’s state of denial, as his beliefs begin to contradict the reality around him. While Cheever uses the weather to describe how Merrill feels. When it is warm Merrill feels happy and youthful. However, when it becomes colder Merrill begins to feel weak and sad. To emphasize Merrill’s state of denial, Cheever employs the motif of alcohol in “The Swimmer;” the reader notices that when Merrill is presented with a reality that he deems unpleasant, he uses alcohol to enhance his state of denial. Through the critical lens of New Historicism, the reader can infer the author’s purpose for writing “The Swimmer” is to criticize the lifestyles of affluent people in the 1950s and early 1960s. Cheever focuses on the party lifestyle of affluent communities and how the use of alcohol allows them to deny the reality around their current misfortunes.
Moreover in “Away”, Gow explores how personal connections of individuals’ and their self-discovery can influence and challenge each other’s perspective of themselves and the world. This is shown through the relationship of Tom and Coral as Tom’s acknowledgement of his impending death enables healing for Coral who is emotionally disconnected from reality due to her son’s premature death. The play ‘Stranger on The Shore’ acts as an analogy of the healing of the soul where Coral is afraid to walk; metaphorically she is unable to accept her son’s death and advance further, however, Tom helps her to return to the real world. This is apparent in the stage direction: “he lifts her and holds her as she takes a step forward, then another, then another”. The stage direction makes it apparent to the audience how Tom is leading Coral towards her self-discovery by familiarising her to the nature of mortality, which
The tide was coming in and there was only a narrow strip of firm beach between the water and the white, stumbling stuff near the palm terrace. Ralph chose the firm strip as a path because he needed to think, and only here could he allow his feet to move without having to watch them. Suddenly, pacing by the water, he was overcome with astonishment. He found himself understanding the wearisomeness of this life, where every path was an improvisation and a considerable part of one 's waking life was spent watching one 's feet. He stopped, facing the strip; and remembering that first enthusiastic exploration as though it were part of a brighter childhood, he smiled jeeringly. He turned then and walked back toward the platform with the sun in his face. The time had come for the assembly and as he walked into the concealing splendors of the sunlight he went carefully over the points of his speech. There must be no mistake about this assembly, no chasing imaginary. . . .
The life as a coast guard living in a lighthouse on a desolate coast, seems simple and easy, maybe even taskless, but for a man with a troubled mind, and an incurable fixation, existence seems like an unavoidable entropy. He gazed into the divided scene in front of him, the horizon splitting the
The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.
reflects the main plot in the book. It is set on a beach and involves
The message of Richard Bach’s Illusions is based on the concept that the things we interpret in the world as reality are actually illusions. This is made evident to one of the main characters, Richard, through his interactions with his newly found friend, Donald Shimoda. Donald Shimoda is a “messiah”, and he has gifts that he uses to help mankind. A quote that Richard reads is “Here is a test to find whether your mission on earth is finished: If you’re alive, it isn’t” (121). During the entire story, Don proves this quote to be true. Donald works to share his gifts and carry out his mission on earth.
“Big Two Hearted River”, a semi-autobiographical short story by Ernest Hemingway, is a story about the main character, Nick, returning to Big Two Hearted River in order to recover from his inner wounds. Nick Adams goes on a journey alone in nature for a therapeutic purpose as he suffers from PTSD. However, Hemingway purposely avoided any direct discussion regarding to Nick’s mental wounds. The absence of the discussion is contributed by Hemingway’s writing style, the Iceberg principle. Hemingway focuses explicitly on what occurs on the surface without mentioning actual theme. This indicates that the theme of self-healing cannot be uncovered by simply looking at the text itself. In order to comprehend the actual theme of the story, the character development of Nick must be examined. This is possible since Nick Adams is a recurring character of Hemingway’s stories. The two preceding stories of “Big Two Hearted River”, “Now I lay me” and “A Way you’ll Never Be”, directly discusses Nick’s suffering from shell-shock and how he comforts himself by returning to Big Two Hearted river in his mind. The two short stories will be analyzed and connected to “Big Two Hearted River” in the essay first. This will provide a strong understanding of Nick’s psyche and the reason behind his return to nature. Then, “Big Two Hearted River” the short story itself will be carefully analyzed.