Rise Of Sivagami Essay

In May of 1804, two men set out on an important journey that would take them across the country and discover new land, but none of it would have been possible without the aid of one woman. The Lewis and Clark Expedition was planned by Thomas Jefferson, in order to explore the unknown in the newly purchased Louisiana Territory, and also to find a water route across the continent. Along the way the group of men met a quiet native, named Sacagawea, whose impact would later have a large effect on the success of their important journey.

So when Sourdi started dating the boy their family had hired to wash dishes at their restaurant, Duke, Nea never considered him to be a “fork in the road, dividing [Nea’s] life with Sourdi from Sourdi’s life with men” (Chai 84). Nea underestimated Sourdi and Duke’s relationship and overestimated her and Sourdi’s bond. Soon enough, their mother caught on and ended up firing Duke, but Duke and Sourdi continued to fall in love with each other. Nea wasn’t surprised that Duke, the “funny-looking white kid”, fell in love with her sister (Chai 84). Sourdi is so beautiful that she had some beauty to spare and Nea would sometimes pretend that she was beautiful too. Where Sourdi was smooth, Nea had angles; where Sourdi was soft, Nea had bone (Chai 84). Sourdi is reserved and calm in contrast to Nea who is quite outspoken and rigid. Regardless of their differences, Sourdi and Nea remained close; that was until Sourdi was arranged to be married to a much older gentleman, Mr. Chhay, at the tender age of eighteen.

This story started out with a bang. I thought this right here was going to be the climax of the story. I was wrong. Even after the main character Nae, stabbed a man as she was trying to protect her sister, the situation ended shortly after. I thought Nae was just like any other little sister, always wanted to be with the older, but then throughout the story, I came to realize that Nae, even with being the young of the sisters, is very protective of her older sister Sourdi. Often times when Nae thinks she is helping Sourdi, she ends up making things worse. Sourdi and Nae live with their mother who is spoken of as Ma throughout the story, and also, live with their younger sisters. Things seem to change towards the end of the story for Sourdi, and Nae, of course, tries to save Sourdi from nothing. During the story, Nae speaks of how she has dreams of Sourdi and herself running away and Sourdi would end up being her guardian. She had I hopes of this

The simplistic plot of the novel and the overall theme of love allows the author to span the lives of the main characters. The reader sees the span of the life of two of the main characters, Sidda and her mother Vivi, as

In everyday life, a relation is always identified as trust and support. In this novel, a relation between a husband and a wife is shown in a different way. Min, one of the characters in the story, is shown losing her mental stability and is living with her two children. She did not have any contact with her husband in few years and neither did he try to contact

With religion being a very prominent factor in the lives of the characters in this story, the narrator neglects to realize that this factor will make it nearly impossible for them to be together. With the inability to realize this, mixed with his teenage hormones, this causes him to be engulfed by his objectification of Manegen’s sister. “My body was like a harp and her words and gestures were like fingers running along the wires” (Joyce, 217). He allows her to control him so heavily; simply by the way she moves or speaks, he doesn’t allow himself to live his own life as the person he truly is. By not allowing himself to see anything else past this girl he is idealizing, he shuts himself off from the rest of the things in his life, the more important things, such as work and school.

1~ Even if the indias change in looks, in the hearts they are still savages

On the other hand, it could be articulated that the female characters in both the novels have proved their mental instabilities, individualisms and rebelliousness have disturbed the lives of others. Moreover, it could be analyzed in the novels that both the author in their social context has explained the dark secrets of the life of individuals.

This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.

An analogy has been drawn about how she was in the past and how is she now. She was a carefree person, demanding love in her life, wanting to take care of her children and become a house wife and now she works as a schoolteacher, has become a responsible person concerned about her husband and child, struggling for her son’s life, bearing tantrums of her sister-in-law and living in a small house in a small city. On the other hand, Komal, sister-in-law of Anjali is a character shown who seems to be frustrated from her life from the time she has lost her husband. The book has depicted another face of an Indian woman, who lives her entire life following the customs that the society has decided for a widow. Anjali tried to make her first marriage successful by taking care of small things like making her husband, his favorite cardamom chai and best of meals while Prakash’s second wife Indu was never concerned about any of his likings and gave priority to her own personal

The simplistic plot of the novel and the overall theme of love allows the author to span the lives of the main characters. The reader sees the span of the life of two of the main characters, Sidda and her mother

First, let’s review the characters in the main story, of which there are few in the literary story

The novel Siddhartha written by Hermann Hesse is a philosophical novel that explores the journey of life and to enlightenment. This is done through the narration of the life of a young boy – the eponymous Siddhartha by a third-person omniscient narrator. My goal in this essay is to explore the role of the most important female character in Siddhartha, Kamala.

This essay focuses on the theme of forbidden love, The God of Small Things written by Arundhati Roy. This novel explores love and how love can’t be ignored when confronted with social boundaries. The novel examines how conventional society seeks to destroy true love as this novel is constantly connected to loss, death and sadness. This essay will explore the theme of forbidden love, by discussing and analysing Ammu and Velutha's love that is forbidden because of the ‘Love Laws’ in relation to the caste system which results in Velutha’s death. It is evident that forbidden love negatively impacts and influences other characters, such as Estha and Rahel, which results in Estha and Rahel’s incestuous encounter.

The two heroines share a harsh background; they both have had a rough childhood and are searching for a way out of their misery. Their lives are centered around the strategies that contribute to their rise. When writing this essay I was mainly interested in exploring how even the characters with smaller roles could affect the outcome, could shape the path the heroines followed towards their rise, but also wanted to analyze all the aspects through characters contributed to the liberation of the heroines.