Sacred Music Research Paper

5.  Most of the music that was notated during the middle ages was sacred or secular? sacred

Which of the following was NOT an activity associated with secular music in medieval society? Devotional services

Music provided rhythm for chores, such as working in the field, and it was also used to celebrate important events as well as

From the beginning of times, music has played an important role in everyone’s life. At first, it started with drum-based and percussion instruments made out of what was available as rocks and sticks. Our ancestors proved that human beings have an innate need of music. Nowadays, no one teaches a baby to follow the beat of a song, he just naturally lets his body get involved with the rhythm. Since the prehistoric era to Christian times, several forms of music have developed leaving a trail to new genres of music. For Christianity, hymns and plainchants were the first forms of music considered as a worship to God. As time passed by, Christian music has evolved giving way to new and fresh sounds.

In Fahrenheit 451, on page fifty-nine it points out, “You must understand that our civilization is so vast that we can’t have our minorities upset and stirred.” This book was basically like a warning for the upcoming societies and it gave the reader a whole new perspective about how life would be without books and having technology would be way different. In the book, there is several characters that stand out more such as; Montag (also known as Guy), Clarisse, and Beatty. In Fahrenheit 451 firemen burn books, people have these televisions that have multiple walls, and there’s a mechanical hound that lives in the firemen's little base. The story’s society and our society is so different but in ways it seems as the book tried to warn us with all the books and technology.

​ Life in the Middle Ages revolved around the Church, which was the Roman Catholic. So, we can imagine early music was pretty much from church. Every morning at 9 o’clock was Mass, a significant ceremony done to commemorate the Last Supper. At this church service, the music was the Gregorian Chant. The Gregorian chant is performed in the Latin language, unison voice and accompanied by no instruments which was believed that the text of the song which carried the divine message from God was more important. The music was just to help you get to a spiritual place (Wright, 4-1a).

During the middle Ages, the Catholic Church was the sole contributor to musical development. The music of the early church was monophonic, and had nonmetric melodies set in one of the church modes, or scales. The rise or development of polyphony came about during the Renaissance period; the Council of Trent wanted polyphonic church music to be created and Palestrina composed the Pope

African American religious music is the foundation of all contemporary forms of so called "black music." African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

The thematic statement, “Ambition may lead to negative outcomes” is very true and unfortunately has applied to me. In the summer of 2010, I found myself to be very ambitious and I wanted to learn how to swim, so i asked my grandma to sign me up for swimming lessons. I was very excited, but I was also very nervous. When she finally agreed to sign me up, i was was bursting with excitement. The anticipation was growing and my swimming class were only a week or so away, and I was extremely excited.

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

Music has always played a vigorous role in religious celebrations throughout history. Religions across the world have shaped our nations through music. There are various types of music in diverse religions across the world. Music is used to worship in many religions and it is spread across communities of the same religion. Music helps spread the gospel that is being preached.

Music not only has issues in discrimination and racism but also in religion. In an article by Lake State Publications (2002), the transformation of music started during the early Christian era. It said that only Gregorian Chants were recognized in sacred ceremonies. However, secular and non-religious songs became rampant when the church had an unlikely encounter with the French Nobles called troubadours causing them to write the very first secular songs and ask the ministers to sing them to the public. Secular music continued to gain importance to the masses and vocal music became more important

From 1400 to 1600 A.D., the Renaissance was a period of a rediscovery of Greek ideals for musicians to explore possibilities of their art. It was during this time that ideas were able to better circulate, because individualism began to increase, and the printing of music helped to preserve and distribute musical ideas (History). Also, as opposed to the medieval period, the Renaissance began to expand upon the type of sound that was created by adding the voices of women in choirs, as well as expanding instrumental music. The texture of music also began to change, with homophonic and polyphonic compositions. Sacred vocal polyphony was used rather than monophony in the form of masses and motets, while secular pieces also included madrigals and songs. Instrumental pieces usually were short during this time, and were for dancing (History).

The Renaissance period, from 1450 A.D. to 1600 A.D., comprised of two main types of music, sacred and secular. In comparison with the Medieval period, where music was usually reserved for church purposes, the Renaissance period allowed music to expand beyond the church into upper aristocratic society. Sacred music included motets and mass, while secular included madrigals, instrumental and dance music. Motets initially came about during the late Medieval period, but grew sizably during the Renaissance,

Beginning at around 476 AD, the medieval era is mostly related to the church as most music from this era is sacred. The style of this era, the Gregorian chant is monophonic only comprising of the plainchant (or the single- line melodies of early church music) in texture only comprising of the plainchant (or the single- line melodies of early church music). It is not until the arrival of the French composers Léonin and Pèrotin in 1100 and 1200 respectively that polyphony would be incorporated into musical worship with the “decoration” of Gregorian chant with one or more simultaneous musical lines, thus transitioning from Gregorian chant to Organum. During this era, most of the music and roles for musicians belonged to the church except for the troubadours of southern France and the trouvères of northern France. The music was responsorial between the mass and the father during church and was