Sandro Boticelli Essay

Gorgeously. Striking. Grace. The golden painting is taking up by the two most iconic symbols of Christianity: Jesus Christ and Virgin Mary. Christ gently placing a golden grown on the inclined head of the Virgin Mary, who is sitting on the right side of Jesus; her hands crossed over her chest symbolist of humble, reverent and loyalty. This position was purposely set by Fabriano. In Christianity art, position is significant in dividing between good manners and malefactors. For instance, in The Last Judgment by Giotto di Bondone in 1305, heaven was placed on right of Christ, and hell was on the left. This ideology was clearly stated in the bible “...before him shall be gathered all nations:

His precise birth date is unknown, as it seems he had misinformed people about his age throughout his lifetime. He was one of the most famous, versatile and skilled Italian Renaissance painters, particularly commended for his skills with fine brushwork and colors. His artwork consisted of wide range of subjects, from portraiture, to landscape, to mythological scenes, to spiritual with a constant change in his style over the time. He had successfully released over 600 artworks and was the first painter ever to paint primarily for the overseas clientele.

From the late fifteenth century to the genesis of the sixteenth, a new movement influenced art in Europe, expanding the bleak limits of past art and created some of the most memorable masterpieces in history. The creators of these artworks during these decades of the Renaissance include Leonardo da Vinci, Michelangelo Buonarroti, and Raphael Sanzio. Influenced and sometimes driven competitively by each other, these artists share differences and similarities in their life, art style and techniques, and interests.

Alessandro Filipepi most commonly known as Sandro Botticelli was born in Florence, Italy around 1445. Botticelli began studying under Renaissance painter Fra Filippo Lippi at the age of 16 and would go on to become one of the most acclaimed artists in Italy during his lifetime. During the Renaissance, art

Fernando Botero is an internationally acclaimed figurative artist and sculptor. He is one of the most traded and recognized artists from Latin America. His art is exhibited in international museums worldwide and follows an art-style he spent years to perfect. Fernando Botero’s success began in Columbia; he then moved Barcelona, Madrid and finally Paris where he now spends most of his time. Botero’s beginner art was frequently criticized for “lacking its own identity” as it was influenced by the works of various renowned artists such as Diego Rivera, Pablo Picasso, Francisco Goya and Diego Velasquez. As a result, Botero developed his own, unique style known as “Boterismo” (Bertamini). However, Fernando Botero’s newly founded style was often

Lorenzo and his humanist circle had a great influence on artist in patronized including Botticelli.

The work of art that I have chosen to write about, is the Three Miracles of Saint Zenobius (1500-10). This painting is part of a bigger collection that depicts scenes from the life of Saint Zenobius. It’s sister pieces are spread out in different parts of the world, such places as, London, Dresden and New York itself. The painter of this entire collection is Sandro Botticelli (1445-1510) and he belongs to the Early part of the Renaissance. It is worth to note, that Botticelli was taught by Filippo Lippi. Fra Filippo Lippi was a prominent artist of his time and he painted his work with great color and as well with a narrative quality. Botticelli himself made a name for himself by his artistic style and to his contribution to painting the frescoes of the Sistine Chapel and even though his most notable work of art was the Birth of Venus that was created eighteen years prior to the Three Miracles, this piece of work takes a different approach than his other paintings. The painting itself resembles the Scenes from the life of Saint John the Baptist (1490/95) and it could be said that Botticelli was inspired by it.

Michelangelo Buonarroti was a sculptor, architect, painter, and poet. He was, perhaps, the most potent force in the Italian High Renaissance. His work exerted a tremendous influence on his

Italian Early-Renaissance painter Sandro Botticelli’s “The Adoration of the Magi of 1475,” is interesting overall for its visual composition, and the narrative going on within that composition. As far as introductory details, the work probably falls into the religious painting genre, but with elements also found in Renaissance pastoral landscapes, such as the presence of Roman ruins and a muted, earthy color scheme. The work consists of tempera on wood panel, and is a fairly large 44 in x 53 in

Giovanni Bellini, (born c. 1430, Venice [Italy]—died 1516, Venice), Italian painter who, in his work, reflects the increasing interest of the Venetian artistic milieu in the stylistic innovations and concerns of the Renaissance (metmuseum). Bellini was one of the most influential Venetian artists. He lived and worked in Venice all his life; his career spanned 65 years. Little is known about Bellini’s family. Bellini’s father, Jacopo, a painter was a pupil of the Gentile da Fabriano, in any case, Jacopo introduced the principles of the Florentine Renaissance to Venice before either of his sons (Britannica). Jacopo strove to ensure that his sons would become distinguished painters as well and, it is said, often pitted them each other.

Fig. 1 captures the very moment that the archangel Gabriel comes down from the heavenly realm to earth to announce to Mary that she will conceive the Christ-child and he shall be called Jesus. The gold of his crown is representative of the “celestial realm that he has left to deliver this message” (Kleiner, 2010:387). The announcement is depicted very much in the moment as the words are quite literally illustrated with the text "Ava gratia plena Dominus tecum" (Van Dijk, 1999:420), which leave his mouth from left to right as if they were encapsulated in a speech bubble. The phrase is in fact inscribed in Latin and reads as "Hail, Mary, full of grace, blessed art thou among women” (Van Dijk, 1999:420). The draping cloth around Gabriel’s gold-infused light blue robe whips around the angel as if he had just land and his wings, which are still erect, depict an effortless grace of divine delicacy in the way that Martini executed them. Making use of undulating, long curved linear lines, they are almost liquid-like in their fluidity. The angel is painted holding a branch of olive leaves in his left hand. This is a symbol of the Christ-head and his coming to earth as the “Prince of Peace” (Emmerson, 2006:456), and also makes a reference to the traditional biblical story of Noah, the ark and the dove returning with an olive branch as a promise of the covenant of peace made by God with man (Genesis 8:11, English Standard Version)

On March 6th, 1475 Leonardo di Buonarrota and Francesca Neri had their second out of five sons in the small village of Caprese, Italy. They named him Michelangelo di Lodovivo Buonarroti Simoni. But soon after being birthed Michelangelo moved to Florence, Italy with his family.

There were several individuals that helped revive and restore different aspects of this era. Fra Angelico, a notorious priest and talented artist helped to bridge the Gothic Age to the Renaissance. Botticelli, a painter, helped to revive classicism with bold realistic representation and mythology of ancient Rome and Greece with his work, “The Birth of Venus”. Venus was born from seafoam, although some believe she could’ve been born from the rib of Zeus. Some see the painting as the rebirth of Aphrodite.

In the Romano Pitesti case, Tickton-Jones’ Management Team is faced with a situation that is not altogether uncommon in the business world, in that some employees feel that members of the Sales staff are being given “special” treatment by the company. Romano’s actions have probably not been as bad as what has been described to Management, but due to the fact that employees are still trying to find their place in the new, combined company, any hint of “unfairness” is immediately put under a microscope by other employees, and therefore, Management will have to take some sort of action, in order to show the other employees that their concerns are being taken seriously.

The painting was a commissioned work for the Medici Family of Florence, a powerful political and financial family which would later go on to become an influential royal house for centuries. Throughout the painting, there is evidence of movement and a prevailing sense you