Sandro Botticelli Essay

Botticelli was able to master these techniques due to being taught by another prominent Renaissance artist, Filippo Lippi. First, there is a lot of detail. For example, there are hundreds of different types of flowers and leaves in the meadow. Upon looking closely at the clothing of the different characters, one can see the immense detail used by Botticelli in the tassels and fabric of the clothing. Furthermore, the flower detail connecting Flora to Chloris is a small detail that has a deeper emblematic meaning. The standing positions of characters give off a vibe of elegance and grace to viewers; according to Dr. Harris an Art Historian from Khan Academy, "She (Venus) tilts her head to one side and holds up her drapery and motions with her hands and looks directly at us," (Harris). The position of Venus is very elegant and inviting to viewers. Also, Botticelli portrayed the subject matter in a naturalistic way, a common convention of the Renaissance. Botticelli paid attention to the canon of proportions or the standard for symmetry of the face and body as evidenced by the similarities between the La Primavera and other Renaissance paintings, all of which depict the standards of beauty of the time or what was ideal beauty. Formally speaking, Botticelli went against the conventions of the

Fernando Botero is an internationally acclaimed figurative artist and sculptor. He is one of the most traded and recognized artists from Latin America. His art is exhibited in international museums worldwide and follows an art-style he spent years to perfect. Fernando Botero’s success began in Columbia; he then moved Barcelona, Madrid and finally Paris where he now spends most of his time. Botero’s beginner art was frequently criticized for “lacking its own identity” as it was influenced by the works of various renowned artists such as Diego Rivera, Pablo Picasso, Francisco Goya and Diego Velasquez. As a result, Botero developed his own, unique style known as “Boterismo” (Bertamini). However, Fernando Botero’s newly founded style was often

Giovanni Boccaccio's the Decameron, written in the Early Renaissance, is a sharp social commentary that reflected the ideas and themes of the Renaissance and of Renaissance Humanism. His tales of nuns and priests caught in compromising situations, corrupt clergy selling chances to see religious artifacts, and of wives cheating on their husbands show the changing ideals of the time and the corruption that was running rampant within the church and in the lives of the general populace. The Decameron speaks against this corruption and reflects the secular attitude of living as happily as possible, demoting the principals of Christian morality that had ruled daily life in the time before the Renaissance. Another concept that sprung from the

Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

It portrayed the woman as being the care giver of life, and it showed her as something everyone looked up to, either for riturals or as a figurine of fertility. She may have been the Goddess of life; a status similar to “Mother Earth.”. However, I believe that the purpose of ti was to show woman what their capabilities were, and it seemed to focus on the strengths that they possessed and what their functions in society were. In this case, the large breasts, stomach, and hips (Selen). It potentially was used to symbolize new life, or maybe even a new beginning. Now if you focus on this statuette you will notice that it’s roughly only about 4 inches long. The statuette is named the “Venus of Willendorf” after Willendorf, Austria, where she was found, and the name “Venus” was named after the ancient Roman Goddess of Love

Thirty-four years after Sofonisba Anguissola became court painter to Phillip II, Artemisia Gentileschi was born in 1593. Unlike Anguissola, Artemisia Gentileschi was fortunate enough to have a well-established painter as a father. Orazio Gentileschi was a follower of on of the leading Baroque painters Caravaggio, who’s paintings utilized dramatic lighting and focused on the narrative of his realistically plain characters. Orazio trained his daughter in Caravaggio’s style until he found that her talents surpassed his own. He then hired Agostino Tassi to take over her training and to teach her perspective in 1611. However, Tassi raped Artemisia, falsely promising to marry her afterward. Orazio sued Tassi for the rape of Artemisia and the theft of several pictures. The trial lasted for five months, and Artemisia had to endure the thumb screw, a lie detector test of the time. Tassi was found guilty and spent eight months in prison before being released. Even though Tassi was found guilty, Artemisia was labeled as a “licentious woman ever since.” It is speculated that this trial acted as inspiration for many of Artemisia’s paintings, which included subjects of heroic women.

Artemisia Gentileschi was an Italian painter who lived 1593-1656. She is known today as one of the most talented Baroque painters in history. Artemisia Gentileschi was not only known for her artistic talent, but also for the bold subject that she touched on in the majority of her paintings: woman equality. She knew how women were viewed by men and wanted to do something to change it. More than 90% of Gentileschi’s work features women who are showsn as being equal to men. She went against the stereotypical view of women as being sensitive and weak and portrayed the women in her work as courageous and powerful. At this time, women weren’t taken seriously so the fact that she stood up for what she believed in and portrayed her thoughts

The visual work I have chosen is the Bith of Venus and is one of the world’s most famous works of art. Painted by Sandro Botticelli between 1482 and 1485, it is the first example of painting on canvas. The written work I have chosen is the Stanze per la Giostra. It was written by Angelo Poliziano, written between 1475-8. Both works are examples from the Italian Renaissance era, during the Medici rule, and share the theme of beauty and humanism. The works I've selected share the same subject matter, Venus, and is the perfect example of beauty and humanism. She is the epitome of beauty and her birth from the sea is an example of her metamorphosis of humanism. For this paper, I will compare both works then discuss how the shared theme is seen in contemporary works. How does Venus and her beautiful metamorphosis fit into contemporary forms of beauty and humanism?

Venus of adonis was painted by Tiziano Vecellio and dates back to A.D 1400-1600. He was one of the greatest italian renaissance painter and he was recognized as a great painter early in his life. He was a master of the oil medium and a supreme colorist. Many of his paintings represent either religion, antiquity and/or beauty. In his painting of Venus and Adonis it was inspired by a tale called Ovid’s Metamorphoses and therefore was called poetry in paint, also known as poesie (The MET). The painting portrays the goddess Venus has fallen in love with Adonis. The goddess Venus is trying to hold back Adonis because she does not want him leaving, since he is a hunter. While the goddess Venus is trying to hold Adonis back, his dogs are

Artemisia Gentileschi’s Venus and Cupid is a painting of an angel caressing a woman resting on the bed. In actuality, the painting is about Venus, the Goddess of Love, who is asleep in a very luxurious and classical environment. While she is asleep, Cupid diligently wields a peacock-feathered fan to keep away pests, which makes the environment more safe and peaceful. Primarily strong contrasting lights and darkness display Gentileschi’s work, perhaps inspired by both her father and Caravaggio. Her paintings are all primarily bold compositions for example the

nude goddess and depicted the same image in his painting The Birth of Venus (1482). This

His many works include the “Palazzo di Parte Guelfa,” the “Rotonda degli Angeli,” and the “Ponte a Mare at Pisa.” There is however some debate to whether Brunelleschi was responsible for the original designs for the Pitti Palace. After his death he was buried in Santa Maria del Fiore. However, his tomb was not discovered until 1972 (Lombroso 5).

In the Romano Pitesti case, Tickton-Jones’ Management Team is faced with a situation that is not altogether uncommon in the business world, in that some employees feel that members of the Sales staff are being given “special” treatment by the company. Romano’s actions have probably not been as bad as what has been described to Management, but due to the fact that employees are still trying to find their place in the new, combined company, any hint of “unfairness” is immediately put under a microscope by other employees, and therefore, Management will have to take some sort of action, in order to show the other employees that their concerns are being taken seriously.

Also known by the titles "Venus, Cupid, Folly, and Time" and "A Triumph of Venus", this painting was on purpose designed as a complex, erotic allegory that includes an extent of iconographic symbols from the ancient world of mythology. It was a present from Cosimo de Medici to King Francis I of France. Being rich and vivid in symbolism relating to the constituting ideas of the High Renaissance, the painting gives Bronzino the opportunity to establish his maestro figure painting and portrait art. Through personification of qualities and varying contrast and brightness, Bronzino is able to justify that personal gains outweigh anything and everything that is moral.

Her naked form is a very rare element in the picture. During this time period, nudity was strictly reserved to convey the idea of pure innocense or virginal qualities. Yet, Botticelli uses the nudity to symbolize innocence and the untouched skin. Her form is soft and womanly and the seashell that she rides on also reflects the thought that she is unblemished and untouched, much like a pearl. Her hair is speckled with fine gold and is flowing naturally. It also serves to naturally cover her naked body and suggest an innocent and almost Eve like quality. This also is a deliberate attempt at recreating art from earlier Greek works which embraced the natural beauty of the body, especially amongst the gods and goddesses of ancient Greece.