Satire 3 John Donne Analysis

There is a direct link in Book I and Book IV of the Once and Future King from the animation and adventure that Wart experiences to the fall of King Arthur’s reign. The shift is long and detailed but in the end everything ties together. Although at points the plot is grim, White throws in a little bit of satire throughout every book, for example in Book II when the Orkney environment is harsh but then it is contradicted by the behavior of Sir Pellinore, Sir Grummore, and Sir Palomides. In Book III, it is very descriptive and tedious with a darker tone, but then also is offset by Lancelot’s adventures. It is evident that the tone changes drastically from Book I to Book IV but what I noticed, is that the same themes and ideas are

Use the guided analysis exercises within the lesson as a model for this part of the assignment.

On the surface, John Donne’s poem “The Flea” dramatizes the conflict between two people on the issue of premarital sex, however, under the surface, the poem uses religious imagery to seduce the woman into having sex. The speaker in this poem is a man, who is strategically trying to convince a woman to have premarital sex with him through the conceit based on a flea, however, the coy lady has thus far yielded to his lustful desires. The speaker’s argument has the form of logic, which contradicts to its outrageous content.

John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.

Religion in the Middle Ages takes on a character all of its own as it is lived out differently in the lives of medieval men and women spanning from ordinary laity to vehement devotees. Though it is difficult to identify what the average faith consists of in the Middle Ages, the life told of a radical devotee in The Book of Margery Kempe provides insight to the highly intense version of medieval paths of approaching Christ. Another medieval religious text, The Cloud of Unknowing, provides a record of approaching the same Christ. I will explore the consistencies and inconsistencies of both ways to approach Christ and religious fulfillment during the Middle Ages combined with the motivations to do so on the basis of both texts.

     Don Quijote was a tall, skinny “wanna-be” who found himself morally obligated to involve himself in other people’s business for the sole purpose of acting as a proper knight errant would. Although he believes that his “battles” help solve situations (though the results is usually the opposite), what it comes down to is that he wants to be famous, to be in love with his woman, to be accomplished, recognized, and adored. Therefore, Don Quijote’s motives are self-serving, and not “by-the-book” as a knight errant should be. “As much for the sake of his own greater honor as for his duty to the nation, he decided to turn himself into a knight errant...” (p. 15) The thing was, this was how knights generally were - a

The Renaissance period was marked with bouts of religious change, from the Protestant Reformation in Germany to the formation of the Church of England. Much of the literature published during the Renaissance was a reaction to these constant changes – the works of John Donne and Francis Bacon are no different. Donne and Bacon were prominent writers of their time. They were well-known for indulging in religious debate through their work, especially with relation to other societal issues such as the rise of science. Donne's Satire III highlights the issue of religious uncertainty

A text is essentially a product of its context, as its prevailing values are inherently derived by the author from society. However, the emergence of post-modern theories allows for audience interpretation, thus it must be recognised that meaning in texts can be shaped and reshaped. Significantly, this may occur as connections between texts are explored. These notions are reflected in the compostion of Edson’s W;t and Donne’s poetry as their relationship is established through intertextual references, corresponding values and ideas and the use of language features. Edson particularly portrays key values surrounding the notions of the importance of loved based relationships, and death and resurrection: central themes of Donne’s Holy Sonnets

Oscar Wilde’s The Importance of Being Earnest is truly a satire. In The Importance of Being Ernest, Wilde mocks the society in Britain, and the rules it followed in the 1800s. He uses satire in the description of every character and other themes like marriage, intelligence, morality, and lifestyle primarily aimed at the upper class of the time. At the turn of every page the use of satire proves again and again to be ideal when questioning the morals and values of people.

Molly Ivins once said, “Satire is traditionally the weapon of the powerless against the powerful.” She has been shown to be correct in many works, including A Tale of Two Cities by Charles Dickens. In A Tale of Two Cities, Dickens uses his position as an influential writer in Victorian London to call for change and reformation. He mindfully mocks the workings and current events of Victorian London, and he uses satire to call certain situations to light so that they will never be repeated. This can be seen through scenes in A Tale of Two Cities, where Dickens mocks the London judicial system, the French nobility, and The French Republic which formed after the revolution.

The ideas that are received from the poems of John Donne and George Herbert present us with a very distinct view on God, and more generally, religion. Both were writing in the late 1500s and early 1600s; however the methodologies used by each are very distinct.

     Poets have often used symbols to convey deeper messages that they were either too afraid or felt that normal language lacked the power to express. Often when a symbol is used, the reader digs deeper into the issue more than if the message was simply shot out in the open. These symbols and metaphors can be used to portray beautiful things, or could be used to create a more compelling argument in a more subtle way.

I shall now talk about how religion relates to Donne’s poetry. His life passed during a major change of religion in England the king wanted all control of the church so he could divorce his wife, he declared himself head of the Church of England. My first poem that relates to religion is ‘The Flea’ in this poem Donne is trying to convince a woman to sleep with him by using religion to sanctify him sleeping with her for example when he says ‘Where we almost, nay more, than married are…our marriage bed, and marriage temple is[2]’, he makes the bed seem holy and that g-d wants them to sleep together this may of reassured her as it connects g-d and the church together to make everything alright and holy . This poem proves that Donne is a very

John Donne’s I am a Little World curates an idea that we have lost our purpose in this world due to sin. The author wishes to God to be washed away, or better yet burned away, to cleans his heart and soul. He believes that our bodies are now poisoned and ruined beyond repair and to start anew with fresh flesh. The notion that the author feels strong enough to lose his body and start over once more is enough evidence to show that he does hold strong faith amongst his sins and is a true follower of God.

To this day John Donne is still considered to be one of the greatest love poets from England. He was born to a Elizabeth Heywood and John Donne, some time between January 24th and June 19th in 1572. His mother Elizabeth Heywood was the youngest of her siblings and the grand-niece to the Catholic Martyr Thomas More. His father John Donne was a prosperous London merchant, but his actual father died when Donne was only four and was believed to be a descendant from an ancient family in Wales. The family was Roman Catholic and this was a very anti-catholic period in England and this would greatly affect Donne in many ways throughout his life.