Sculpture and Donatello

Michelangelo was born on March 6, 1475 in Caprese, Italy. Michelangelo was known to be one of the best artists during the renaissance. Michelangelo never was interested in school work. He was always amazed by the painters and artist that were around him. Thus, igniting the flame and desire of him becoming a painter, artist, poet and sculptor. At the age of sixteen Michelangelo sculpted two reliefs, Battle of the Centaurs and Madonna Seated on a Step. Two of Michelangelo’s famous works was the Pieta and David. David is meant to symbolize a young, courageous warrior with a bow and arrow ready to take down his enemy. Michelangelo mad David out of discarded stone, a fact which most people are not aware of. Some other works that Michelangelo did

The artwork I have chosen is ‘Samson Captured by the Philistines” by Giovanni Francesco Barbieri, better known as Guercino. The painting is an oil on canvas and was painted in 1619 in Venice. The dimensions of the painting are 75 ¼ x 93 ¼ inches (191.1x236.9cm). Guercino is an Italian-born painter and mostly associated with Baroque style art. He got the name Guercino from Guercio, which means cross-eyed in Italian. I am going to give a detailed formal and content analysis of the artwork. The formal analysis will be as detailed as possible and will allow you to have an astonishingly similar imagined piece to the actual artwork, after reading the analysis. The content analysis will be how I interpret this artwork and how it reflects the period

The masterworks of Bernini and Canova shared similarities along the lines of the sculptors’ works were crafted with precision and a keen eye for detail and were successful in giving their works a realistic effect. Both workers were masters in their own time and were able to manipulate marble to as though they were constructing a painting. They both incorporated classical forms in their works, depicting great scenes from mythical stories that could be viewed in great detail at a 360-degree angle.

One of the most famous painter and sculptors of the Italian Renaissance, the age of renewal and cultural achievement circa 1500, was the artistic genius Michelangelo Buonarroti. The man that desired nothing but perfection often reached it in his work. He captured the motion of the human figure and the anatomy of muscles in a way that was increasingly beautiful and startlingly realistic. Whether because of one of the most famous sculptures in history, “the David” or the paintings on the ceiling of the Sistine Chapel, that became the textbook examples for the art period of High Renaissance, Michelango’s art changed the world and he will continue to be studied with awe throughout history.

Renaissance art created standards and principles that every painting and artist had to utilize in order to even be considered good, let alone great. Characteristics such as the phenomenon of natural light, one-point and linear perspective, and highly idealized religious or mythological figures changed into the Baroque techniques of manipulating light to create emphasis, dramatizing the illustrated allegory, and unidealized realism. Additionally, “… the Baroque trend dominated and gave its name to the age… [but it was the presence of both styles] that give the Italian seventeenth century its richness and diversity.” (4) Italy, and Rome especially, is home to what can

Paul Robert Walker writes the novel, almost biography, by the name of The Feud That Sparked The Renaissance: How Brunelleschi and Ghiberti Changed The Art World. The book opens with history of Italy and the many epidemics of the bubonic plague that hit with strong force. He states that many of the artists in Italy at the time were brought to a large competition to make a new set of sculpted doors for the St. John’s Chapel where John the Baptist is said to have baptized followers of Jesus. Lorenzo Ghiberti won the competition due to his higher skill in the craft; however, the judges also kept Brunelleschi’s door panel as second place. After the competition, Brunelleschi, who feels distraught and defeated, begins a new career as an architect, and studies the laws of perspective.

Stephanie Stromenger ARTH II Midterm Budzynski David David is a significant and prominent symbol during the Renaissance in Florence. In the Biblical depiction of him, David is described using the power of his faith in God to defeat Goliath. David, a young shepherd equipped with only a rock and sling, is physically outclassed by the sword-wielding Goliath. The amorless David defeats Goliath using his intelligence and more importantly, God's love.

Without the guidance and support of Lorenzo Medici, a patron of the arts who lived in Florence (1449-1492), the art and architecture of the fifteenth century and its influence on later art would not be as great as it is today. Guided by the way he was raised, those he had around him, and what he did for the art community, even as a young patron, de’ Medici changed the time period itself. Earning the title Lorenzo de’ Magnifico for his success promoting and supporting artists, and not because of his political leadership, Lorenzo Medici made an important contribution to the world of art and architecture as one of the time’s major patrons. Throughout this research paper, I will write about several different aspects of de’ Medici’s life. First

The work force to create this ideal city was present, talented artists were at an all time high and finally in demand. The Renaissance saw the artist become a highly admirable profession , a skilful career and thus intense competition occurred. Artists competed for jobs and because of this we see the character of Renaissance art in Florence being shaped by the Medici family. As one of the leading patrons , five generations of Medici played great parts in supporting the arts of the 15th century, they commissioned some of the greatest artists, giving opportunities to up and coming artists with new visions , their significant wealth allowing them to do this. They were deeply religious and funded the construction, restoration and decoration of ecclesiastical sites.

The Italian Renaissance was an explosion of the arts in Italy, not only in painting and architecture, but in sculpture as well. Over the span of about eighty years, sculpture became transcendent during this time. Sculpture style has evolved over the course of many years from something that was not just considered philosophical or just simply aesthetic, but to something that involves and combines both. One artist that started this shift was Michelangelo. Michelangelo created breathtaking statues, and because of his innovative thinking and style, he paved the way for other extraordinary and visionary artists like Bandinelli and

Richard Serra was born November 2, 1939, San Francisco, California. Richard is currently 76 years old, and still continues his art projects and sculptures. Richard is widely known for his colossal conceptual steel made sculptures, which grasps the attention of viewers to occupy sheer size characters of the exertion and their state. Richard is a minimalist, which is someone who through art expresses reform in politics or advocates it through music. Richard Serra is also a post minimalist, which usually uses everyday objects, simple materials, and sometimes take on a pure, religious appealing visual. Richard is a talented artist who uses art as an analogy or emblem, proposing a concept of knowledge of power, severity, space, progression, and

Michelangelo and Donatello were the most respected and inspiring artists of their time. Michelangelo of the High Renaissance and Donatello of the Early Renaissance both hailed from Italy. Both tell the biblical story of David versus Goliath, as told in I Samuel 17:28-51, in their sculptures "David." David was a Shepherd boy who killed the giant Goliath with nothing but a slingshot in his hands. Michelangelo displays David before the battle while Donatello shows David after the battle with Goliath. Michelangelo and Donatello were two of four famous artists who have created a statue depicting their image of David; Bernini and Andrea del Verrocchio were the others,

For any wealthy person living in the Italian Renaissance who wishes to commission a work of sculpture, there can be no other choice to consider other than Michelangelo Buonarotti (1475-1564). The Florentine is truly the embodiment of the term “Renaissance Man” insofar that he distinguished himself as a painter, architect, poet, and engineer, but his greatest distinction, as he thought of himself, is as a sculptor.

During the 15th century, Florence was the home of the Renaissance and the birthplace of our modern western world. You can enjoy much of the greatest art created, during that exciting age, today like Michelangelo’s David or Botticelli’s Birth of Venus. There’s also Ghiberti's glorious 3D bronze gates, Fra Angelico’s serene beauty of paintings and the Duomo that kicked off the Renaissance.

One of the very first example of David used as a sculpture is seen in Florence Italian Renaissance. The sculptor, Donatello, was the very first artist who created David as a statuary, freestanding nude male figure. Donatello's work of David took about twenty years to complete, from 1440-1460. In his work, Donatello casted David in bronze, and it is displayed in the courtyard of the Medici Palace in Florence. In the middle ages, nude statues represent "both indecent and idolatrous, in general, appeared only rarely in art -- and then only in biblical or moralizing context; for example, the story of Adam and Eve" (Kleiner 456). Donatello portrays David not as a Greco-Roman God, hero, or athlete. Instead, he portrays David as a youthful biblical slayer of Goliath, which is the symbol of Florence Republic. David represents the Medici identifying themselves with Florence or at least, they are responsible for Florence's prosperity and freedom. "Donatello's David possesses both the relaxed classical contrapposto stance and the proportion and sensuous beauty of the gods of Praxiteles, a famous Greek sculptor" (Kleiner 456).