preview

Sex Through The Centuries By Emily Dickinson

Decent Essays

Sex through the Centuries
When writing a poem that asks or pleads for sex one must be careful to disguise it so as to not scare off the person for whom it is intended. The two poems listed below accomplish this by asking for sex without blatantly asking for sex. The earlier writing from 1606 “Come, My Celia, Let us prove” by Ben Jonson shows more eloquence and wordplay than the more recent poem “Wild Nights-Wild Nights” by Emily Dickinson. This is partly because of the way that people spoke at that point in time, and partly to disguise the meaning with subtlety. The more recent poem shows less eloquence, but it does have a double meaning. They are both, however, deceptive on the surface with underlying sexual messages in their context.
A comparison of “Come, My Celia, Let us prove” by Ben Jonson and “Wild Nights-Wild Nights” by Emily Dickinson shows that love and desire are not a new thing, but that they have existed for a long time. The message is the same, but the way that they are expressed differs. Both of these poems are about the urgency of a romantic encounter that the authors wish to happen. “Come, My Celia, Let us prove” was originally a song in the play Volpone (1605), where Volpone unsuccessfully attempts to seduce Celia by offering gifts and pleasure. Edwin S. Lindsey, University of Chattanooga, writes “Celia, the beautiful wife of old Corvino, is betrayed into the hands of the crafty and wanton old Volpone. He tries to seduce her, using all the lures of wealth,

Get Access