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Shopping And Shameing In The Play 'The Cut' By Mark Ravenhill

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Shopping and Fucking by British playwright Mark Ravenhill is an extremely provocative theatrical work. Categorized as a realistic or naturalistic play, Shopping and Fucking is an extreme commentary on consumerism in the late 20th century. However, there are very few qualities tying it to this genre of theatre. Looking at the text and subject matter, along with the few productions that have been produced, it becomes clear that Shopping and Fucking isn’t your run of the mill - everyone sits at the Thanksgiving table and has a conversation (a la The Humans) - work of naturalism, as many other plays that fall under this genre are. Shopping and Fucking is less a work of realism, but more a work of in-yer face theatre and capital “A” Absurdism. Shopping and Fucking follows …show more content…

A pioneer in the genre of in-yer-face theatre, Ravenhill regularly addresses sensitive and uncommon subject matter in his plays. Although Shopping and Fucking is one of his more uncensored works - and his inaugural work at that - he brings up risque topics in another one if his works, entitled The Cut. The Cut is rather vague - think George Orwell’s 1984. It takes place in an unspecified time and place, but the language and themes are still poignant as ever. In the first scene, the word “Cut” or any form of it (“Cutter,” etc.) is mentioned 36 times. What is interesting is that everytime the word “Cut” appears, it is capitalized. This makes the reader think that it is something especially important. However, they only infer to what “the Cut” is. It is inferred that “the Cut” is essentially ending an individual’s life. This can be inferred from the stage direction at the end of Scene One, “Long, long pause. John gasps as the instruments go in.” (24). Again, this beating around the bush, while still being incredibly provocative and graphic, isn’t so much in line with naturalism as it is with Absurdism or in-yer-face

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