The movies Hidden Figures, and Bend it like Beckham, directed by Theodore Melfi and Gurinder Chadha respectively, both explore the dangers that are inherent in a marginalised society. Each text demonstrates that hope for change is needed in society as it can build the momentum for an individual to strive. Through these texts, it is observed that people have no conscience about harming others until they learn the truth about their circumstances. This is depicted by the way in which Jess’ coach Joe behaves after learning about her cultural expectations in Bend it like Beckham. Similarly, this is shown in Hidden Figures by Mr. Harrison. Both directors emphasise that the abuse of power leads to corruption and this can be seen through the segregation between the black and white people in Hidden Figures and the way in which cultural values overrule the lives of the Bhamra’s in Bend it like Beckham. Both characters highlight the importance of creating opportunities rather than seeking it, this is shown when Mary Jackson goes to court for educational rights in Hidden Figures and in Bend it like Beckham when Jess stands up to her father who appears to be patriotic about his culture. The resolutions to both texts justify that determination comes from within and that though many factors can outweigh a person’s ability to triumph, consistency can lead to rewarding results. Through the use of cinematic techniques we are able to further increase our understanding of perseverance through the different but relative concerns of each text.
Abuse of authority influences people to believe that they rule over everyone that is below them, however, in both texts the protagonists are very outspoken and this is represented through the use of Characterisation. Characterisation in both texts is used to mirror the nature of a person that is experiencing adversity in an attempt to fulfil an interest, this technique is also used to inspire viewers. Evidence of this is demonstrated in Bend it Like Beckham when Jess stands up to her family even though the odds are against her. Jess’ family discourages her with words such as “what is wrong with you Jess? If you're going to bother lying at least do it for something good" (Bend it like
The film ‘Hidden Figures’, directed by Theodore Melfi, follows the story of Katherine and Mary, two African American women who work at NASA, but are stopped from achieving their goals because they are ‘coloured’. Melfi uses props, dialogue and music to manipulate the audience to think that racism takes effort to resolve and that we are all human. Melfi does this to influence us to change the way we think and feel about people.
When choosing a film for this assignment, my original choice was Bend It Like Beckham because I had heard of it and I had a general idea what it was about. I then decided that I wanted to take on a more challenging film, one that I had never heard of, and one that I would really have to study to understand its full meaning. After looking into a few of the listed movies, I ended up choosing Whale Rider, a drama filmed in New Zealand in 2002. After watching the movie two times, I feel that I now understand some of the more drastic cultural and gender based problems that are occurring today.
One of the themes that stand out the most in the film is the struggle to overcome adversity and push through problems in one’s life that could otherwise get in the way from achieving goals. In the film, many
While the former are portrayed as victims, the latter are shaped as artful supremacists and tenacious manipulators. However, the filmmaker manages to alleviate this idea by infusing wit and irony, aspects that remove part of the heaviness related to the topic itself, at the same time that enhance the entertaining values of his work.
Throughout the 1900’s racial prejudice behaviours were adopted during the colonisation of white Europeans in counties deemed undiscovered. The play ‘No Sugar’ written by Jack Davis, published in 1986, encompasses the impacts of racial discrimination inflicted on the Indigenous Australians during the attempted assimilation into Western Society. Similarly Tate Taylor explored issues of racism in America in the film, ‘The Help’, released in 2011. Set in the 1960’s, ‘The Help’ showcases the racial discrimination in Jackson, Mississippi, focusing on the coloured women left with little choice other than to work as a maid in the homes of white families. Both texts present the same ideas being, minority groups, such as Aboriginals and African-Americans, are severely discriminated against in society simply due to their race; and marginalized groups begin a resistance movement within society towards equal rights. The two different texts present the same ideas through conventions such as dialogue, characterisation and colloquial language to highlight the two ideas.
The films, Remember The Titans and The Sapphires are both discovering significant social messages of racial conflict. With these messages and the techniques used in both films they have resulted in two powerful films that highlight racial discrimination. This essay will explore the relationship between the filmmaking and the social messages it is trying to highlight, as well as the similarities, differences and techniques shared between both films
Both Laura Mulvey and bell hooks describe the idea of the “gaze” in film. In both of the theories presented by Mulvey and hooks, the “gaze” is the way in which viewers are subjected to a particular perspective because of their social standing. In Mulvey’s case, she argues that the “gaze” in which the audience is forced into is that of the “male gaze” while hooks argues a more nuanced “gaze” including the “oppositional gaze”. While some of Mulvey’s argument is accurate, hooks argues that it leaves out important other factors, in particular, race. Both arguments have many similarities and differences, and can be seen exemplified in many films, such as Spike Lee’s She’s Gotta Have It.
The 2016 historical / drama film, Hidden Figures directed by Theodore Melfi explores the themes of racism and sexism in America during the 1960’s. These themes expresses Theodore Melfi’s intention of this film is displaying that sexism and racism is hard to abolish. Melfi uses visual and verbal features of dialogue, costume and symbolism to contribute to the director’s intention.
Overall, ‘Bend it like Beckham’ was an inspiring and comical film of the conflicts that arise in the clash of culture versus family/culture. Many themes were presented within the film such as wanting is will. This theme is explained with the constant perseverance of Jess, where she set a dream for herself and never gave up, in the end accomplishing what she dreamed for; her goal. Another theme explored was that of, your parents don’t always know what’s best for you. Times
This film presents an individual that chooses not to conform to modern society, and the consequences of that choice. The main character
There are age related conflicts, cultural conflicts, religious conflicts and value based conflicts. This movie is a film highlighting many cultural conflicts. These conflicts continuously erupt in a working class Michigan neighborhood. We will first examine a scene with religious cultural conflict. In the same scene we will see age based cultural conflict as well. Next, we will examine a racial cultural conflict between the Hmong people and an American. After examining cultural conflicts, we will show two examples of popular culture in the film. Then, we will provide the conflict management styles we would have employed to bring the same result as the current ending without the bloodshed and a general opinion of the film.
The film grants audiences to gestate their understanding of the movie and the manner experiences antiquated regarding racial violence and prejudice. The ineptitude of history implies to the intellectual chattels that chronicles and culture can have on all progeny. Malcolm Little would ultimately revolutionize into his worst adversary, that entangled with the decisions he would subsequently make. Malcolm's philosophic mentality and provocation with death was indicative to his life. The remarkable depiction in the film pronounced the indubitable fortitude and essence of the audience.
[1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.
In ‘Bend it Like Beckham’ the Indian culture is reconnoitered through conventional Sikh pious principles. For instance the importance of cultural rituals, cookery, clothing, the traditional role of a woman, and the particular importance given to elders (A. Ratna). The Indian Sikh culture integrates prayers into their daily life. For example, the Bhamra family hung a portrait of Guru Nanak, the founder of Sikhism and Jess's mother is regularly praying and talking to the portrait. Unlike her mother, Jess has a portrait David Beckham, above her bed, and she is seen talking to the image about issues present on in her life. This portrait has a comparable part in Jess's life as that to the portrait of Guru Nanek.
First I will present a basic breakdown of the movie including: who the characters are, their roles, and plot summary. Next, I will present the arguments in regards to the theories of Utilitarianism and virtue theory, and how the film and characters conveyed them. From here I will show the breakdown of the meta-ethical aspects of the film in regards to human nature and how evil attempts to triumph over good. I will conclude by summarizing how these characters had complete disregard for ethics and their own morals.