Sonnet 130 Figurative Language

In like manner, the last verse in Neruda’s sonnet, “My love: I love you for clarity, your dark” could be interpreted to mean that the speaker loves his beloved to continue being a mystery for him in so that he could find more beautiful qualities about her by focusing on her unattractive qualities first. Similarly, Shakespeare’s last couplet, “And yet, by heaven, I think my love as rare as any she belied with false compare” display’s the speaker’s love for what is real rather than how his beloved ought to be. In brief, the imagery plays a huge part within both sonnets because it can give readers insight as to how the speakers think.

Sonnet 130 is a parody of the conventional love sonnet, made popular by Petrarch and, made popular in England by Sidney’s use of the Petrarchan form in his epic poem Astrophel and Stella. When comparing the stanzas of A & S to Sonnet 130, the reader can clearly see that the sonnet does not use grandiose metaphors or allusions to build his beloved into a divine figure. Despite it being an obvious parody, it will be compared to the chosen lines from the Tempest. In Shakespeare’s day, metaphors that allude to putting the beloved on a pedestal of beauty had already become a cliché, but they were an accepted technique for writing love poetry nonetheless. The way these poems would describe the poet’s lover was high idealized, making comparisons

“Sonnet 130”. This poem first starts off with a man or possibly a woman, talking about their mistress in a negative way. Starting off with saying “My mistress' eyes are nothing like the sun” (Shakespeare 1.) This man or woman than starts talking more about how his mistress’s lips,

“My mistress’ eyes are nothing like the sun…” is a sonnet written by William Shakespeare and is also known as Sonnet 130. He wrote this poem to mock the conventional Petrarchan love sonnets which are about women who have unattainable beauty. This poem is written in the Shakespearean sonnet format which consists of a total 14 lines with the first 12 lines divided into three quatrains, and the last two lines make up a couplet. The quatrains establish the motif or problem of the poem while the ending couplet explains or resolves the previous lines. Sonnet 130 is a long conceit where the speaker of the poem goes through a long list of comparisons that seem like insults. The speaker uses juxtaposition to show that his love for his mistress is strong by describing her in a blunt way that seems insulting on the surface, but he reveals in the end he loves her even though she is flawed.

“Sonnet 116” written by William Shakespeare is focusing on the strength and true power of love. Love is a feeling that sustainable to alterations, that take place at certain points in life, and love is even stronger than a breakup because separation cannot eliminate feelings. The writer makes use of metaphors expressing love as a feeling of mind not just heart as young readers may see it. To Shakespeare love is an immortal felling that is similar to a mark on a person’s life.

‘Sonnet 116’ by William Shakespeare and ‘What Lips My Lips Have Kissed, And Where, And Why” by Edna St. Vincent Millay are both sonnets that discuss companionship and a glimpse of the poets’ experiences. In ‘Sonnet 116’, Shakespeare illustrates how capability is weakened by its metaphysical stereotype and ideals such as, love which never seems to wither away according to Shakespeare while on the contrary, in ‘What Lips My Lips Have Kissed, And Where, And Why” Millay feeds on the chaos between the ideal of love and its harsh reality, heartbreak. Both poets seem to be love struck but there is a significant difference in the two. I will compare and contrast ‘Sonnet 116’ by William Shakespeare and ‘What Lips My Lips Have Kissed, And Where, And Why” by Edna St. Vincent Millay. I will also inquire and analyze why this particular form of poetry established different effects.

In the hands of a master such as Shakespeare, the conventions of the sonnet form are manipulated and transformed into something unique and originally emphasized. Both sonnets in one way or another subvert the conventions of the base Petrarchan sonnet; though they are about love, the traditional topic of sonnets, whilst in Sonnet 20 the object of desire is unattainable and there is no evidence of the level of affection being requited, the target is male, and the target of the poet's affections in Sonnet 130 is the poetic voice's current mistress. It also seems important to note that love in neither of these cases is of the generic youthful female Aryan stereotype, and

One of William Shakespeare's tools from his choices of words was figurative diction since most words used to describe the narrator’s mistress were based in comparing her to other objects. For example, the poem starts with the narrator using the words “eyes”, “like”, “nothing”, and “sun”. The narrator introduces an example of a simile from the figurative choice of words since the word “like” is been used to compare her to something else. In this case he's comparing the sun’s brightness to the dull light of his mistress's eyes and the eyes are important because they are the door to the soul. Then in line 2 from Sonnet 130, the narrator says that the color of the coral outcast more “her lip’s red”. This is an example of a metaphor since the narrator

Unlike Sonnet 18, Shakespeare utterly abandons the poetic convention of Petrarchan conceit in Sonnet 130. In this poem, Shakespeare denies his mistress all of the praises Renaissance poets customarily attributed to their lovers. The first quatrain is filled exclusively with the Shakespeare's seeming insults of his mistress. While Sir Thomas Wyatt authors a poem entitled "Avising the Bright Beams of These Fair Eyes," in the first line of Sonnet 130, Shakespeare affirms that his "mistress's eyes are nothing like the sun." John Wootton, in a poem published in England's Helicon, boasts that his love has "lips like scarlet of the finest dye," but in Sonnet 130 , Shakespeare is sure that his beloved's lips are not nearly quite as red as coral (11; 2). Michael Drayton, in his poem, To His Coy Love, begs his lover, "Show me no more those snowy

Each poem reflects the emotions that Shakespeare experiences with the duality of his love. Although each of these poems only show one half of this duality, "Sonnet 144" expresses both while giving a further basis for the understanding of "Sonnet 116" and "Sonnet 147." "Sonnet 144" opens with the line "Two loves I have of comfort and despair," (1). When used as a foundation, this opening line reveals that the reader can expect one of the two sonnets to deal with the comfort of love while the other deals with the despair of love. Shakespeare goes on to say, "The better angel is a man right fair, / The worser spirit a woman, colored ill." (144.3-4) which shows that he considers his young friend to be the comfort aspect of love and his dark woman to be the despair aspect of love. Shakespeare goes on to say that the dark woman tempted his young friend from his side. This shows that an affair has occurred between the young man and the dark woman. Taking this poem as a basis, the reader can better understand how "Sonnet 116" deals with the comfort of love and how "Sonnet 147" deals with the despair of love.

Shakespearean Sonnets consist of 154 Sonnets that are well know for their themes such as passage of time, love, beauty, and mortality. Out of all the Sonnets, Sonnet 130 is the most significant because Shakespeare mocks the concept of traditional Sonnets. The traditional sonnet were usually love poems or Sonnets that person would show how much they praise someone or thing by exaggerating their beauty through imagery and comparisons. In Sonnet 130, Shakespeare does the complete opposite compared to his peers and compares his mistresses beauty in an unflattering way. He compares her beauty to the ideal Elizabethan female of that era but he still expresses his affection to her because of the way she truly looks. After a close analysis of the language and imagery that Shakespeare uses it shows that even with the harsh comparisons, he truly loves his mistress and that its better to express the truth rather than exaggeration of the truth.

An analysis of Pablo Neruda’s “Sonnet XVII,” from the book 100 Love Sonnets: Cien sonetos de amor, reveals the emotions of the experience of eternal, unconditional love. Neruda portrays this in his words by using imagery and metaphors to describe love in relation to beauty and darkness. The poem also depicts the intimacy between two people. I believe the intent of the poem is to show that true love for another abolishes all logic, leaving one completely exposed, captivated, and ultimately isolated.

For this final essay we are going to be writing about two of the six poems that we studied. One of the poems that we are studying is called sonnet 18 by Shakespear,Sonnet 18 is a love poem. The other poem that were studying is called Sonnet 30,Sonnet 30 is a poem about someone who is lacking love. In Sonnet 18 the author is comparing the setting sun to his lover,While in Sonnet 30 the author is explaining that you dont need love to live your life. The point im trying to prove is that both of these poem have good imagery examples, but the poems dont relate that much because there basiclly the complete opposite.

Overall, both of these poems fulfill the same motive. They were written to praise women, but the two use different methods for doing so. In “Sonnet 18”, Shakespeare compares his lover with the negative aspects of summer stating “/Thou art more lovely and more temperate/” (2). On the other hand in “Sonnet 130”, Shakespeare compares his mistress to the good qualities of acquisitive things to show how even though she is not perfect, she is still important to him. He vows “by heaven” (13) that the feelings he has for his mistress are as rare “/As any she belied with false compare/” (14). The messages delivered by the two poems are very unique. In “Sonnet 18”, the woman being described is perfect and does

To begin with, the sonnets both share an obvious and similar subject, which is love. The message in each poem just are delivered in different ways. “The universal Heritage Dictionary, as “a set of attitudes toward love that was strong.’” Sonnet 18 is what you would call your classic love poem. He is explaining how the woman’s love is compared to a summer’s day. He is basically saying his love for her will never die and will always live on. While in sonnet 130, it comes off as very spiteful and mean in the beginning. It’s not your classic love poem that one would be used to. He is pointing out all of her physical flaws by comparing them to things. For example, in the poem he says “I have seen